The study moves from tradition to modernity, explores a range of topics such as: song life in the traditional village; rural–urban tensions; local min’yo ‘preservation societies’; the effects of national and local min’yo contests; the ‘new folk song’ phenomenon; min’yo and tourism; folk song bars; recruitment of professionals; min’yo’s interaction with enka popular songs and with Western-derived foku songu; the impact of mass mediation; and min’yo’s role in maintaining or creating local identity. The book contains a plate section, musical examples, and a compact disc.
This interesting and authoritative book includes essential facts about the various forms of Japanese music and musical instruments and their place in the overall history of Japan. Japanese Music and Musical Instruments has three main orientations: The history of Japanese music Construction of the instruments Analysis of the music itself. The book covers in a lucidly written text and a wealth of fascinating photographs and drawings the main forms of musical expression. Many readers will find the useful hints on purchasing instruments, records, and books especially valuable, and for those who wish to pursue the matter further there is a selected bibliography and a guide to Tokyo's somewhat hidden world of Japanese music. It will be found an invaluable aid to the understanding and appreciation of an important, but little-known, and fascinating aspect of Japanese culture.
(Educational Piano Solo). Features intermediate-level solo arrangements of 24 songs in the Korean tradition. With performance notes, background info on each piece, and exquisite illustrations, this is an inspiring collection of timeless melodies. Songs include: Arirang * Boat Song * Cricket * Flowers * The Gate * Han River * Harvest * Lullaby * Waterfall * Yearning * and more.
(Educational Piano Solo). Intermediate piano solo arrangements of traditional Malay songs popular in Malaysia, Indonesia, Brunei, and Singapore. Includes notes on every song as well as illustrations and a map of the Malay Archipelago. Titles include The Cockatoo (Burung Kakak Tua) * Milk Coffee (Kopi Susu) * Chan Mali Chan * The Goodbye Song (Geylang Sipaku Geylang) * Longing (Rasa Sayang) * Wau Bulan (The Moon Kite) * Ayo Mama (C'mon Mama) * Song for the Ladybugs (Tepuk Amai-Amai) * It's All Good Here (Di Sini Senang) and more! Also includes national anthems.
This method begins with a review of the concepts presented in Level 2, then introduces new pieces and lessons in new keys to prepare the student for more advanced studies. Includes a "Just for Fun" section and an "Ambitious" section for the student who will devote a little extra effort toward learning some of the great masterworks that require additional practice.
Music in Japan is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Japan offers a vivid introduction to the music of contemporary Japan, a nation in which traditional, Western, and popular music thrive side by side. Drawing on more than forty years of experience, author Bonnie C. Wade focuses on three themes throughout the book and in the musical selections on the accompanying CD. She begins by exploring how music in Japan has been profoundly affected by interface with both the Western (Europe and the Americas) and Asian (continental and island) cultural spheres. Wade then shows how Japan's thriving popular music industry is also a modern form of a historically important facet of Japanese musical culture: the process of gradual popularization, in which a local or a group's music eventually becomes accessible to a broader range of people. She goes on to consider the intertextuality of Japanese music: how familiar themes, musical sounds, and structures have been maintained and transformed across the various traditions of Japanese performing arts over time. Music in Japan is enhanced by eyewitness accounts of performances, interviews with key performers, and vivid illustrations. Packaged with an 80-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers to engage actively and critically with the music.
This book features 37 vibrant and passionate songs transliterated from Russian and Hungarian to singable English. In this guitar/vocal edition, each song is shown with lyrics in the original language and English with chord symbols and annotated guitar accompaniment, as well as in a separate, stand-alone guitar solo version. All songs are shown in notation, chords, and tablature (solos only). This conveniently spiral-bound book is illustrated with charming period photographs and artwork.
Describing the transition of Japanese Music between 1896 and 1995. These period, traditional Japanese music had been greatly influenced by Western music, mainly classics.
In a tradition extending from the medieval era up through the middle of the 19th century, visually disabled Japanese women known as Goze would tour the Japanese countryside as professional singers, contributing to the vitality of rural musical culture. Gerald Groemer shows that the solidarity these singers achieved through narrative and music was based on the convergence of their desire to achieve social autonomy and the wish of lower-class to mitigate the cultural deprivation to which they were subject.
