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Author: Mike Filey
Publisher: Dundurn
Published: 2012-11-10
Total Pages: 242
ISBN-13: 145970763X
DOWNLOAD EBOOKThe 11th volume in Mike Filey's series of collected columns on the rich history of the city he loves - Toronto. Featured in this volume are Hurricane Hazel, the Great Lakes passenger ships of yore, the St. Clair streetcar redo, and the unforgettable Toronto snowstorm of 1944.
Author: Mike Filey
Publisher: Dundurn
Published: 2015-10-17
Total Pages: 217
ISBN-13: 1459731700
DOWNLOAD EBOOKAfter four straight decades as one of the Toronto Sunday Sun’s most popular columnists, Mike Filey is still telling the stories of Toronto, its people, places, and history. In this twelfth volume of his acclaimed columns, “The Way We Were,” Filey tackles the Union Station controversy, Toronto’s Kennedy family, and more.
Author: Mike Filey
Publisher: Dundurn
Published: 2000-09-01
Total Pages: 306
ISBN-13: 1550029444
DOWNLOAD EBOOKStories of Old Toronto never lose favour with the city’s nostalgia buffs, and as long as Mike Filey continues to provide us with his "The Way We Were" columns, no one’s appetite will have to go unsatisfied. When Mike’s Toronto Sunday Sun columns were first brought together in Toronto Sketches, demand was so high that it prompted a second collection ... then a third ... and a fourth ... and a fifth. Now, for 2000, Mike has once again brought together some of the best of his Toronto Sunday Sun columns for Toronto Sketches 6, the latest installment in the wildly popular series. This time around, Mike takes us to a performance at the Royal Alexandra Theatre by Al Jolson, the opening of Sunnybrook Hospital, a game between the baseball Leafs and the Havana Sugar Kings - with Fidel Castro throwing out the first pitch - and many more famous, notorious, and entertaining episodes in the history of this great city.
Author: Iris Nowell
Publisher: Douglas & McIntyre
Published: 2011
Total Pages: 386
ISBN-13: 1553655907
DOWNLOAD EBOOKIn 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward Abstract Expressionism --mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg. Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.
Author: Joan Murray
Publisher: Dundurn
Published: 1999-11-01
Total Pages: 274
ISBN-13: 1459722361
DOWNLOAD EBOOKCanadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray’s book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
Published: 1991-01-01
Total Pages: 1646
ISBN-13: 9780802058560
DOWNLOAD EBOOKIdentifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
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Published: 1860
Total Pages: 582
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Published: 1860
Total Pages: 734
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DOWNLOAD EBOOKAuthor: Sandra Alfoldy
Publisher: McGill-Queen's Press - MQUP
Published: 2012-03-28
Total Pages: 252
ISBN-13: 0773586822
DOWNLOAD EBOOKDuring periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.
Author: John O'Brian
Publisher: McGill-Queen's Press - MQUP
Published: 2007-09-30
Total Pages: 401
ISBN-13: 0773575588
DOWNLOAD EBOOK"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
