"Tracie's Pocket Posh Journal" is a lovely, tote-sized journal that's perfect for keeping all of your thoughts close at hand . . . and it's personalized just for you! Blank pages are perfect for writing, doodling, making lists, or jotting down ideas. This portable package is part of the best-selling Pocket Posh series featuring highly stylized covers and boasting 7 million copies in print.
"Tracy's Pocket Posh Journal" is a lovely, tote-sized journal that's perfect for keeping all of your thoughts close at hand . . . and it's personalized just for you! Blank pages are perfect for writing, doodling, making lists, or jotting down ideas. This portable package is part of the best-selling Pocket Posh series featuring highly stylized covers and boasting 7 million copies in print.
"Tracey's Pocket Posh Journal" is a lovely, tote-sized journal that's perfect for keeping all of your thoughts close at hand . . . and it's personalized just for you! Blank pages are perfect for writing, doodling, making lists, or jotting down ideas. This portable package is part of the best-selling Pocket Posh series featuring highly stylized covers and boasting 7 million copies in print.
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.
The Art of Aubrey Beardsley is a study about English artist and illustrator Aubrey Beardsley, written by British editor and critic Arthur Symons. The book includes biographical essay and numerous illustrations by the artist. Beardsley's drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler.
No one can describe a wine like Karen MacNeil. Comprehensive, entertaining, authoritative, and endlessly interesting, The Wine Bible is a lively course from an expert teacher, grounding the reader deeply in the fundamentals—vine-yards and varietals, climate and terroir, the nine attributes of a wine’s greatness—while layering on tips, informative asides, anecdotes, definitions, photographs, maps, labels, and recommended bottles. Discover how to taste with focus and build a wine-tasting memory. The reason behind Champagne’s bubbles. Italy, the place the ancient Greeks called the land of wine. An oak barrel’s effect on flavor. Sherry, the world’s most misunderstood and underappreciated wine. How to match wine with food—and mood. Plus everything else you need to know to buy, store, serve, and enjoy the world’s most captivating beverage.
Jamie Mason spins the gripping story of lonely widower and accidental murderer Jason Getty, who lives with the guilt of having buried his victim in his backyard, only to discover two other bodies, a man and a woman, when his garden is dug up by a landscaping firm. The persistent detectives investigating the two murders are at first unaware of the third, but old blood stains soon reveal its existence. Jason is thrown into a macabre plot of trying to cover up his deed while forging a soul-redeeming friendship with Leah, the dead man's fearless widow.Mason is a master of tight plot-weaving and deep empathy for all of her characters, no matter how flawed. The causes and consequences of their crimes are brilliantly illuminated. Readers will fall in love with the book's most loveable character, a heroic dog who is the best detective and truth-seeker of them all.Jamie Mason is the managing editor of the popular authorscoop.com and lives with her family in North Carolina. Three Graves Full is her first novel.
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
"Tammie's Pocket Posh Journal" is a lovely, tote-sized journal that's perfect for keeping all of your thoughts close at hand . . . and it's personalized just for you! Blank pages are perfect for writing, doodling, making lists, or jotting down ideas. This portable package is part of the best-selling Pocket Posh series featuring highly stylized covers and boasting 7 million copies in print.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
