Titus Out of Joint

Titus Out of Joint

Author: Liberty Stanavage

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781443837620

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Cannibalism, severed hands and severed heads, rape, murder, tragedy and â " of course â " the Classics. These are a few of the delights audiences have to look forward to in Titus Andronicus. Itâ (TM)s a play of extremes, as likely to provoke severe discomfort as severe delight. Titus has claimed its fair share of critical attention. In particular, its florid violence and the striking, tragic figure of Lavinia have proven a potent touchstone of modern Shakespearean criticism. But, for critics, the play is often just that: a touchstone, a way station to bigger and better things. In it, critics find portents of Lear in intransigent Titus or premonitions of Richard and Iago in Aaron. We believe, however, that Titus deserves a more sustained and eclectic analysis. This collection â " the first full length work devoted to Titus in a decade â " does just that. Rather than seeking a unifying vision in the play, Titus out of Joint: Reading the Fragmented Titus Andronicus approaches the play as inherently dissonant, a text that draws our attention directly to how it pulls apart rather than coheres. The essays in this volume examine Titus from a wide variety of theoretical and critical perspectives including: disability studies, history of the book, psychoanalysis, gender studies, and theater history. A conversation emerges in these pages between these different and often contrasting approaches to the play, a conversation that the editors hope will continue outside the covers of this collection.


Childhood in Contemporary Performance of Shakespeare

Childhood in Contemporary Performance of Shakespeare

Author: Gemma Miller

Publisher: Bloomsbury Publishing

Published: 2020-04-16

Total Pages: 275

ISBN-13: 1350133159

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Child characters feature more numerously and prominently in the Shakespearean canon than in that of any other early modern playwright. Focusing on stage and film productions from the past four decades, this study addresses how Shakespeare's child characters are reflected, refracted and reinterpreted in performance. By adopting an interdisciplinary approach that incorporates close reading, semiotics, childhood studies, queer theory and performance studies, Gemma Miller explores how a close analysis of Shakespeare's child characters, both in the text and in performance, can reveal often uncomfortable truths about contemporary ideas of childhood, as well as offer fresh insights into the plays. Among the works and productions analysed are stage productions of Richard III by Sean Holmes and Thomas Ostermeier; Jamie Lloyd's and Michael Boyd's stage productions of Macbeth and the films of Roman Polanski and Justin Kurzel; Deborah Warner's stage production of Titus Andronicus and filmed adaptations by Jane Howell and Julie Taymor; and stage productions of The Winter's Tale by Nicholas Hytner, and by Kenneth Branagh and Rob Ashford, and the ballet adaptation by Christopher Wheeldon.


Ovid and Adaptation in Early Modern English Theatre

Ovid and Adaptation in Early Modern English Theatre

Author: Starks Lisa Starks

Publisher: Edinburgh University Press

Published: 2019-08-28

Total Pages: 320

ISBN-13: 1474430090

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Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.


Staging the Superstitions of Early Modern Europe

Staging the Superstitions of Early Modern Europe

Author: Asst Prof Verena Theile

Publisher: Ashgate Publishing, Ltd.

Published: 2013-03-28

Total Pages: 474

ISBN-13: 1409474305

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Engaging with fiction and history-and reading both genres as texts permeated with early modern anxieties, desires, and apprehensions-this collection scrutinizes the historical intersection of early modern European superstitions and English stage literature. Contributors analyze the cultural mechanisms that shape, preserve, and transmit beliefs. They investigate where superstitions come from and how they are sustained and communicated within early modern European society. It has been proposed by scholars that once enacted on stage and thus brought into contact with the literary-dramatic perspective, belief systems that had been preserved and reinforced by historical-literary texts underwent a drastic change. By highlighting the connection between historical-literary and literary-dramatic culture, this volume tests and explores the theory that performance of superstitions opened the way to disbelief.


Shakespeare and the Visual Arts

Shakespeare and the Visual Arts

Author: Michele Marrapodi

Publisher: Taylor & Francis

Published: 2017-02-17

Total Pages: 425

ISBN-13: 135181513X

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Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. An afterword, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.


A Warning for Fair Women

A Warning for Fair Women

Author: Ann C. Christensen

Publisher: U of Nebraska Press

Published: 2021-05

Total Pages: 320

ISBN-13: 1496208366

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"A critical edition of A Warning for Fair Women introduces new audiences to an important but neglected work of Elizabethan drama"--


Shakespeare and Disgust

Shakespeare and Disgust

Author: Bradley J. Irish

Publisher: Bloomsbury Publishing

Published: 2023-02-09

Total Pages: 162

ISBN-13: 1350214000

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Drawing on both historical analysis and theories from the modern affective sciences, Shakespeare and Disgust argues that the experience of revulsion is one of Shakespeare's central dramatic concerns. Known as the 'gatekeeper emotion', disgust is the affective process through which humans protect the boundaries of their physical bodies from material contaminants and their social bodies from moral contaminants. Accordingly, the emotion provided Shakespeare with a master category of compositional tools – poetic images, thematic considerations and narrative possibilities – to interrogate the violation and preservation of such boundaries, whether in the form of compromised bodies, compromised moral actors or compromised social orders. Designed to offer both focused readings and birds-eye coverage, this volume alternates between chapters devoted to the sustained analysis of revulsion in specific plays (Titus Andronicus, Timon of Athens, Coriolanus, Othello and Hamlet) and chapters presenting a general overview of Shakespeare's engagement with certain kinds of prototypical disgust elicitors, including food, disease, bodily violation, race and sex disgust. Disgust, the book argues, is one of the central engines of human behaviour – and, somewhat surprisingly, it must be seen as a centrepiece of Shakespeare's affective universe.


Shakespeare’s Suicides

Shakespeare’s Suicides

Author: Marlena Tronicke

Publisher: Routledge

Published: 2017-11-22

Total Pages: 357

ISBN-13: 1351213172

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Shakespeare’s Suicides: Dead Bodies That Matter is the first study in Shakespeare criticism to examine the entirety of Shakespeare’s dramatic suicides. It addresses all plays featuring suicides and near-suicides in chronological order from Titus Andronicus to Antony and Cleopatra, thus establishing that suicide becomes increasingly pronounced as a vital means of dramatic characterisation. In particular, the book approaches suicide as a gendered phenomenon. By taking into account parameters such as onstage versus offstage deaths, suicide speeches or the explicit denial of final words, as well as settings and weapons, the study scrutinises the ways in which Shakespeare appropriates the convention of suicide and subverts traditional notions of masculine versus feminine deaths. It shows to what extent a gendered approach towards suicide opens up a more nuanced understanding of the correlation between gender and Shakespeare’s genres and how, eventually, through their dramatisation of suicide the tragedies query normative gender discourse.