"Canneries are the sites of Alaska history, contends this multifaceted exploration of the salmon industry in Southeast Alaska. This thematic view includes histories of specific canneries, biographies of individuals who are nearly as colorful as the brightly hued labels that advertised Alaska salmon to the world, and essays that ground the history of canneries in the context of the era. This lushly illustrated volume contains historic photographs, custom made maps, and an unparalleled collection of rare salmon can labels and advertising materials."--Back cover.
With the arrival of the twentieth century, Americans continued in the pioneering spirit of their forebears and looked upon the automobile as a new way to explore the unknown. Thousands of Americans packed their tents in the backs of their cars and set out to enjoy the back roads of the United States. Carrying extra gasoline in five-gallon cans, plenty of canned food, and extra tires strapped to the fenders, these intrepid souls began an exploration of the North American continent with a thoroughness that put Lewis and Clark to shame. These tourists became the symbol of another "New Generation" of Americans, restless, adventuresome, and filled with boundless curiosity. These were the "Tin Can" tourists. In 1919, the official organization of Tin Can Tourists of the World was formed in Tampa, and the group held two meetings annually until disbanding in 1977. Early on, residents of Florida recognized the potential economic impact of the Tin Canners on the state, and the movement to improve roads and provide accommodations and amusements to these seasonal travelers flourished. By 1930, Florida had built more than 3,000 miles of paved roads, and campsites, roadside motels, and exotic animal parks could be found along most major thoroughfares.
More than 800 sailors served aboard the Sterett during her hazardous and demanding duties in World War II. This is the story of those men and their beloved ship, recorded by a junior officer who served on the famous destroyer from her commissioning in 1939 to April 1943.
DIY enthusiasts, tiny house-lovers, and van-lifers will find inspiration and step-by-step instructions in Tin Can Homestead, the ultimate resource for living small in your own Airstream paradise. The Airstream trailer is the ultimate symbol of vintage wanderlust-and the classic touring vehicle's resurgent popularity has dovetailed with the tiny house movement, resonating with design-minded individuals looking to live small. Tin Can Homestead, based on the popular Instagram of the same name, is the ultimate resource for these would-be DIY-ers, and the perfect coffee-table addition for anyone looking for streamlined, modern lifestyle inspiration. Part practical how-to, part lushly illustrated design inspiration, Tin Can Homestead follows the story of one couple as they build themselves a new life in an old Airstream. Through personal stories and down-and-dirty checklists, this book guides readers through all stages of creating their own Airstream homes-from buying a trailer to plumbing and electrical work. With a hip, bohemian aesthetic and a fresh authorial voice, the authors pair their DIY knowledge with lifestyle advice-including dér, design, and entertaining-and abundant illustrations, from in-process photographs to hand-drawn illustrations.
Camping is perhaps the quintessential American activity. We camp to escape, to retreat, to "find" ourselves. The camp serves as a home-away-from-home where we might rethink a deliberate life. We also camp to find a new collective space where family and society converge. Many of us attended summer camps, and the legacies of these childhood havens form part of American culture. In Campsite, Charlie Hailey provides a highly original and artfully composed interpretation of the cultural significance and inherently paradoxical nature of camps and camping in contemporary American society. Offering a new understanding of the complex relationship between place, time, and architecture in an increasingly mobile culture, Hailey explores campsites as places that necessitate a unique combination of contrasting qualities, such as locality and foreignness, mobility and fixity, temporality and permanence, and public domesticity. Camping methods reflect the rigid flexibility of the process: leaving home, arriving at a site, clearing an area, making and then finally breaking camp. The phases of this sequence are both separate and indistinct. To understand this paradox, Hailey emphasizes the role of process. He constructs a philosophical framework to elucidate the "placefulness" -- or sense of place -- of such temporary constructions and provides alternative understandings of how we think of the home and of public versus private dwelling spaces.Historically, camps have been used as places for scouting out future towns, for clearing provisional spaces, and for making semipermanent homes-away-from-home. To understand how "cultures of camping" develop and accommodate this dynamic mix of permanence and flexibility, Hailey looks at three basic qualities of the camp: as a site for place-making, as a populist precursor for modern built environments, and as a "method." Hailey's creative and philosophical approach to camps and camping allows him to construct links between such diverse projects as the "philosophers' camps" of the mid-nineteenth century, the idiosyncratic camping clubs that arose with the automobile culture in the early 1920s, and more recent uses of campsites as temporary housing for those displaced by Hurricane Katrina.In Campsite, Hailey makes a singular and significant contribution to current studies of place and vernacular architecture while also reconfiguring methods of research in cultural studies, architectural theory, and geography.
