Chinul (1158–1210) was the founder of the Korean tradition of Zen. He provides one of the most lucid and accessible accounts of Zen practice and meditation to be found anywhere in East Asian literature. Tracing Back the Radiance, an abridgment of Buswell’s Korean Approach to Zen: The Collected Works of Chinul, combines an extensive introduction to Chinul’s life and thought with translations of three of his most representative works.
Numinous Awareness Is Never Dark examines the issue of whether enlightenment in Zen Buddhism is sudden or gradual—that is, something intrinsic to the mind that is achieved in a sudden flash of insight or something extrinsic to it that must be developed through a sequential series of practices. This “sudden/gradual issue” was one of the crucial debates that helped forge the Zen school in East Asia, and the Korean Zen master Chinul’s (1158–1210) magnum opus, Excerpts, offers one of the most thorough treatments of it in all of premodern Buddhist literature. According to Chinul’s analysis, enlightenment is both sudden and gradual. Zen practice must begin with a sudden awakening to the “numinous awareness”—the “sentience,” or buddha-nature—that is inherent in all “sentient” beings. Such an awareness does not need to be developed but must simply be recognized (or better “re-cognized”), through the unmediated experience of insight. Even after this initial awakening, however, deeply engrained proclivities of thought and conduct may continue to disturb the practitioner; these can only be removed gradually as his or her practice matures. Chinul’s “sudden awakening/gradual cultivation” soteriology became emblematic of the Buddhist tradition in Korea. Excerpts, translated here in its entirety by the preeminent Western specialist in the Korean Buddhist tradition, goes on to examine Chinul’s treatments of many of the quintessential practices of Zen Buddhism, including nonconceptualization, or no-thought, and the concurrent development of meditation and wisdom, as well as, for the first time in Korean Zen, “examining meditative topics” (kanhwa Sŏn)—what we in the West know better as kōans, after its later Japanese analogues. Fitting this new technique into his preferred soteriological schema of sudden awakening/gradual cultivation was no simple task for Chinul. Numinous Awareness Is Never Dark offers an extensive study of the contours of the sudden/gradual debate in Buddhist thought and practice and traces the influence of Chinul’s analysis of this issue throughout the history of the Korean tradition. Copiously annotated, the work contains extensive selections from the two traditional Korean commentaries to the text. In Buswell’s treatment, Chinul’s Excerpts emerges as the single most influential work written by a Korean Buddhist author.
This anthology provides an accessible introduction to East Asian Buddhism, focusing specifically on China, Korea, and Japan. It begins with a detailed historical introduction that includes an overview of the development of the various schools of Buddhism in East Asia and traces the transmission of Buddhism from Northwest India to China in the first century CE, and then to Korea and Japan in the fourth and sixth centuries CE. The first part of the book contains five chapters that offer creative pedagogies that can help college professors infuse East Asian Buddhism into their courses. The second part includes six interdisciplinary chapters that explore thematic links between East Asian Buddhism and religious studies, philosophy, film studies, literature, and environmental studies.
A comprehensive, accessible guide to the fascinating history of Zen Buddhism--including important figures, schools, foundational texts, practices, and politics. Zen Buddhism has a storied history--Bodhidharma sitting in meditation in a cave for nine years; a would-be disciple cutting off his own arm to get the master's attention; the proliferating schools and intense Dharma combat of the Tang and Song Dynasties; Zen nuns and laypeople holding their own against patriarchal lineages; the appearance of new masters in the Zen schools of Korea, Japan, Vietnam, and later the Western world. In The Circle of the Way, Zen practitioner and popular religion writer Barbara O'Brien brings clarity to this huge swath of history by charting a middle way between Zen's traditional lore and the findings of modern historical scholarship. In a clear and often funny style, O'Brien parses fact from fiction while always attending to the greatest interest of contemporary practitioners--the development of Zen doctrine and practice as a living tradition across cultures and centuries.
This study advances contemporary postmodern/poststructural critical theory, literary criticism in particular, with the help of Mahāyāna—especially Ch’an/Seon (Chinese and Korean Zen)—Buddhist thought. The quest for theinfinity of the Other (West) and Emptiness or the true I (East) contributes to the exploration of the contemporary critical issues of ethics and infinity. Such an approach will awaken our sense of unrepresented, genuine transcendence and immanence; The Buddhist Emptiness shows us the absolute Other illuminated on a vaster scale. The theory section explores and links Eastern and Western philosophies, switching between the two. While discussing in depth Hegel, Nietzsche, Heidegger, Derrida, Levinas, Lacan, Deleuze, and Nancy, this study gradually guides the reader from the contemporary Western thought on the Other and infinity to the Buddhist vision of Emptiness, the ultimate reality. To overcome the dualistic mode of thought inherent in tradition of Western metaphysics, this exploration follows the line that observes Nāgārjuna and the imprint of Ch’an teachings that are most prevalent in South Korean Buddhism. The last three chapters demonstrate a Levinasian and Seon Buddhist approach to the book of Job, part of the Judeo-Christian Bible, as being a more literary than religious text, and the excess of the Gothic mood in the two most distinguished and widely celebrated novels—Bram Stoker’s Dracula and Mary Shelley’s Frankenstein. The three texts compel readers to confront the infinity of the absolute Other or Emptiness. The Grand Prize Winner of the 7th Wonhyo Academic Awards from the Korean Buddhism Promotion Foundation.
Dharma practice comprises a wide range of wise instructions and skillful means. As a result, meditators may be exposed to a diversity of approaches to the core teachings and the meditative path—and that can be confusing at times. In this clear and accessible exploration, Dharma teacher and longtime meditator Richard Shankman unravels the mix of differing, sometimes conflicting, views and traditional teachings on how samadhi (concentration) is understood and taught. In part one, Richard Shankman explores the range of teachings and views about samadhi in the Theravada Pali tradition, examines different approaches, and considers how they can inform and enrich our meditation practice. Part two consists of a series of interviews with prominent contemporary Theravada and Vipassana (Insight) Buddhist teachers. These discussions focus on the practical experience of samadhi, bringing the theoretical to life and offering a range of applications of the different meditation techniques.
