This study examines time signatures and rhythms for the acoustic bass and the four and five-string electric bass. This method book is divided into two sections: 1) addresses simple meters, and 2) focuses on compound meters. This study will promote facility in executing the feel or groove of the rhythm within each time signature. In standard notation only.
This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. the studies in the book progress from beginning to professional levels and represent an variety of styles that modern bassists are likely to encounter in real-world musical situations. for those conversant in music's universal language, a whole world of musical styles, ideas, and sounds is always available. This book aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas, information, and inspiration. Standard notation only. None of the exercises in this book contain fingering indications. This omission was made in order to make these exercises useful to players of all types of bass instruments, both electric and acoustic. the author strongly recommends that students work through this book with the supervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight-reading form, giving you an edge in a highly competitive market. If you are a novice bassist, this book will help you hone your skills in becoming a skilled professional.
This book presents selected studies by masterful 19th-century classical guitar composer Fernando Sor, arranged and edited for bass. Drawn from several of Sor’s collections of studies, this publication aims to provide electric bass players with material that is both didactic and enjoyable to play but could also be used in recital programs. A set of duets provides more advanced players with further study material. Written in standard notation and tablature.
More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field.
(Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM.
(Fake Book). This is the ultimate rock guitar collection! It features 200 classic and contemporary hits with melody, lyrics and chord frames, plus authentically transcribed guitar parts in notes and tablature! Songs include: All Day and All of the Night * American Woman * Angie * Another One Bites the Dust * Ballroom Blitz * Bang a Gong (Get It On) * Black Hole Sun * Blue on Black * Carry On Wayward Son * Centerfold * Change the World * Come Out and Play * Crazy Train * Cult of Personality * Don't Fear the Reaper * Double Vision * Dream On * Dust in the Wind * Every Breath You Take * The Freshmen * Give Me One Reason * Gloria * Heartache Tonight * Hey Joe * The House Is Rockin' * I Feel Fine * Iris * Iron Man * Layla * Learning to Fly * Little Sister * Money * My Generation * Nights in White Satin * Owner of a Lonely Heart * Paranoid * Patience * Piece of My Heart * Pride and Joy * Push * Revolution * Rhiannon * Roxanne * Semi-Charmed Life * Smoke on the Water * Something to Talk About * Suffragette City * Sultans of Swing * Susie Q * These Eyes * Twist and Shout * Two Princes * Welcome to the Jungle * Woman from Tokyo * Wonderwall * You Got It * more!
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
This book is a collection of twelve essays by British and American writers on William Byrd, one of the greatest of English composers. Byrd wrote choral music for both the Roman Catholic Church and the Church of England, as well as songs, keyboard music and chamber music.
