Is this all you're living for? For years, pastor Paul Tripp understood we were "hardwired for forever." But he didn't understand that it was more than a valuable insight. It is a practical tool to help us face the disappointment of everyday life. Now he knows, and he can help you discover how to survive and thrive in the middle of your story, with the final chapter of heaven in view. Instead of embracing the world's motto--"you only live once"--follow Tripp as he unpacks the biblical truth of the world as a broken place, longing for a second chance. And come alive as you discover the meaning and redemption all this brokenness can bring to your life today. With practical insights on how eternity impacts your relationships, your job, your kids, and your deepest struggles, you'll be encouraged to relax into the eternal story God is writing for you. You really are hardwired for eternity, and this book reveals how you can begin to view all that happens in your life as preparation for Forever.
A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time "I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
Making Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art.
Putting the fey tragedy behind him, Erich arrives at the Rhinian capital and begins his term of service under Lady Agrippina at the Imperial College of Magic. There, he draws the attention of a troubling wardrobe connoisseur but has no choice but to press on and earn his sister’s tuition. After befriending a student at the College, the two set off on one of Agrippina’s simple errands—until the Goddess of Dice turns their quick chore into a full-blown dungeon crawl! How many lovely pips will those dice show in the third session of Erich’s campaign?!
From the Booker Prize-winning and Women's Prize-shortlisted author of The Silence of the Girls 'Gripping in the best, most exquisite sense of the word' Mail on Sunday 'Utterly compelling... She is a novelist who probes deep, revealing what people prefer to keep hidden' Scotsman 'Extraordinary... Without question the best novel I have read this year' Daily Mail 'Brilliant touches of observation, an unfailing ear for dialogue... This is a novel that doesn't allow you to miss a sentence' New York Times Book Review At 101 years old, Geordie, a proud Somme veteran, lingers painfully through the days before his death. His grandson Nick is anguished to see this once-resilient man haunted by the ghosts of the trenches and the horror surrounding his brother's death. But in Nick's family home the dark pressures of the past also encroach on the present. As he and his wife Fran try to unite their uneasy family of step- and half-siblings, the discovery of a sinister Victorian drawing reveals the murderous history of their house and casts a violent shadow on their lives...
In 2001 the first World Social Forum was held in Porto Alegre, Brazil. The meeting was viewed by many at the time as a new manifestation of the global Left, a people's opposition to the World Economic Forum that stood as the first real front to global capitalism since the collapse of the Soviet Union. While many activists and intellectuals on the left have since become deeply critical of the Forum, newer movements, such as Occupy, the Arab Spring and the indignados, have built upon its successes and innovations. Another World is Possible is the original collection of essays and demands from the heart of the 'movement of movements'. Based on the work of the first two annual meetings of the WSF, this classic collection not only set out the initial aims of the movements that came together, it also paved the way for the theoretical study of new social movements, their multiple and participatory character. Today, as many crises affect all our lives, it is time to revisit the original demands of a global solidarity movement, united in its determination to fight against the concentration of wealth, the proliferation of poverty and inequalities, and the destruction of our earth, and to reconstitute a global left.
“Hey! I’m an evil god, but I’m not actually evil!” Those were the first words I heard in the afterlife. My name’s Naofumi Kamiya, and my entire class died in a tragic bus accident. The god told my classmates that he would transport all of us to a dangerous new world, but he created skills for us on request, so maybe he was actually a good god? That’s what I thought at first, anyway. But when it sounds too good to be true, it probably is! I feel bad for my classmates who thought that gimmicky skills would make them invincible. I mean, the god did warn them that there were no cheat skills! Oh well. As for myself, I’m enjoying my life with my childhood friends, putting safety first and staying out of trouble. After all, this world might seem like a game, but it’s not. It’s reality.
Yancey investigates the natural world and discovers the supernatural hiding in plain view. He grapples with why God made the world and what our role truly is, and seeks to answer the question, "How does one live in the natural world while expressing the values of the supernatural?" (Christian)
Mariano and his friends are helping their parents turn an old Brazilian coffee plantation into an inn. The children sleep in a shed, which is being converted into guest rooms. One night they hear crying. Gradually, the ghost of Rosario, a young slave from the late 1800s appears to them and tells the story of why she is so sad. Hans Christian Andersen Award-winning author Ana Maria Machado's storytelling skills and social conscience come together in this powerful and moving book that reveals the evil of slavery in a real, immediate and unforgettable way.