Transitions in Mid-Baroque Music

Transitions in Mid-Baroque Music

Author: Carrie Churnside

Publisher: Boydell & Brewer

Published: 2024-05-28

Total Pages: 363

ISBN-13: 1837651582

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Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).


Music in North-east England, 1500-1800

Music in North-east England, 1500-1800

Author: Stephanie Carter

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 343

ISBN-13: 1783275413

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This collection situates the North-East within a developing nationwide account of British musical culture.


Before the Baton

Before the Baton

Author: Peter Holman

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 434

ISBN-13: 1783274565

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How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?


Classical Music

Classical Music

Author: Duncan Clark

Publisher: Rough Guides

Published: 2001

Total Pages: 630

ISBN-13: 9781858287218

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Sketches of classical composers and CD reviews.


The Rough Guide to Classical Music

The Rough Guide to Classical Music

Author: Rough Guides

Publisher: Rough Guides UK

Published: 2010-05-03

Total Pages: 691

ISBN-13: 1848366779

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The Rough Guide to Classical Music is the ideal handbook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to contemporaries such as Thomas Adès and Kaija Saariaho. Both a CD buyer's guide and a who's who, the guide includes concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. For novices and experts alike, the fully updated fifth edition features contemporary composer Helmut Lachenmann and Widor, the 19th century organ composer of 'Toccata' wedding fame, as well as dozens more works added for existing composers. You'll find an new 'Top 10's' section with accessible introductory listings including the Top 10 operas and the Top 10 symphonies plus new essay boxes on topics such as "Baroque - a style or a period?" and "The clarinet comes of age". The Rough Guide to Classical Music features fresh and incisive reviews of hundreds of CDs, selecting the very best of the latest recordings and reissues as well as more than 150 illustrations of composers and performers, including a rare archive of photos.


The Penguin Companion to Classical Music

The Penguin Companion to Classical Music

Author: Paul Griffiths

Publisher: Penguin UK

Published: 2004-10-07

Total Pages: 1412

ISBN-13: 0141909765

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This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.


Roots of the Classical

Roots of the Classical

Author: Peter Van der Merwe

Publisher: OUP Oxford

Published: 2004-12-09

Total Pages: 588

ISBN-13: 9780191513268

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Roots of the Classical identifies and traces to their sources the patterns that make Western classical music unique, setting out the fundamental laws of melody and harmony, and sketching the development of tonality between the fifteenth and eighteenth centuries. The author then focuses on the years 1770-1910, treating the Western music of this period - folk, popular, and classical - as a single, organically developing, interconnected unit in which the popular idiom was constantly feeding into 'serious' music, showing how the same patterns underlay music of all kinds.


The Oxford Handbook of Music Performance, Volume 1

The Oxford Handbook of Music Performance, Volume 1

Author: Gary McPherson

Publisher: Oxford University Press

Published: 2022-01-18

Total Pages: 737

ISBN-13: 0190056282

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The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.


The Oxford Handbook of Music Performance, Volume 1

The Oxford Handbook of Music Performance, Volume 1

Author: Gary McPherson

Publisher: Oxford University Press

Published: 2021-12-24

Total Pages: 737

ISBN-13: 0190056304

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The two-volume Oxford Handbook of Music Performance provides a resource that musicians, scholars and educators will use as the most important and authoritative overview of work within the areas of music psychology and performance science. The 80 experts from 13 countries who prepared the 53 chapters in this handbook are leaders in the fields of music psychology, performance science, musicology, psychology, education and music education. Chapters in the Handbook provide a broad coverage of the area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections - Development and Learning, Proficiencies, Performance Practices, Psychology, Enhancements, Health & Wellbeing, Science, and Innovations - the range and scope of The Oxford Handbook of Music Performance is much wider than other publications through the inclusion of chapters from related disciplines such as performance science (e.g., optimizing performance, mental techniques, talent development in non-music areas), and education (e.g., human development, motivation, learning and teaching styles) as well as the attention given to emerging critical issues in the field (e.g., wellbeing, technology, gender, diversity, inclusion, identity, resilience and buoyancy, diseases, and physical and mental disabilities). Within each chapter, authors have selected what they consider to be the most important scientific and artistic material relevant to their topic. They begin their chapters by surveying theoretical views on each topic and then, in the final part of the chapter, highlight practical implications of the literature that performers will be able to apply within their daily musical lives.


Music and Science in the Age of Galileo

Music and Science in the Age of Galileo

Author: V. Coelho

Publisher: Springer Science & Business Media

Published: 2013-03-09

Total Pages: 276

ISBN-13: 9401580049

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Music and Science in the Age of Galileo features twelve new essays by leading specialists in the fields of musicology, history of science, astronomy, philosophy, and instrument building that explore the relations between music and the scientific culture of Galileo's time. The essays take a broad historical approach towards understanding such topics as the role of music in Galileo's experiments and in the scientific revolution, the musical formation of scientists, Galileo's impact on the art and music of his time, the scientific knowledge of instrument builders, and the scientific experiments and cultural context of Galileo's father, Vincenzo Galilei. This volume opens up new areas in both musicology and the history of science, and twists together various strands of parallel work by musicians and scientists on Galileo and his time. This book will be of interest to musicologists, historians of science and those interested in interdisciplinary perspectives of the late Renaissance -- early Baroque. For its variety of approaches, it will be a valuable collection of readings for graduate students, and those seeking a more integrated approach to historical problems. The book will be of interest to historians of science, philosophers, musicologists, astronomers, and mathematicians.