“Don’t tell anyone what I am about to tell you… last leaf.” Tom has never heard about the last leaf till he read his Nana's letter. Odd things are happening around him. He has to go to the library and many other places to get the answer about the last leaf. There is a person trying to kill Tom and he escapes several times out of sheer luck. He has to do things before that person in order to save himself and his friends. Nothing will be impossible with the help of his friends. “Let the war begin”
HONOR 2016 - Mildred L. Batchelder Honor Book WINNER 2016 - Sydney Taylor Book Award, Association of Jewish Libraries FINALIST 2016 - National Jewish Book Awards Adam and Thomas is the story of two nine-year-old Jewish boys who survive World War II by banding together in the forest. They are alone, visited only furtively every few days by Mina, a mercurial girl who herself has found refuge from the war by living with a peasant family. She makes secret journeys and brings the boys parcels of food at her own risk. Adam and Thomas must learn to survive and do. They forage and build a small tree house, although it's more like a bird's nest. Adam's family dog, Miro, manages to find his way to him, to the joy of both boys. Miro brings the warmth of home with him. Echoes of the war are felt in the forest. The boys meet fugitives fleeing for their lives and try to help them. They learn to disappear in moments of danger. And they barely survive winter's harshest weather, but when things seem to be at their worst, a miracle happens.
The second and last children's book by the extraordinary Holocaust survivor and Hebrew-language author of the award-winning Adam & Thomas. A mystical and transcendent journey of two wanderers, an eleven-year-old boy and an old man to whom the boy has been entrusted by his father, a Jew, fleeing the ravages of the war by the late award winning author, Aharon Appelfeld. The old man is a former Ukranian commander, revered by the soldiers under his command, who has gone blind and chosen the life of a wanderer as his last spiritual adventure. The child, now disguised as a Ukranian non-Jew, learns from the old man how to fend for himself and how to care for others. In the tradition of The Alchemist, the travelers learn from each other and the boy grows stronger and wiser as the old man teaches him the art of survival and, through the stories he shares, the reasons for living. Long Summer Nights carries its magic not only in the words, but also in the silences between them.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
From "fiction's foremost chronicler of the Holocaust" (Philip Roth), here is a haunting novel about an unforgettable group of Jewish partisans fighting the Nazis during World War II. Battling numbing cold, ever-present hunger, and German soldiers determined to hunt them down, four dozen resistance fighters—escapees from a nearby ghetto—hide in a Ukrainian forest, determined to survive the war, sabotage the German war effort, and rescue as many Jews as they can from the trains taking them to concentration camps. Their leader is relentless in his efforts to turn his ragtag band of men and boys into a disciplined force that accomplishes its goals without losing its moral compass. And so when they're not raiding peasants' homes for food and supplies, or training with the weapons taken from the soldiers they have ambushed and killed, the partisans read books of faith and philosophy that they have rescued from abandoned Jewish homes, and they draw strength from the women, the elderly, and the remarkably resilient orphaned children they are protecting. When they hear about the advances being made by the Soviet Army, the partisans prepare for what they know will be a furious attack on their compound by the retreating Germans. In the heartbreaking aftermath, the survivors emerge from the forest to bury their dead, care for their wounded, and grimly confront a world that is surprised by their existence—and profoundly unwelcoming. Narrated by seventeen-year-old Edmund—a member of the group who maintains his own inner resolve with memories of his parents and their life before the war—this powerful story of Jews who fought back is suffused with the riveting detail that Aharon Appelfeld was uniquely able to bring to his award-winning novels.
A young holocaust survivor tries to create a new life in the newly established state of Israel. Erwin doesn’t remember much about his journey across Europe when the war ended because he spent most of it asleep, carried by other survivors as they emerged from their hiding places or were liberated from the camps and made their way to Naples, where they filled refugee camps and wondered what was to become of them. Erwin becomes part of a group of boys being rigorously trained both physically and mentally by an emissary from Palestine for life in their new home. When he and his fellow clandestine immigrants are released by British authorities from their detention camp near Haifa, they are assigned to a kibbutz, where they learn how to tend the land and speak their new language. But a part of Erwin clings to the past—to memories of his parents, his mother tongue, the Ukrainian city where he was born—and he knows that despite what he is being told, who he was is just as important as who he is becoming. When he is wounded in an engagement with snipers, Erwin spends months trying to regain the use of his legs. As he exercises his body, he exercises his mind as well, copying passages from the Bible in his newly acquired Hebrew and working up the courage to create his own texts in this language both old and new, hoping to succeed as a writer where his beloved, tormented father had failed. With the support of his friends and the encouragement of his mother (who visits him in his dreams), Erwin takes his first tentative steps with his crutches—and with his pen. Once again, Aharon Appelfeld mines personal experience to create dazzling, masterly fiction with a universal resonance.
Kantorovich analyzes the notion of discovery. He views the process as inference and questions whether there is logic or method to discovery. He provides an alternative perspective on scientific discovery that explains the difficulties in finding a satisfactory method of discovery. Within the framework of evolutionary epistemology, discovery is treated as a phenomenon in its own right having psychological and social dimensions. Science is viewed as a continuation of the evolutionary process whereby creative discovery plays a role similar to blind mutation in biological evolution. From this perspective, serendipity and tinkering are key notions in understanding the creative process.
In "Judicial Reputation: A Comparative Theory, "Tom Ginsburg and Nuno Garoupa mean to explain how judges respond to the reputational incentives provided by the different audiences they interact with--lawyers and law professors; politicians; the media; and the public itself--as well as how legal systems design their judicial institutions to calibrate the locally appropriate balance among audiences. Making use by turns of careful empirical work and penetrating conceptual insights, Ginsburg and Garoupa argue that any given judicial structure is best understood not through the lens of legal culture, origin, or tradition, but through the economics of information and reputation.
This acclaimed debut novel takes readers inside the mind of a young and deeply conflicted Israeli soldier: “Israel’s own The Catcher in the Rye”(The Los Angeles Review of Books). The Drive follows the emotional and psychological journey of a young Israeli soldier who is unable to carry out his military service yet terrified of the consequences of leaving the army. As the unnamed soldier and his father drive along the Coastal Highway to meet with a military psychiatrist, Yair Assulin offers a penetrating view of Israeli society, a young man in crisis, and the universal urge to resist regimentation and violence. Weary of being forced to join a larger collective, the soldier yearns for an existence free of politics, the news cycle, and perpetual battle-readiness. But to seek such a life would mean risking the respect of those he loves most. The Drive is a compelling story of an urgent personal quest to reconcile duty, expectations and individual instinct.
‘Could it not be that a tremendously important Event is taking place in the world, taking place right now, of which our own contemporaries have no presentiment? This is indeed so. A highly important Event is taking place that is perceptible, however, only to spiritual vision.’ – Rudolf Steiner, 25 January, 1910 What if matter is not solid, fixed and dead, but a living and creative Event? Could the concrete ‘stuff’ of our existence be in the process of development and becoming? Rudolf Steiner predicted that the new Christ Event would penetrate and transform all earthly and cosmic matter, life, consciousness and evolution. Through this Event, we have the opportunity to participate in the vortex of creative life. No longer detached, external spectators, we become co-creators in the drama of evolution and in the transformation of human consciousness. In this original and challenging work, Dr Ben-Aharon describes how this momentous Event is expressed in the fields of science, history, philosophy and art, and relates some of the fresh and creative concepts that have been discovered and applied in the disciplines of physics, biology, genetics and artificial intelligence. The Event, he concludes, leads us to face the central and world-historical question of our time: Are we as a human race going to use the new creative forces that are available to us positively, or will we allow this potential for good to change into its – destructive – opposite? The choice is ours.
