Gimba has delivered ten singular and deftly written short stories, each one a gritty, sometimes hilarious, always probing study of how we struggle with every facet of daily life.
The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.
In sixteen apparently simple stories, John Young's memorable characters ask (or refuse to ask) what shapes us. Education? Talent? Impulse? Family? Money? Need for approval? Most of the stories are set in small-town Indiana, with a handful coming from New England villages. All are sensitively written, careful, and real. The impulse to cheat (embellish) shows up early in the collection, as an antique dealer teaches himself to craft high-quality fakes. It reaches a fever pitch and crashes in the next tale, when an ambitious minister in an affluent community pays more attention to his neighbor's wife and pumpkins than to the living he's inherited. Young's protagonists range from observant nine-year-olds to hyper-competitive teens, from working class dreamers (and drinkers) to privileged executives defending the compromises they've made. A few face public humiliation; a few others die. In two of the strongest stories, young women face painful life-and-death decisions, and the conclusions are uncertain. In most, there's an ethical dilemma, skillfully and subtly plotted so that we readers come away energized, appreciating "the oxymorons of life."
From the author to the reader: Show-and-Tell was the very best part of school for me, both as a student and as a teacher. As a kid, I put more into getting ready for my turn to present than I put into the rest of my homework. Show-and-Tell was real in a way that much of what I learned in school was not. It was education that came out of my life experience. As a teacher, I was always surprised by what I learned from these amateur hours. A kid I was sure I knew well would reach down into a paper bag he carried and fish out some odd-shaped treasure and attach meaning to it beyond my most extravagant expectation. Again and again I learned that what I thought was only true for me . . . only valued by me . . . only cared about by me . . . was common property. The principles guiding this book are not far from the spirit of Show-and-Tell. It is stuff from home—that place in my mind and heart where I most truly live. P.S. This volume picks up where I left off in All I Really Need to Know I Learned in Kindergarten, when I promised to tell about the time it was on fire when I lay down on it.
A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune
A 2019 EISNER AWARD NOMINEE FOR BEST ADAPTATION FROM ANOTHER MEDIUM From the “master of black and white” artwork (Paste Magazine) and the bestselling illustrator-storyteller of Park Bench and Alone comes a starkly beautiful graphic novel adaptation of Jack London’s most famous short story. Discover the beloved author of White Fang and The Call of the Wild, Jack London’s renowned short story “To Build a Fire” in a new and evocative way from master artist Christophe Chabouté. With his signature “stunning black-and-white art” (Publishers Weekly), Chabouté illustrates London’s gripping story of man versus nature in the harsh and unforgiving Yukon that has enthralled readers for over a century.