In Cursed in the Carolinas, Patty A. Wilson recounts tales of genuine maledictions intended to invoke evil and unease across both North and South Carolina. The pages will bring to life these stories, letting you decide whether the resulting tragedies were simply bad luck, coincidences…or something far more sinister.
In the Tracks of the Trades is a travel journal by Lewis R. Freeman. Freeman was an American explorer and journalist who penned numerous books on travel. Contents: San Pedro to Hilo and Honolulu, Honolulu to Taio-Haie, The Marquesas Today, Hunting in the Marquesas, The Passion Play at Uahuka and more.
My book Ears to Hear, My Melodious Love Songs and Poems expresses and demonstrates various personal spiritual interludes, spiritual dreams and visions that I experienced which were inspired by God our Father. For those of you who may feel disconcerted, nonessential, nonchalant, weary, self-reliant, or any other emotional response oppositional to the Holy Spirit of Truth, hopefully, this book will inspire and encourage you as well as help you find your way to the wide-open holy arms of God through Christ Jesus. Ears to Hear, My Melodious Love Songs and Poems also has Holy Spirit-inspired poems for those of you who enjoy poetry to further inspire you spiritually. It's simply wonderful to know that our Father who is in heaven loves us with our struggling obedience and to know He is still very much in control over all things and matters on this planet earth. Amen.
“Set primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it.”—Publishers Weekly Jonah Hook fought for the Confederacy at Pea Ridge and Corinth, where he was wounded, captured, and sent to the prison hellhole they called Rock Island. The only way out for the young Reb was to don a blue uniform and serve on the western frontier as a “galvanized Yankee.” Along the North Platte, Tongue, and Powder rivers, Jonah Hook fights side by side with a buckskinned scout named Shadrach Sweete. When he returns to his Missouri farm, he finds an empty house and overgrown land. Now it will take all the knowledge and hard cunning he acquired on the frontier to rescue his family from the brutal men who kidnapped them. Finding them will be the journey of a lifetime.
NEW YORK CITY, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of a cavernous office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe—ecological collapse, global war, natural disasters—he becomes obsessed by a culture's fears. Yet he also loses touch with his last connection to reality: Elsa Bruner, a friend with her own apocalyptic secret, who has started a commune in Maine. Then, just as Mitchell's predictions reach a nightmarish crescendo, an actual worst-case scenario overtakes Manhattan. Mitchell realizes he is uniquely prepared to profit. But at what cost? At once an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear, Nathaniel Rich's Odds Against Tomorrow poses the ultimate questions of imagination and civilization. The future is not quite what it used to be. An NPR Best Book of 2013
R. Murray Schafer: A Creative Life is the authoritative exploration of the life and work of this preeminent Canadian composer, artist, educator, and activist. Working closely with the composer and his family, L. Brett Scott has created the most up-to-date and accurate exploration of Schafer. Scott draws on many public and private sources, including the composer’s own journals and correspondence, which have not been previously available to researchers. Scott discusses Schafer’s extensive writings, including his research writings on Ezra Pound and E. T. A. Hoffmann, and his multiple works of fiction. The volume also includes a detailed summary of Schafer’s work in the field of acoustic ecology and recognition of his role as founder of the World Soundscape Project as well as an overview of his writings on creative music education. With complete discussions of his theater works, choral compositions, compositions for voice, chamber pieces, orchestral compositions, and early and transitional works and a chronological list of compositions and select discography, this volume presents the most comprehensive study of Schafer and his enduring legacy.