Transcultural Images in Hollywood Cinema
Transcultural Images in Hollywood Cinema

Author: Ugur Baloglu

Publisher: Rowman & Littlefield

Published: 2021-06-29

Total Pages: 165

ISBN-13: 1793648980

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Transcultural Images in Hollywood Cinema discusses how cinema, particularly Hollywood, impacts the cultural identities we construct for ourselves in order to make sense of who we are in the world. The politics of representation in cinema influence the boundaries of ethnic and racial characteristics and invent cultural and symbolic meanings that create a conventional image throughout the world. The transnational perspective, dissolves, fragments, and decentralizes this image, leaving the nationalist understanding of identity to a hybrid form. Cultures and identities that are expanded across borders form a mosaic by combining their local characteristics with those of the host cultures. This book examines the transnational and transcultural characteristics of Hollywood cinema. The narrative, cinematographic, and aesthetic structures of Hollywood cinema are turned upside down as chapters analyze gender, social, cultural, and economic-political contexts. Scholars of international communication, film, and social sciences will find this book particularly interesting.

The Image of the Orient in Selected Hollywood Movies - The History of a Stereotype
The Image of the Orient in Selected Hollywood Movies - The History of a Stereotype

Author: Benjamin Klaus

Publisher: GRIN Verlag

Published: 2005-03-23

Total Pages: 19

ISBN-13: 3638360253

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Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: bestanden, University of Cologne, course: Hauptseminar: The Orient and America, language: English, abstract: For more than a century Hollywood has depicted certain “others” as innately strange and dangerous. The popular caricature of the average Arab is as mythical as the old portrait of the Jew. He is robed and turbaned, sinister and dangerous, engaged mainly in hijacking airplanes and blowing up public buildings. From the earliest days of film on up to the present the image of the Arab as a villain has prevailed in most Hollywood productions He is what he has always been – the cultural “other”. The stereotypes are deeply ingrained in American cinema. Filmmakers have collectively indicted Arabs as public enemy number one – brutal, heartless, uncivilized religious fanatics terrorizing civilized Westerners. This paper argues for the existence of a genre of films termed the ‘eastern’ that deals with the Middle East. It will be shown that the kinds of images that are present in these films are more than just a random repetition of stereotypes. Films belonging to this genre share a number of character types, narrative elements and locale which will be dealt with in detail. Subgenres of the ‘eastern’ will then be identified and the connection between the formation of new subgenres and specific historical events or encounters will be worked out. Films being covered will range from as early as 1921 (The Sheik) up to the present. Due to the length of this paper I can only cover a very limited selection of films. Nevertheless, the films being dealt with will be representative for their genre and for their time so that in the end a chronological history of the stereotype should be established. I will not deal with films set in Asia, since they do seem to share a number of narrative elements with the ‘eastern’, but do not appear to form a specific generic tradition. Besides that, different historical experiences have influenced Western expectations about China, Japan and India.

Multiple Modernities
Multiple Modernities

Author: Jenny Kwok Wah Lau

Publisher: Temple University Press

Published: 2003

Total Pages: 268

ISBN-13: 9781566399869

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Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examines popular culture - most notable cinema and television - to see how modernization, as both a response to the West and as a process that is unique in its own right in the region, operates on a mass level. Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, Taiwanese television, as well as discussions of alternative arts in general. While each essay focuses on specific nations or cinemas, the collected effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing. Contributors include: Jeroen de Kloet, Mitsuhiro Yoshimoto, Yomota Inuhiko, Frances Gateward, Hector Rodriguez, Dai Jaihua, David Desser, August Palmer, Lu Szu-Ping and the editor.

Reclaiming Stereotypes. An Analysis of the Continued Struggle to Counteract Stereotyping of African-American Women in Contemporary Hollywood Cinema
Reclaiming Stereotypes. An Analysis of the Continued Struggle to Counteract Stereotyping of African-American Women in Contemporary Hollywood Cinema

Author: Aneka Brunßen

Publisher: GRIN Verlag

Published: 2017-04-27

Total Pages: 29

ISBN-13: 3668438919

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Seminar paper from the year 2017 in the subject Cultural Studies - Miscellaneous, grade: 2.3, University of Bremen, course: Analyzing Hollywood Cinema, language: English, abstract: This analysis serves to outline the continued struggle of African-American women to counteract racially and sexually biased stereotypes as perpetuated by the popular media domain of Hollywood cinema in a white-dominated, patriarchal society. Moreover, it serves to shed light on recent activism and achievements, which are now commonly referred to as ‘reclaiming stereotypes’. Resistance from within the industry will be exemplified by juxtaposing the 2009 film “Precious”, an independent production which was majorly successful, with other film productions from the same year, which serve to perpetuate the misrepresentation of African-American women. Furthermore, activism stemming from sources outside of the cinema industry will be detailed, as part of a growing mind state of contempt for stereotyping African-American women.

Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies
Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies

Author: Seçmen, Emre Ahmet

Publisher: IGI Global

Published: 2024-07-17

Total Pages: 283

ISBN-13:

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The study of ideology and narratology in film reveals intricate layers of meaning and cultural significance embedded within cinematic narratives. This exploration delves into how ideologies are conveyed, reinforced, or challenged across multiple installments of a film franchise. By analyzing the narrative structures, character developments, and thematic continuities, scholars can uncover the underlying messages and societal implications that shape audience perceptions. Analyzing Ideology and Narratology in Film Series, Sequels, and Trilogies explores the complex narrative and ideological dimensions within multi-installment cinematic works. It investigates how sequential storytelling in film not only entertains but also reflects and shapes cultural, social, and political ideologies. By examining narrative structures in film series and franchises, this book reveals the subtle ways in which ideologies are constructed, perpetuated, or subverted. Covering topics such as narrative complexity, psychoanalytical analysis, and ideology, this book is a valuable resource for academicians, researchers, post-graduate students, educators, sociologists, and more.

Transcultural Visions of Identities in Images and Texts
Transcultural Visions of Identities in Images and Texts

Author: Wilfried Raussert

Publisher: Universitatsverlag Winter

Published: 2008

Total Pages: 336

ISBN-13:

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The contributions engage with literary, political and cultural practices in America, past and present, set out to transcend long established paradigms of an American "exceptionalism" or critical approaches that hold on to the notion of a core Americanness as a single nationalist mythology of the United States. "America" then functions as a signifier that is configured in and by its presence outside and beyond the national borders of the United States of America. The overall thrust of our volume draws upon concepts of the "New American Studies," especially "Post-Nationalist American Studies."

Viva Hollywood
Viva Hollywood

Author: Luis I. Reyes

Publisher: Running Press Adult

Published: 2022-09-13

Total Pages: 633

ISBN-13: 0762478497

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Through an authoritative narrative and lavish photography, this is an in-depth history of the stars, films, achievements, and influence of the Hispanic and Latino community in Hollywood history from the silent era to the present day. Overcoming obstacles of prejudice, ignorance, and stereotyping, this group has given the world some of its most beloved stars and told some of its most indelible stories. Viva Hollywood examines the stars in front of the screen as well as the people behind-the-scenes who have created a rich legacy across more than 100 years. The role of Latin women on screen is explored through the professional lives of Dolores Del Rio, Rita Hayworth, Raquel Welch, Salma Hayek, Penélope Cruz, and many more. The book covers the films and careers of actors ranging from silent screen idol Antonio Moreno, to international Oscar-winning star Anthony Quinn, to Andy Garcia and Antonio Banderas. A spotlight is also given to craftspeople who elevated the medium with their artistry—visionaries like cinematographer John Alonzo, Citizen Kane scenic artist Mario Larrinaga, and Oscar-winning makeup artist Beatrice de Alba. The stories of these and many others begins through a lens of stereotyped on-screen personas of Latin Lovers, sexy spitfires, banditos, and gangsters. World War II saw an embrace of Latin culture as the “Good Neighbor Policy” made it both fashionable and patriotic to feature stories set south of the border. Social problem films of the 1950s and '60s brought fresh looks at the community, with performances like Katy Jurado in High Noon, the cast of West Side Story, and racial inequality depicted in George Stevens's Giant. Civil Rights, the Chicano Movement, and the work of activist actors such as Ricardo Montalban and Edward James Olmos influenced further change in Hollywood in subsequent decades and paved the way for modern times and stars the likes of Jennifer Lopez and Lin-Manuel Miranda. Illustrated by more than 200 full-color and black-and-white images, Viva Hollywood is both a sweeping history and a celebration of the legacy of some of the greatest art and artists ever captured on screen.

Transmission Image
Transmission Image

Author: Birgit Mersmann

Publisher: Cambridge Scholars Publishing

Published: 2009-01-23

Total Pages: 280

ISBN-13: 1443804711

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Transmission Image: Visual Translation and Cultural Agency offers a challenging survey of the burgeoning debate about visual culture in a global perspective. Bringing together scholarly perspectives on places ranging from China and India to Nigeria, and from the Philippines and Syria to Germany, this volume proposes a truly global outlook on the study of visual culture in both a contemporary and an historical perspective. Addressing key theoretical issues, the contributors cover a wide range of art forms and visual media, highlighting the complex cultural codification of images and its impact on the study of visual culture and globalization.

Cinema, Memory, Modernity
Cinema, Memory, Modernity

Author: Russell J.A. Kilbourn

Publisher: Routledge

Published: 2013-10-18

Total Pages: 289

ISBN-13: 1134550154

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Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.