Twentieth-century Italian Drama: The first fifty years

Twentieth-century Italian Drama: The first fifty years

Author: Jane House

Publisher: Columbia University Press

Published: 1995

Total Pages: 648

ISBN-13: 9780231071185

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This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.


Understanding Luigi Pirandello

Understanding Luigi Pirandello

Author: Fiora A. Bassanese

Publisher: Univ of South Carolina Press

Published: 1997

Total Pages: 218

ISBN-13: 9781570030819

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This is an introduction to the life and literary contributions of a Nobel Prize winner and one of Italy's most distinguished writers, Luigi Pirandello. It evaluates the significance of his influence on 20th century literature.


Luigi Pirandello in the Theatre

Luigi Pirandello in the Theatre

Author: Susan Bassnett

Publisher: Routledge

Published: 2014-03-18

Total Pages: 236

ISBN-13: 1134351143

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First Published in 1993. Contemporary Theatre Studies is a book series of special interest to everyone involved in theatre. This collection of documents is the first attempt in English to bring together a body of material on Luigi Pirandello as multi-faceted man of the theatre. Because relatively few of his works have been easily available to English language readers, he is thought of most frequently as a playwright, the author of Six Characters in Search of an Author and Henry IV in particular, and his contribution to theatre, both in theory and in practice, has tended to be overlooked. Emphasising his role as a director, the book traces the rise and fall of his own theatre company, the Teatro d’Arte where he struggled to instil new practices and comments on Pirandello’s attempts during the years of Fascism to give Italy a national theatre in a European context.


Italian Literature since 1900 in English Translation

Italian Literature since 1900 in English Translation

Author: Robin Healey

Publisher: University of Toronto Press

Published: 2019-03-14

Total Pages: 1104

ISBN-13: 1487531907

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Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.


Pirandello’s Visual Philosophy

Pirandello’s Visual Philosophy

Author: Lisa Sarti

Publisher: Rowman & Littlefield

Published: 2017-03-23

Total Pages: 233

ISBN-13: 1683930290

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This collection draws on cutting-edge work that crosses traditional disciplinary boundaries to offer new perspectives on the importance of visuality and the imagination in the work of Luigi Pirandello, the great Italian modernist. The volume re-examines traditional critical notions central to the study of Pirandello by focusing on the importance of the visual imagination in his poetics and aesthetics, an area of multimedia investigation which has not yet received ample attention in English-language books. Putting scholarship on Pirandello in conversation with new work on the multimedia dimensions of modernism, the volume examines how Pirandello worked across and was adapted through multiple media. It also brings Pirandello into a cross-disciplinary dialogue with new approaches to Italian cultural studies to show how his work remains relevant to scholarly conversations across the field. The essays in this collection highlight the ways in which Pirandello is engaged not only in literature and theatre but also in the visual arts, film, and music. At the same time, they emphasize the ways in which this multimedia creativity enables Pirandello to pursue complex philosophical thoughts, and how scholars’ interpretation of his works can provide new insights into problems facing us today. Crossing from aesthetics and a study of modernist notions of creative imagination into studies of multimedia works and adaptations, the volume argues that Pirandello should be understood as a thinker in images whose legacy can be felt across the arts and into the realm of 21st-century theories of literary cognition.


Pierrot in Petrograd

Pierrot in Petrograd

Author: Douglas Clayton

Publisher: McGill-Queen's Press - MQUP

Published: 1994-01-10

Total Pages: 388

ISBN-13: 0773564411

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Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.


Twentieth-century Italian Literature in English Translation

Twentieth-century Italian Literature in English Translation

Author: Robin Healey

Publisher: University of Toronto Press

Published: 1998-01-01

Total Pages: 648

ISBN-13: 9780802008008

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This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.


Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries

Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries

Author: Peter Conrad

Publisher: Thames & Hudson

Published: 2011-11-07

Total Pages: 611

ISBN-13: 0500771448

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An exploration of the lives and works of Verdi and Wagner as well as their respective legacies to the present day, written by a noted cultural critic. This is the first book to compare these two composers and cultural heroes, both of whom were born in 1813 and achieved huge national and inter- national renown in their lifetimes. Yet not only did they never meet, but the differences between them—in music, culture, environment, significance, and legacy—were profound. Peter Conrad begins his tale in a public park in Venice, home to a pair of statues of the composers that are positioned so as to appear to shun each other. This provides a fitting starting point for his argument that they represent two opposite yet equally integral and compelling dimensions of European culture: north versus south, cerebral versus sensual, proud solitude versus human connection, epic mythmaking versus humane magnanimity. The book is a richly argued tour de force that engages passionately and profoundly with music, biography, history, politics, philosophy, psychology, and culture in the broadest sense. As Conrad concludes, “At one time or another, if not simultaneously, we still need the two contradictory, complementary kinds of music that Verdi and Wagner left us.”


Encyclopedia of Italian Literary Studies

Encyclopedia of Italian Literary Studies

Author: Gaetana Marrone

Publisher: Routledge

Published: 2006-12-26

Total Pages: 2258

ISBN-13: 1135455295

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The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.