John Henry Newman and the Development of Doctrine
John Henry Newman and the Development of Doctrine

Author: Stephen Morgan

Publisher: CUA Press

Published: 2021-11-26

Total Pages: 336

ISBN-13: 0813234433

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John Henry Newman and the Development of Doctrine provides an analysis of the attempts by John Henry Newman to account for the historical reality of doctrinal change within Christianity in the light of his lasting conviction that the idea of Christianity is fixed by reference to the dogmatic content of the deposit of faith. It argues that Newman proposed a series of hypotheses to account for the apparent contradiction between change and continuity, that this series begins much earlier than is generally recognized and that the final hypothesis he was to propose, contained in An Essay on the Development of Christian Doctrine, provides a methodology of lasting theological value and contemporary relevance. Stephen Morgan establishes the centrality of the problem of change and continuity in theology, to Newman's theological work as an Anglican, its part in his conversion to Catholicism and its contemporary relevance to Catholic theology. It also surveys the major secondary literature relating to the question, with particular reference to those works published within the last fifty years. Additionally, Morgan considers the legacy of the Essay as a tool in Newman’s theology and in the work of later theologians, finally suggesting that it may offer a useful methodological contribution to the contemporary Catholic debate about hermeneutical approaches to the Second Vatican Council and post-conciliar developments in doctrine.

The Artistic Vision
The Artistic Vision

Author: Alex Sosler

Publisher: Wipf and Stock Publishers

Published: 2024-07-25

Total Pages: 149

ISBN-13: 1666760153

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When you look at the world, what do you see? As an artist, your creativity stems from your vision. The problem in the modern world is how often one's imagination is fragmented and reduced--between worship and work, the body and soul, the material and the spiritual. Written to practicing artists and those who pastor them, The Artistic Vision encourages artists who long for a greater sense of purpose and a greater sense of wholeness, proposing that seeing the material world as a shadow of spiritual realities will lead them toward an expression that joins faith and practice. Drawing from the Oxford Movement and artistic examples like Christina Rosetti and Flannery O'Connor, Ball and Sosler present a sacramental way of seeing the world: the invisible through the visible, the spiritual through the material, the divine through creation. Interspersed with practical vignettes from artists and pastoral reflection, The Artistic Vision helps artists regain an enchanted, mysterious, and reverent vision of life. Artists neither have to check their faith at the studio door, nor produce kitschy or easy art. By creating with a sacramental vision, they are seeing the world "charged with the grandeur of God" and inviting viewers into that participation.

Art in an Age of Civil Struggle, 1848-1871
Art in an Age of Civil Struggle, 1848-1871

Author: Albert Boime

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 906

ISBN-13: 0226063429

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From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.