Toward a Chican@ Hip Hop Anti-Colonialism makes visible the anti-colonial, alterNative politics in hip hop texts created by Chican@s and Xican@s (indigenous-identified people of Mexican descent in the United States). McFarland builds on indigenous knowledge, anarchism, and transnational feminism to identify the emancipating power of Chican@ and Xican@ hip hop, including how women and non-gender conforming (two-spirit) MCs open up inclusive alterNative spaces that challenge colonialism and capitalism.
Latinx hypersexualized lovers or kingpin predators pulsate from our TVs, smartphones, and Hollywood movie screens. Tweets from the executive office brand Latinxs as bad-hombre hordes and marauding rapists and traffickers. A-list Anglo historical figures like Billy the Kid haunt us with their toxic masculinities. These are the themes creatively explored by the eighteen contributors in Decolonizing Latinx Masculinities. Together they explore how legacies of colonization and capitalist exploitation and oppression have created toxic forms of masculinity that continue to suffocate our existence as Latinxs. And while the authors seek to identify all cultural phenomena that collectively create reductive, destructive, and toxic constructions of masculinity that traffic in misogyny and homophobia, they also uncover the many spaces—such as Xicanx-Indígena languages, resistant food cultures, music performances, and queer Latinx rodeo practices—where Latinx communities can and do exhale healing masculinities. With unity of heart and mind, the creative and the scholarly, Decolonizing Latinx Masculinities opens wide its arms to all non-binary, decolonial masculinities today to grow a stronger, resilient, and more compassionate new generation of Latinxs tomorrow. Contributors Arturo J. Aldama Frederick Luis Aldama T. Jackie Cuevas Gabriel S. Estrada Wayne Freeman Jonathan D. Gomez Ellie D. Hernández Alberto Ledesma Jennie Luna Sergio A. Macías Laura Malaver Paloma Martinez-Cruz L. Pancho McFarland William Orchard Alejandra Benita Portillos John-Michael Rivera Francisco E. Robles Lisa Sánchez González Kristie Soares Nicholas Villanueva Jr.
Jonathan E. Calvillo explores the rise of Hip Hop on the West Coast and the integral role the Los Angeles Latine community had on the movement - and in turn, Hip Hop's impact on Latines as it became a space for community, expression, and coping with inequality. Building his narrative around interviews and oral histories, he explores how incoming migrants, local-born Latines, and other minoritized populations joined Black Americans in the 1980s to build early underground sites of Hip Hop innovation, contributing to the genre's global expansion. The book details how Hip Hop's deep impact on Latines was based in part on the inequality, marginalization, and injustice that many Latines of this era faced - themes which were addressed in the movement. Many creatives from Brown Los Angeles found their place in early underground expressions of Hip Hop, including in breaking, rhyming, DJing, and graffiti elements. During this period, Central American refugees were settling in the urban corridors of the region, young Chicanos were coming of age in the post-civil rights era, Caribbean migrants moved from East to West, South American immigrants were finding their place, and Latines were interacting with Black Americans and other minoritized populations such as ethnic Samoans, Filipinos, and Koreans. Through the lens of Los Angeles Hip Hop history, this project speaks to the migratory flows of urban Brown Los Angeles, the relations between Black Americans and Latines in Los Angeles, and the formation of the racialized subcultures emblematic of urban Los Angeles. In documenting this story, the book sidesteps a media-heavy, music-industry account of Hip Hop history. Instead, it privileges original oral histories and secondary accounts of dozens of artists, to present a grassroots oriented narrative of the intraethnic, interracial negotiations that fueled Latines' identification with and contributions to Hip Hop.
This cutting-edge collection of essays presents to the reader leading voices within food justice, environmental justice, and school to prison pipeline movements. While many schools, community organizers, professors, politicians, unions, teachers, parents, youth, social workers, and youth advocates are focusing on curriculum, discipline policies, policing practices, incarceration demographics, and diversity of staff, the authors of this book argue that even if all those issues are addressed, healthy food and living environment are fundamental to the emancipation of youth. This book is for anyone who wants to truly understand the school to prison pipeline as well as those interested in peace, social justice, environmentalism, racial justice, youth advocacy, transformative justice, food, veganism, and economic justice.
This book addresses the complex issue of incarceration of Latino/as and offers a comprehensive overview of such topics as deportations in historical context, a case study of latino/a resistance to prisons in the 70s, the issues of youth and and girls prisons, and the post incarceration experience.
The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. While some identify as Mexican mestizos, others identify as indigenous people or base their identities on their class and racial/ethnic makeup. No less significant is the intimate level of contact between Chican@s and black Americans. Via a firm theoretical foundation, Pancho McFarland explores the language and ethos of Chican@/Mexican@ hip hop and sheds new light on three distinct identities reflected in the music: indigenous/Mexica, Mexican nationalist/immigrant, and street hopper. With particular attention to the intersection of black and Chicano cultures, the author places exciting recent developments in music forms within the context of progressive social change, social justice, identity, and a new transnational, polycultural America.
Flores investigates the historical experience of Puerto Ricans in New York, reflecting their varied areas of cultural expression in the diaspora against the background of contemporary debates in Puerto Rico and recent developments in cultural theory. Close studies of urban space and performance, popular musical styles, and Nuyorican literature highlight the complexities and contradictions of Latino identity.
2021 Outstanding Academic Title, Choice Magazine How taking Indigenous sovereignty seriously can help dismantle the structural racism encountered by other people of color in the United States Settler Colonialism, Race, and the Law provides a timely analysis of structural racism at the intersection of law and colonialism. Noting the grim racial realities still confronting communities of color, and how they have not been alleviated by constitutional guarantees of equal protection, this book suggests that settler colonial theory provides a more coherent understanding of what causes and what can help remediate racial disparities. Natsu Taylor Saito attributes the origins and persistence of racialized inequities in the United States to the prerogatives asserted by its predominantly Angloamerican colonizers to appropriate Indigenous lands and resources, to profit from the labor of voluntary and involuntary migrants, and to ensure that all people of color remain “in their place.” By providing a functional analysis that links disparate forms of oppression, this book makes the case for the oft-cited proposition that racial justice is indivisible, focusing particularly on the importance of acknowledging and contesting the continued colonization of Indigenous peoples and lands. Settler Colonialism, Race, and the Law concludes that rather than relying on promises of formal equality, we will more effectively dismantle structural racism in America by envisioning what the right of all peoples to self-determination means in a settler colonial state.
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.
Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.
