The Complete Piano Player: Book 2
The Complete Piano Player: Book 2

Author: Kenneth Baker

Publisher: Wise Publications

Published: 2012-10-24

Total Pages: 48

ISBN-13: 0857129643

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This is the second book I the Complete Piano Player course and is every bit as rewarding as the first. You will learn how to play songs by Elvis Presley, Rod Stewart, The Beatles and more, while introducing new notes for both hands, extending past the range of the original five-finger position. Letter names will appear alongside new notes only. Carefully follow the lessons and you will find you have learned all about accidentals, chord symbols, dotted rhythms and wrist staccato, as well as having increased your repertoire and grown as a musician Remember playing little and often is the best way to make rapid progress and become the complete piano player. Songlist: - A Hard Days Night [The Beatles] - Bright Eyes [Art Garfunkel] - By The Time I Get To Phoenix [Glen Campbell] - Danny Boy (Londonderry Air) [Trad.] - Guantanamera [Trad.] - He'll Have To Go [Jim reeves] - Laughing Samba [Edmundo Ros] - Let Him Go, Let Him Tarry [Trad.] - Let It Be [The Beatles] - Liebestraum [Liszt] - My Own True Love (from Gone With the Wind) - Plaisir D'amour [Martini] - Puff The Magic Dragon [Peter, Paul & Mary] - Sailing [Colin Downs] - Silent Night [Trad.] - Take Me Home Country Roads [John Denver] - The Winner Takes It All [ABBA] - Those Lazy Crazy Days Of Summer [Nat king Cole] - Under The Bridges Of Paris [Dean Martin] - What Kind Of Fool Am I? - William Tell Overture – Theme [Rossini] - Wooden Heart [Elvis Presley]

The Complete Piano Player
The Complete Piano Player

Author: Kenneth Baker

Publisher: Amsco Music

Published: 1984

Total Pages: 48

ISBN-13: 9780825624360

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Book 5 of this popular series will teach you new skills and techniques while reinforcing skills already learned. You will learn more about phrasing and how dynamics in music can transform your playing. Four new keys are introduced and new left hand techniques are introduced.

Mastering Piano Technique
Mastering Piano Technique

Author: Seymour Fink

Publisher: Hal Leonard Corporation

Published: 1992

Total Pages: 196

ISBN-13: 9780931340468

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(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.

100 Left Hand Patterns Every Piano Player Should Know
100 Left Hand Patterns Every Piano Player Should Know

Author: Jerald Simon

Publisher: Jerald Simon

Published: 2018-06

Total Pages:

ISBN-13: 9781948274111

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100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.

How to Play from a Fake Book (Music Instruction)
How to Play from a Fake Book (Music Instruction)

Author:

Publisher: Hal Leonard Corporation

Published: 1999-01-01

Total Pages: 144

ISBN-13: 1476827710

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(Piano). Ever wondered how to create better accompaniments for the melodies in your favorite fake books? This "teach yourself" book introduces you to chord building, various rhythmic styles, and much more, so that you play the songs you like just the way you want them. Keyboard players with a basic understanding of notation and sight-reading will be on their way to more fun with fake books. The relaxed tone of the text and selection of fun songs keep How to Play from a Fake Book entertaining throughout perfect for amateur musicians, or as a supplement for keyboard teachers and their students.

The Fifty Greatest Jazz Piano Players of All Time
The Fifty Greatest Jazz Piano Players of All Time

Author: Gene Rizzo

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 240

ISBN-13: 9780634074165

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Handy resource for jazz listeners and hardcore fans. Spanning players from eighty years of history, this bold book steps forward and claims who are the greatest. Compiled from an extensive survey conducted with the best jazz minds in the education, publishing and entertainment worlds, noted jazz journalist Gene Rizzo summarized the chosen and presents a concise bio on the essence of these jazz giants. Choices were made on the basis of chops, originality, creativity, and degree of influence. This book will either confirm some readers' opinions or open debate with others, but ultimately the book provides an impressive summary of the greatest jazz piano players of all time. A photo accompanies each listing * Landmark recordings are listed * Extra lists include the next twenty to be selected, the top women players and an alphabetical list of all the other players considered

What Every Pianist Needs to Know about the Body
What Every Pianist Needs to Know about the Body

Author: Thomas Carson Mark

Publisher: GIA Publications

Published: 2003

Total Pages: 182

ISBN-13: 9781579992064

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Describes and demonstrates the places of balance, standing and sitting in balance, structure, movement of the hands and arms, and other topics.

Piano Notes
Piano Notes

Author: Charles Rosen

Publisher: Simon and Schuster

Published: 2002-10-29

Total Pages: 262

ISBN-13: 1439135223

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Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?