Working as an investigative reporter for the newspaper The Word, Spider Jerusalem attacks the injustices of his surreal 21st-century surroundings. Spider ventures into the dangerous Angels 8 district, home of the Transients—humans who have decided to become aliens through cosmetic surgery. And don’t miss Spider’s confrontation with the president of the United States...in a men’s room. Plus, when Spider tries to shed light on the atrocities of these institutions, he finds himself fleeing a group of hit men/kidnappers in possession of his ex-wife’s frozen head. Collects TRANSMETROPOLITAN #1-12!
The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.
Chronicles the battles of Spider Jerusalem, infamous renegade journalist of the future. Spider dedicates himself to fighting the corruption and abuse of power of two successive United States presidents; he and his assistants strive to keep their world from becoming worse than it already is while dealing with the struggles of fame and power, brought about due to the popularity of Spider via his articles.
Investigative reporter Spider Jerusalem attacks the injustices of the 21st century surroundings while working for the newspaper The Word in this critically-acclaimed graphic novel series written by comics superstar Warren Ellis, the co-creator of PLANETARY and THE AUTHORITY.In this third volume, Spider Jerusalem begins to crumble under the pressure of sudden and unwanted fame. Having had enough of the warped 21st century Babylon that he lives in, Spider escapes into a world of bitterness and pills. As he stumbles through this haze of depression and drugs, he must find a way to cover the biggest story of the year, the presidential election. Armed with only his demented mind and dark sense of humor, Spider embarks on an adventure of political cynicism, horrific sex, and unwelcome celebrity which culminates in a shocking and ruinous ending. Collects issues issues #13-18.
Outlaw journalist Spider Jerusalem attacks the injustices of his surreal 21st century through black humor as an investigative reporter for the newspaper The Word in this critically-acclaimed graphic novel series written by comics superstar Warren Ellis, the co-creator of PLANETARY and THE AUTHORITY.In this volume, Jerusalem targets three of society's most worshipped and warped pillars: politics, religion, and television. When Spider tries to shed light on the atrocities of these institutions, he finds himself fleeing a group of hit men/kidnappers in possession of his ex-wife's frozen head, a distorted creature alleging to be his son, and a vicious talking police dog.
The headlong rush, the rapid montage, the soaring superhero, the plunging roller coaster—Matters of Gravity focuses on the experience of technological spectacle in American popular culture over the past century. In these essays, leading media and cultural theorist Scott Bukatman reveals how popular culture tames the threats posed by technology and urban modernity by immersing people in delirious kinetic environments like those traversed by Plastic Man, Superman, and the careening astronauts of 2001: A Space Odyssey and The Right Stuff. He argues that as advanced technologies have proliferated, popular culture has turned the attendant fear of instability into the thrill of topsy-turvydom, often by presenting images and experiences of weightless escape from controlled space. Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights, Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.
In the third year of the seminal series, no-holds-barred investigative reporter Spider Jerusalem delves into the City's police corruption. Despite drugs, drinking, and paranoia, Spider and his filthy assistants are hot on the trail of the truth behind the newly elected president's campaign. This volume includes the stories "Lonely City" and "Gouge Away," plus standalone stories such as "Nobody Loves Me," featuring guest artists Lea Hernandez, Kieron Dwyer, Bryan Hitch, Frank Quitely, and Eduardo Risso. Collects Transmetropolitan #25-36 and a story from Vertigo: Winter's Edge #3.
Prepare to be shocked as Spider Jerusalem takes us on another tour of the city's underbelly, turning over stones and generally stirring up wasp's nests. This story sees Spider, Channon and Yelena on the trail of a vicious gang of killers who are targeting the genetically unclean.