George Ohsawa's translation and interpretation of Kervran's theory of biological transmutation, in which elements can transmute to other elements in the biological body.
Transgressive, transformative short stories that explore the margins of trans lives. Building on the success of All City, here is a wry, and at the same time dark and risk-taking, story collection from author (and baker) Alex DiFrancesco that pushes the boundaries of transgender awareness and filial bonds. Here is the hate between 16-year-old Junie, who is transitioning, and their mom's boyfriend Chad when the family moves into Chad's house on Lake Erie. And here is the love being tested between Sawyer and his dad, who named his boat after his child and resists changing it from Sara to Sawyer now. There is DiFrancesco's willingness to enter lands that are violent and comfortless in some of these stories, testing the limits of what it means to be human, sometimes returning stronger and wiser and sometimes not returning at all as their characters surge forward into unknown spaces. DiFrancesco's first novel All City (Seven Stories 2019) was praised by Publishers Weekly as a "loving, grieving warning [that] thoughtfully traces the resilience, fragility, and joy of precarious communities in an immediate, compassionate voice." All City was one of BookRiot's "Best Post-Apocalyptic Books of 2019," Entropy Mag's "Best of 2019," and Largehearted Boy's "Favorite Novels of 2019." It was a finalist for the 2019 Ohioana Book Award for Fiction.
This book reevaluates the changes to chymistry that took place from 1660 to 1730 through a close study of the chymist Wilhelm Homberg (1653–1715) and the changing fortunes of his discipline at the Académie Royale des Sciences, France’s official scientific body. By charting Homberg’s remarkable life from Java to France’s royal court, and his endeavor to create a comprehensive theory of chymistry (including alchemical transmutation), Lawrence M. Principe reveals the period’s significance and reassesses its place in the broader sweep of the history of science. Principe, the leading authority on the subject, recounts how Homberg’s radical vision promoted chymistry as the most powerful and reliable means of understanding the natural world. Homberg’s work at the Académie and in collaboration with the future regent, Philippe II d’Orléans, as revealed by a wealth of newly uncovered documents, provides surprising new insights into the broader changes chymistry underwent during, and immediately after, Homberg. A human, disciplinary, and institutional biography, The Transmutations of Chymistry significantly revises what was previously known about the contours of chymistry and scientific institutions in the early eighteenth century.
Transmutations, Singular and Fractional Differential Equations with Applications to Mathematical Physics connects difficult problems with similar more simple ones. The book's strategy works for differential and integral equations and systems and for many theoretical and applied problems in mathematics, mathematical physics, probability and statistics, applied computer science and numerical methods. In addition to being exposed to recent advances, readers learn to use transmutation methods not only as practical tools, but also as vehicles that deliver theoretical insights. - Presents the universal transmutation method as the most powerful for solving many problems in mathematics, mathematical physics, probability and statistics, applied computer science and numerical methods - Combines mathematical rigor with an illuminating exposition full of historical notes and fascinating details - Enables researchers, lecturers and students to find material under the single "roof"
Alchemy is one of the most evocative subjects in the history of science. Alchemy made important contributions to the development of modern science while firing popular imagination so strongly that portrayals of the alchemist at work pervaded the arts. The more celebrated goals of alchemy, like transmutation of base metals into gold, still tease and tantalize. Transmutations offers a thoughtful look at the role of the alchemist in the 17th and 18th centuries, as depicted in a selection of paintings from the Eddleman and Fisher Collections housed at the Chemical Heritage Foundation. This beautiful full-color book reveals much about the beginnings of chemistry as a profession.
In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity--this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms. Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power. "The power of qing or strong emotion is a major theme in late imperial Chinese literature--some writers asserting that it can transcend even life itself. Qiancheng Li surveys a number of seventeenth-century philosophical, religious, and literary texts to elucidate the metaphysical aspects of emotional attachment and of sexual desire in particular. Through his broad and penetrating reading, Li demonstrates incontrovertibly how, to seventeenth-century writers, qing and religion were inextricably linked. To those writers, qing could bring enlightenment, and certainly Li’s study enlightens its readers to new levels of complexity in major literary works of that period. Transmutations of Desire sets a major new milestone in the study of traditional Chinese culture."--Robert E. Hegel, Washington University in St. Louis
Stages of Transmutation: Science Fiction, Biology, and Environmental Posthumanism develops the theoretical perspective of environmental posthumanism through analyses of acclaimed science fiction novels by Greg Bear, Octavia Butler, Kim Stanley Robinson, and Jeff VanderMeer, in which the human species suddenly transforms in response to new or changing environments. Narrating dramatic ecological events of human-to-nonhuman encounter, invasion, and transmutation, these novels allow the reader to understand the planet as an unstable stage for evolution and the human body as a home for bacteria and viruses. Idema argues that by drawing tension from biological theories of interaction and emergence (e.g. symbiogenesis, epigenetics), these works unsettle conventional relations among characters, technologies, story-worlds, and emplotment, refiguring the psychosocial work of the novel as always already biophysical. Problematizing a desire to compartmentalize and control life as the property of human subjects, these novels imagine life as an environmentally mediated, staged event that enlists human and nonhuman actors. Idema demonstrates how literary narratives of transmutation render biological lessons of environmental instability and ecological interdependence both meaningful and urgent—a vital task in a time of mass extinction, hyperpollution, and climate change. This volume is an important intervention for scholars of the environmental humanities, posthumanism, literature and science, and science and technology studies.
Taking its starting point and title from the Gothic novel, this book investigates the revival of a Gothic sensibility in contemporary art: in American and British fiction labelled the "New Gothic"; in film with its long tradition of horror; and in video, music, fashion, design, and underground culture. Gothic accompanies an exhibition at The Institute of Contemporary Art, Boston, of 23 artists. Some employ a detached and reductive formal language to transmute images of excessive and gruesome violence. The old Gothic themes of the fantastic and pathological are infused with potency as they address concerns about the body, disease, voyeurism, and power.
Transmutations is the first book-length study of caricature as both a literary and visual phenomenon. By employing an interdisciplinary approach, Professor Rivers identifies the mechanisms of caricature, analyzes how they work, and examines the reader/viewer's role in the creation and interpretation of caricature. Many of the examples used in the text are from the works of Balzac and Daumier, but caricatures, cartoons, and comic strips of a variety of cultures and eras are offered as well. Also included is the first comprehensive and international bibliography of caricature. Contents: Preliminary Considerations: Problems, Definitions, Goals; Part One: DistortionóThe Disfigurement of the Norm; Part Two: TransmutationóThe Rhetoric of Caricature; Part Three: ContextóThe Matrix of Caricature; Conclusion: The Ideology of Caricature.