For more than 30 years, Yoga Journal has been helping readers achieve the balance and well-being they seek in their everyday lives. With every issue,Yoga Journal strives to inform and empower readers to make lifestyle choices that are healthy for their bodies and minds. We are dedicated to providing in-depth, thoughtful editorial on topics such as yoga, food, nutrition, fitness, wellness, travel, and fashion and beauty.
The original text of this uncompleted work has only recently been discovered and is accompanied here by Collingwood's shorter writings on historical knowledge and inquiry. Besides containing entirely new ideas, these incredible writings discuss many of the issues which Collingwood famously raised in The Idea of History and in his Autobiography. This book also includes a lengthy editorial introduction that puts Collingwood's writings in their context and discusses the philosophical questions they initiate. --from publisher description.
Time, temporality, and history are inherently important constructs in process organization studies, yet have struggled to move beyond limited conceptualizations in management theory. This volume draws together emerging strands of interest to adopt a more nuanced approach in understanding the temporal aspects of organizational processes.
From Workplace to Playspace is about visionary, courageous, innovative, and persistent organizations that challenge long-held preconceptions about the incompatibility of workplace and playspace. Each day organizations across industries and with wide-ranging missions are discovering that playspace is the space they can and must create every day at work if they are to think creatively, question old assumptions, respond effectively to the unexpected, and engage all to work at the top of their talent. Filled with case examples from such organizations as Learning Curve International, Google, Chicago Public Schools, Umpqua Bank, and Threadless, the author provides both the conceptual framework and the principles to guide practitioners to create playspace for innovating, learning and changing in their organizations.
Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.
The fourteen chapters and poem of this volume reflect the centrality of the element Earth in medieval thought and life, a centrality inherited from classical antiquity, and fundamental too in Judaeo-Christian and Islamic traditions. The chapters also reflect the multifarious nature of the ways that Earth was experienced and understood in the Middle Ages. Contributors are Sophie E.D. Abrahams, Daniel Anlezark, Marilina Cesario, Catherine Clarke, James Davis, Stephen J. Davis, Virginia Iommi Echeverría, Andrew Fear, Danielle B. Joyner, Hugh Magennis, Francesco Marzella, Tom C.B. McLeish, Patrick Naeve, Bernard O’Donoghue, Sinéad O’Sullivan, Alexandra Paddock, Elisa Ramazzina, Hannah E. Smithson, Sigbjørn O. Sønnesyn, Sinéad O’Sullivan, and Margaret Tedford.
Liberation and political theologies have emerged powerfully in recent years, interrupting the way in which First World Christians both experience and understand their faith. Through an analysis of the cultural and ecclesial contexts of these theological movements, as well as a critical examination of four of their principal exponents--Gustavo Gutierrez, Johann Baptist Metz, Jose Miguez Bonino, and Jurgen Moltmann--the author demonstrates that political and liberation theologies represent a new model of theology, one that proffers a vision of Christian witness as a praxis of solidarity with suffering persons.
In Experimental Histories, Hannah Weaver examines the medieval practice of interpolation—inserting material from one text into another—which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of medieval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in medieval historiography can be found in these altered narratives of the past. For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analyzing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in medieval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.
"Deep Time: A Literary History challenges the exclusive association between deep time and the modern science of geology by focusing on late Enlightenment writings that used narrative form to integrate new empirical data and methods with Western and non-Western traditions of chronology, earth history, and human origins. Choosing the mid-eighteenth century as a starting point, Heringman aims to demonstrate how deep time became associated with Earth history in the first place, expanding its conceptual domain to include colonial natural history, oral tradition, and scientific romance-all frontiers of the expanded time horizons associated with modernity. It considers the conceptual opening of a modern geological timescale in literary, scientific, and travel writing in the late-Enlightenment/Romantic period, with chapters on the explorer-naturalist team of John Reinhold and George Forster, who sailed with Captain Cook (1772-1775); Buffon's protogeochronological Epochs of Nature (1778); Herder, Blake, and prehistory through oral tradition; and Charles Darwin's dialogue with anthropology and archaeology, especially in The Descent of Man (1871). When eighteenth- and nineteenth-century explorers, naturalists, poets, and philosophers wrote about the "abyss of time," they referred to a large and diverse set of new ideas that unsettled the established time scale: ideas about cultural evolution inspired by Pacific peoples recently encountered by James Cook and other voyagers; a new sense of the depth and diversity of the Earth's strata, produced by increased attention to their structure and deposition; the study of oral traditions by poets and scholars associated with the ballad revival; and the study of non-Western scriptures such as the Mahabharata, which calculated time on an entirely different scale. The latter two pursuits dovetailed with the investigations of voyagers from Johann Reinhold Forster to Charles Darwin, who sought to measure the age of non-European civilizations by way of the geological age of their environments. Ultimately, Heringman argues that the concept of deep time, now associated primarily with modern geology, "was a composite of human and natural history to begin with.""--
How do we listen to the earth? That is the central question posed in Geosonics: Listening Through Earth's Soundscapes. Working across sound studies, media theory, and environmental media studies, Joshua Dittrich explores the material and metaphorical geology of the sonic environment. In an epoch of climate crisis, environment is no longer a neutral background, site, or simple “surrounding”: environment is immanently implicated in the chains of mediation that make up the material and imaginative infrastructure of our lives. The analytical task of Geosonics is to tune into that infrastructure through sound. Drawing on influential work in sound studies around the concept of transduction, this book explores how listening does not take place in a pre-existing soundscape, but rather makes place by etching out a mediated, mutually constitutive set of relations between listeners, media, and environments.
