"Take one inventive genius indebted to the friend who saved his life; add an English aristocrat hopelessly consumed with a selfish and spiritually bankrupt woman; stir together with a Faustian pact to create the perfect woman--and voilà! Tomorrow's Eve is served. Robert Martin Adams's graceful translation is the first to bring to English readers this captivating fable of a Thomas Edison-like inventor and his creation, the radiant and tragic android Hadaly. Adams's introduction sketches the uncompromising idealism of the proud but penurious aristocrat Jean Marie Mathias Philippe Auguste, Count Villiers de l'Isle-Adam, a friend and admired colleague of Charles Baudelaire, Stèphane Mallarmé, and Richard Wagner. Villiers dazzles us with a gallery of electronic wonders while unsettling us with the implications of his (and our) increasingly mechanized and mechanical society. A witty and acerbic tale in which human nature, spiritual values, and scientific possibilities collide, Tomorrow's Eve retains an enduring freshness and edge." --Descripción del editor.
Eve and Villanelle plan for a high-stakes showdown in this sophisticated follow-up to the spy thriller that inspired the hit TV series Killing Eve. "If you want us to remain silent -- if you want to retain your freedom, your job, and your reputation -- you need to tell us everything, and I mean everything. . ." We last saw Eve and Villanelle in a spy vs. spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel to Killing Eve: Codename Villanelle, former M16 operativeEve reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin.
Following the wildly popular BBC America adaption of Codename Villanelle, a high-stakes, addictive installment of Jennings's acclaimed Killing Eve series. Though the cat and mouse chase between these two lethal adversaries has seemingly ended, the sophisticated, deadly thrill of Eve and Villanelle's relationship is far from over. Told in Jennings's stylish prose, Killing Eve: Endgame is another page-turning chapter in the espionage exploits of Eve and Villanelle.
For a woman in the Western world, there is no escaping beauty. Either she possesses it, or she lacks it. If she lacks it, she may hope to gain it. If she already has it, she will certainly lose it. But what is "it"? Not an objective thing, Francette Pacteau tells us, but a generic term for an unspecifiable number of psychological experiences in the mind of the observer. What these experiences are, what causes them, and how they manifest themselves as a notion of beauty is the subject of this book. Less interested in the contingent object of desire than the fantasy that frames it, Pacteau considers the staging of the aesthetic emotion. Her analysis extends from the Classical ideals of beauty, through Renaissance poetry to the recent formulations of Hollywood. Her book is an ambitious attempt to describe the mise-en-scène of beauty within a particular field of representations – that of the beauty of a woman.
Religion and Technology into the Future: From Adam to Tomorrow’s Eve examines the broad significance of the current trends and accomplishments in technology (AI/robots) against the long history of the human imagination of making sentient beings. It seeks to enrich our understanding of the present as it is trending into the future against the richly relevant and surprisingly long past. Creatively considered in some depth are a wide range of specific examples drawn especially from contemporary film and television, as well as from cosmology, ancient mythology, biblical literature, classical literature, folklore, evolution, popular culture, technology, and futurist studies. This book is distinctive, in part, in drawing on a wide range of resources demonstrating the indispensable interrelationship among these disparate materials. Science, technology, economics, and philosophy are seamlessly interwoven with history, gender, culture, religion, literature, pop culture, art, and film. Written for general as well as academic readers, it offers fascinating and provocative insights into who we are and where we are going.
A mighty shogunate ruling the land from Tempu Castle. An imperial line with strict female succession. Caught between these two immense powers, the sprawling city of Tempu is home to many wonders—not least a superhuman technological achievement in the form of a beautiful automaton known as Eve. When a secret that threatens to shake the imperial line intersects with the mystery of Eve’s creation, events are set in motion that soon race toward a shocking conclusion. A new, astonishingly inventive science fantasy masterpiece of historic proportions. -- VIZ Media
Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity. Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative. The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as “bad scholarship,” this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood. Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles. Since these historical examples engage highly relevant present concerns —the distinction of real and fake, truth and lie, map and territory—the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.
Villiers De L'isle Adam was one of the greatest symbolist writers of the 19th century. His works, in the Romantic style, are often fantastic in plot and filled with mystery and horror. Originally published in 1886, 'The Future Eve' is a stunning work, noted for popularizing the term 'android'. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
The relationship between lifelike machines and mechanistic human behaviour provoked both fascination and anxiety in Victorian culture. This collection is the first to examine the widespread cultural interest in automata - both human and mechanical - in the nineteenth century. It was in the Victorian period that industrialization first met information technology, and that theories of physical and mental human automatism became essential to both scientific and popular understandings of thought and action. Bringing together essays by a multidisciplinary group of leading scholars, this volume explores what it means to be human in a scientific and industrial age. It also considers how Victorian inquiry and practices continue to shape current thought on race, creativity, mind, and agency. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details.
