(Piano/Vocal/Guitar Songbook). Piano/vocal/guitar arrangements of 20 of today's most popular Christian hits, including: All You've Ever Wanted (Casting Crowns) * Every Good Thing (The Afters) * Hello, My Name Is (Matthew West) * Lord, I Need You (Matt Maher) * Overcomer (Mandisa) * Speak Life (tobyMac) * We Won't Be Shaken (Building 429) * Worn (Tenth Avenue North) * and more.
This collection gathers the best in contemporary Christian music from the 2000s and 2010s, including songs by Billboard-charting and GRAMMY(R) Award-winning artists like Amy Grant, Laura Story, and Steven Curtis Chapman, as well as current hits from Casting Crowns, Newsboys, TobyMac, and more. All arrangements include full lyrics and guitar chords for added versatility. Titles: All the People Said Amen (Matt Maher) * All You've Ever Wanted (Casting Crowns) * Back to You (Mandisa) * Better Than a Hallelujah (Amy Grant) * Blessings (Laura Story) * Cinderella (Steven Curtis Chapman) * City on Our Knees (TobyMac) * Courageous (Casting Crowns) * East to West (Casting Crowns) * Glorious Day (Living He Loved Me) (Casting Crowns) * God Is on the Move (7eventh Time Down) * Greater (MercyMe) * How He Loves (David Crowder Band) * I Am (Crowder) * I Can Only Imagine (MercyMe) * Jesus Loves Me (Chris Tomlin) * Just Be Held (Casting Crowns) * Like a Lion (God's Not Dead) (Newsboys) * Made New (Lincoln Brewster) * More of You (Colton Dixon) * Need You Now (How Many Times) (Plumb) * Overcomer (Mandisa) * Overwhelmed (Big Daddy Weave) * Redeemed (Big Daddy Weave) * Shake (MercyMe) * Speak Life (TobyMac) * Start a Fire (Unspoken) * Stronger (Mandisa) * Tell Your Heart to Beat Again (Danny Gokey) * Touch the Sky (Hillsong UNITED) * Waiting for Tomorrow (Mandisa) * You Amaze Us (Selah) * Your Great Name (Natalie Grant) * Your Love Awakens Me (Phil Wickham).
(Fake Book). This new songbook features over 350 southern gospel songs with the melody line and chord symbol (Fake Book format). The simplicity and convenience of this format is perfect for song leaders, quartets and fans of southern gospel music.
(Guitar Chord Songbook). 80 songs arranged with their lyrics and chords for easy strum-along fun: Agnus Dei * As the Deer * Firm Foundation * Give Thanks * God of Wonders * He Is Exalted * The Heart of Worship * I Could Sing of Your Love Forever * Jesus, Lover of My Soul * Lamb of God * Lord, I Lift Your Name on High * More Precious Than Silver * Open the Eyes of My Heart * The Potter's Hand * Shine, Jesus, Shine * We Bow Down * and more.
(Easy Piano Songbook). Easy piano arrangements of 50 songs kids love to sing and play, including: Awesome God * Clap Your Hands * Deep and Wide * Friend of God * Hallelu, Hallelujah! * Here I Am to Worship * I've Got Peace like a River * Jesus Loves the Little Children * More Precious Than Silver * Seek Ye First * Sing to the King * This Is the Day * This Little Light of Mine * Zacchaeus * and more.
This three-volume collection demonstrates the depth and breadth of evangelical Christians' consumption, critique, and creation of popular culture, and how evangelical Christians are both influenced by—and influence—mainstream popular culture, covering comic books to movies to social media. Evangelical Christians and Popular Culture: Pop Goes the Gospel addresses the full spectrum of evangelical media and popular culture offerings, even delving into lesser-known forms of evangelical popular culture such as comic books, video games, and theme parks. The chapters in this 3-volume work are written by over 50 authors who specialize in fields as diverse as history, theology, music, psychology, journalism, film and television studies, advertising, and public relations. Volume 1 examines film, radio and television, and the Internet; Volume 2 covers literature, music, popular art, and merchandise; and Volume 3 discusses public figures, popular press, places, and events. The work is intended for a scholarly audience but presents material in a student-friendly, accessible manner. Evangelical insiders will receive a fresh look at the wide variety of evangelical popular culture offerings, many of which will be unknown, while non-evangelical readers will benefit from a comprehensive introduction to the subject matter.
This interdisciplinary volume brings together leading writers and thinkers to provide a critique of a broad range of topics related to Hillsong Church. Hillsong is one of the most influential, visible, and (in some circles) controversial religious organizations/movements of the past thirty years. Although it has received significant attention from both the academy and the popular press, the vast majority of the scholarship lacks the scope and nuance necessary to understand the complexity of the movement, or its implications for the social, cultural, political, spiritual, and religious milieus it inhabits. This volume begins to redress this by filling important gaps in knowledge as well as introducing different audiences to new perspectives. In doing so, it enriches our understanding of one of the most influential Christian organizations of the late 20th and early 21st centuries.
Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas. Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Ian Bradley provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music.
There has been much academic debate over recent years on Europe defining itself over against the »Other.« This volume asks from the opposite perspective: What views did non-Europeans hold of »European Christianity«? In this way, the volume turns the agency of definition over to non-Europeans. Over the last centuries, the contacts between Europeans and non-Europeans have been diverse and complex. Non-Europeans encountered Europeans as colonialists, traders, missionaries and travellers. Most of those Europeans were Christians or were perceived as Christians. Therefore, in terms of religion Europe was often identified with Christianity. Europeans thus also conveyed a certain image of Christianity to non-European countries. At the same time, non-Europeans increasingly travelled to Europe and experienced a kind of Christianity that often did not conform to the picture they had formed earlier. Their descriptions of European Christianity ranged from sympathetic acceptance to harsh criticism. The contributions in this volume reveal the breadth of these opinions. They also show that there is no clear line of division between »insiders« and »outsiders«, but that Europeans could sometimes perceive themselves as being »outsiders« in their own culture while non-Europeans could adopt »insider« perspectives. Furthermore, from these encounters new religious and cultural expressions could emerge.
