The Art of Joaquín Torres-García
The Art of Joaquín Torres-García

Author: Aarnoud Rommens

Publisher: Routledge

Published: 2016-08-05

Total Pages: 200

ISBN-13: 1315527561

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Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García. After studying and painting (for decades) in Europe, Torres-García returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-García's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-García's artworks as a critique on the artist's own writings, Rommens reveals how Torres-García appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-García thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today.

Arcadian Modern
Arcadian Modern

Author: Luis Pérez Oramas

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780870709753

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Joaquín Torres-García (Uruguayan, 1874-1949) is one of the most complex and emblematic modern masters from the first half of the 20th century, whose work determined transformational paths for modern art on both sides of the Atlantic. Manifesting a profound impulse toward the avant-garde as much as the primitive, and stressing a schematic impulsion alongside a permanent fascination with the notion of utopia, he participated in some of the most crucial intellectual and artistic discussions of the past century. His personal involvement with a significant number of early Modern and avant-garde movements, from Catalan Noucentismo to Cubism, Ultraism- Vibrationism, and Neo-Plasticism, make him an unparalleled figure in the history of modernism in the Americas. Published in conjunction with the first major, all-inclusive retrospective of the artist's work in the US since the 1970s, this richly illustrated publication presents Torres-García's long and wide-ranging career, from the late 19th century to the 1940s, and includes drawings, paintings, objects and sculptures. Combining a chronological presentation with a thematic approach, the book is organized into five separate essays with interspersed plates, following an illustrated chronology and an extensive bibliography.

Barcelona and Modernity
Barcelona and Modernity

Author: William H. Robinson

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 552

ISBN-13: 0300121067

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Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.

Inverted Utopias
Inverted Utopias

Author: Héctor Olea Galaviz

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 618

ISBN-13: 0300102690

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In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for

Death, Dickinson, and the Demented Life of Frenchie Garcia
Death, Dickinson, and the Demented Life of Frenchie Garcia

Author: Jenny Torres Sanchez

Publisher: Running Press Kids

Published: 2013-05-28

Total Pages: 274

ISBN-13: 0762448415

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It is the summer after Frenchie Garcia's senior year, and she can't come to grips with the death of Andy Cooper. Her friends don't know that she had a secret crush on her classmate, and they especially don't know that she was with Andy right before he committed suicide. The only person who does know is Frenchie's imaginary pal Em (a.k.a. Emily Dickinson), who she hangs out with at the cemetery down the street. When Frenchie's guilt and confusion come to a head, she decides there is only one way to truly figure out why Andy chose to be with her during his last hours. While exploring the emotional depth of loss and transition to adulthood, Sanchez's sharp humor and clever observations bring forth a richly developed voice.

Radical Form
Radical Form

Author: Megan A. Sullivan

Publisher: Yale University Press

Published: 2022-08-23

Total Pages: 233

ISBN-13: 0300254024

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A timely reassessment of some of the most daring projects of abstraction from South America. Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.

Hemispheric Integration
Hemispheric Integration

Author: Niko Vicario

Publisher: University of California Press

Published: 2020-03-31

Total Pages: 309

ISBN-13: 0520310020

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Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.