Indifference to behavioral needs of the young caused Mouse Utopia to self-destruct. Can Human Utopia avoid a similar fate? Yes. How? By confronting the Sorcerer. Will we? In time?
The Jubilee theme is the Old Testament concept of declaring a special season for attaining spiritual renewal. In Jubilee, Mel Lawrenz skillfully takes readers through a season of renewal, pausing to examine the following themes and inviting readers to consider their own lives and their response to God: -Sabbath: a time and an attitude in which we rehearse that God and God alone is in control -Proclamation: knowing what we stand for in life, and letting others know it -Redemption: being freed by God's great acts of deliverance -Freedom: cherishing the liberty that God brings to every area of life -Forgiveness: accepting the mercy of God and releasing those we have held indebted to ourselves -Healing: letting God restore our spirit, our body and our relationships -Justice: standing for what is right and being an advocate for those who are downtrodden
The greatest threat to water quality worldwide is nutrient pollution. Cultural eutrophication by nutrients in sewage, fertilizers, and detergents is feeding massive algal blooms, choking out aquatic life and outpacing heavy metals, oil spills, and other toxins in the devastation wrought upon the world's fresh waters. Renowned water scientists, David W. Schindler and John R. Vallentyne, share their combined 80 years of experience with the eutrophication problem to explain its history and science, and offer real-world solutions for mitigating this catastrophe in the making. For those who have lost sight of Vallentyne's 1974 first edition, Schindler's fully revised and expanded edition is an unambiguous road map for change.
Having one foot in North America and one in Europe, the author inevitably, compares these two continents, their surroundings, their people, and their modus vivendi. The interpretation of happenings on these continents as they relate to one life's adventure is the scope of this work, which is, before everything else, a collage of personal biography, illuminated by flashes of the remarkable historical moments preceding the emigration. There are, moreover, interpretations of impressions colored with romantic, enchanting mysticism, and alternatively, subjective impressions of immigrants who came to America to find a better life and expected, to some extent, to find a promised land on a platter. In either case, impressions are based on predispositions of what immigrants from the old country envisioned American to be like. However, gratia is not a prerequisite; it does not exist in the meaning of emi, nor immi gratia. Is this memoir an unprejudiced evaluation and objective notation of experiences as they were, or a biased overflow of emotions, ridicule and sarcasm, or delight and adornment? What is the difference between autobiography, memoir, and diary, versus a fictitious, rather historical novel in the first place? A degree of deviation from factual reality? A conglomerate relatively dry when transferred onto paper, this cacophony, without regard to categorization, may enlighten the mind of one American, or one potential immigrant, by informing or reforming the picture of the mirage of a once-magical New World or the romanticism of the Old One.
Some extraordinary rats come to the aid of a mouse family in this Newbery Medal Award–winning classic by notable children’s author Robert C. O’Brien. Mrs. Frisby, a widowed mouse with four small children, is faced with a terrible problem. She must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma. And Mrs. Frisby in turn renders them a great service.
The Caldecott Honor book and modern classic now in boardbook format. Finally! Nearly twenty years ago, Ed Young translated the ancient parable of the seven blind men and the elephant into a modern children's classic, one as simple as it is profound. A lesson in colors, numbers, the days of the week and most important, knowledge, this beautifully illustrated book has stood the test of time and continues to entertain and teach. Now in board book format, even the youngest children can experience the beauty and wisdom.
2004 – Clifford G. Christians Ethics Research Award — The Carl Couch Center for Social and Internet Research Kids around the world love Disney animated films, and many of their parents trust the Disney corporation to provide wholesome, moral entertainment for their children. Yet frequent protests and even boycotts of Disney products and practices reveal a widespread unease with the sometimes mixed and inconsistent moral values espoused in Disney films as the company attempts to appeal to the largest possible audience. In this book, Annalee R. Ward uses a variety of analytical tools based in rhetorical criticism to examine the moral messages taught in five recent Disney animated films—The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, and Mulan. Taking the films on their own terms, she uncovers the many mixed messages they purvey: for example, females can be leaders—but male leadership ought to be the norm; stereotyping is wrong—but black means evil; historical truth is valued—but only tell what one can sell, etc. Adding these messages together, Ward raises important questions about the moral ambiguity of Disney's overall worldview and demonstrates the need for parents to be discerning in letting their children learn moral values and life lessons from Disney films.
This annual yearbook presents essays in environmental history based on lectures given at the Göttingen study group 2Environmental History3 by external authors. As previous yearbooks it is dedicated to the plurality of approaches in environmental history and serves as a valuable source for information about current research in that realm. Seit seiner Gründung vor annähernd 25 Jahren hat sich das Göttinger UmwelthistorischeKolloquium zu einer Einrichtung entwickelt, welche die vielfältigen,thematisch einschlägigen Aktivitäten des Standortes wie auch des deutschsprachigenRaumes durch Austausch von Forschungsergebnissen und Sichtweisenbündelt. Von hier haben auch einige Unternehmungen ihren Ausgang genommen,welche zum heutigen Profil der Umweltgeschichte spürbar beitrugen.Der Band vereinigt Beiträge zum Kolloquium des Sommersemesters 2007 und des Wintersemesters 2007/08.
"Well's uncanny ability to highlight the problems which are now most acute and supply tentative solutions that allow a maximum of individual freedom merits serious consideration. Recommended reading for students and teachers dealing with government, science, and the contemporary dilemma of a world facing war, famine, and racial unrest."--Choice A Modern Utopia is one of the first important blueprints for the modern welfare state and an early major statement of Wells's idea of the World State, an idea that is perhaps his greatest contribution to the intellectual history of this century. In this "quintessential utopia," as Lewis Mumford calls it, Wells "sums up and clarifies the utopias of the past, and brings them into contact with the world of the present." The Bison Books edition, with an introduction by Mark R. Hillegas, associate professor of English at Southern Illinois University, brings back into print a work that has stimulated three generations of thinkers. "This is not flight into fancy no voyage into whimsy. It is a sober attempt to imagine what kind of society men would create if they really used their heads and worked at it. The result is one of the most plausible utopias ever written."--Chad Walsh, From Utopia to Nightmare "It is a beautiful Utopia beautifully seen and beautifully thought: and it has in it some of that flavor of airy unrestraint one finds in News from Nowhere."--Van Wyck Brooks, The World of H.G. Wells
Deborah Solomon’s definitive biography of Joseph Cornell, one of America’s most moving and unusual twentieth-century artists, now reissued twenty years later with updated and extensively revised text Few artists ever led a stranger life than Joseph Cornell, the self-taught American genius prized for his enigmatic shadow boxes, who stands at the intersection of Surrealism, Abstract Expressionism, and Pop Art. Legends about Cornell abound—the shy hermit, the devoted family caretaker, the artistic innocent—but never before has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions.