Time Travel. Blessing or curse? One man thinks he has it all figured out but what began as a simple test has turned into a nightmare. With his equipment failing all around him, only Red and James can save him. Can they reach him in time? Get your copy today to find out! Book 2 of the Red Warp series.
SHORTLISTED FOR THE WAINWRIGHT PRIZE AND THE BOARDMAN TASKER AWARD FOR MOUNTAIN LITERATURE With great lyricism, Anna Fleming charts two parallel journeys: learning the craft of traditional rock climbing and the developing appreciation of the natural world it brings her. Through the story of her progress from terrified beginner to confident lead climber, she shows us how placing hand and foot on rock becomes a profound new way into the landscape. Anna takes us from the gritstone rocks of the Peak District and Yorkshire to the gabbro pinnacles of the Cuillin, the slate of North Wales and the high plateau of the Cairngorms. Each landscape, and each type of rock, brings its own challenges and invites us into the history of a place.
The first time on the open road with Dad's beat-up clunker and a brand-new driver's lecense. That first kiss. Practicing Steve Tyler moves in the garage. Lazy summer days with nothing to do but hang out with a group of friends and the radio. Classic Rock. In Classic Rock Stories, classic rockers reveal the sometimes painful, sometimes accidental, and often hilarious process of creating the songs that you can still sing aloud. In their own words, rockers like Pete Townshend, John Lennon, Stevie Nicks, Elton John, and Keith Richards tell about the drugs, the pain, the love gone bad, and the accidents that resulted in the hits.
Elvis Presley and Bill Haley. Sam Cooke and the Shirelles. The Crows and the Chords. American Bandstand and Motown. From its first rumblings in the outland alphabet soup of R&B and C&W, rock & roll music promised to change the world--and did it. Combining social history with a treasure trove of trivia, Richard Aquila unleashes the excitement of rock's first decade and shows how the music reflected American life from the mid-1950s through the dawn of Beatlemania. His year-by-year timelines and a photo essay place the music in historical perspective by linking artists and their hits to the news stories, movies, TV shows, fads, and lifestyles. In addition, he provides a concise biographical dictionary of the performers who made the charts between 1954 and 1963, along with the label and chart position of each of their hit songs.
From iconic love songs and odes to domestic bliss, to bloodcurdling screams and provocative performances, TIME-LIFE presents a history of rock and roll, and the stories behind the songs.
Who is the greatest band in rock history? This book argues that it's the Beatles. Don't think so? Well, read and find out. This is as thorough an examination of the Beatles music in context as you will find. If you are skeptical of the Beatles greatness, read this book and you will be skeptical no longer: this is an iron clad argument about the most seminal of rock bands.
Dick Stewart was recently inducted into the 2016 New Mexico Music Hall of Fame Richard Stewart is one of those large numbers of fanatical early ’60s rock-and-roll guitarists, who never received national attention and all its glory but, instead, came darn close regardless of the frequent and, on occasion, precarious roadblocks that he encountered, especially during the innocent years of early rock and roll. He endured excessive corporal punishment at school and at home; he explored and mapped privately owned lots in which he and his neighborhood, preteen gang members built forts; he was a Pachuco in an Hispanic gang while in high school; he witnessed despicable bigotry toward Native Americans, Mexican Americans, and African Americans; he fought forest fires in the Pacific Northwest, one of which nearly took his life; he suffered extreme hazing at the hands of his Kappa Sigma active brothers at the University of New Mexico; and the arrival of the Beatles in America dashed his dream of having a national, rock-in-roll guitar instrumental hit. All musicians, high profile or not, of this new mainstream music genre that the teens embraced and called their very own, have an interesting story to tell, but most of the wannabe breakout artists just keep putting it off. Well, this writer didn’t. Stewart’s experiences from the moment the Second World War ended in July of 1945 to the beginning of the psychedelic rock period in 1967 are just too powerful, suspenseful, historic, excruciating, humorous, scary, and on occasion, downright life threatening that needs to be told in detail. This is a read that you will have difficulty putting down.
New York Times Bestseller! 5 Starred Reviews! "Will have listeners in stitches." —Kirkus Reviews (starred review) "Purely absurd, sidesplitting humor." —Booklist (starred review) "Demands bombastic, full-volume performances." —Publishers Weekly (starred review) "Perfect for a guffawing share with younger sibs or buddy read." —BCCB (starred review) "The sort of story that makes children love to read." —School Library Journal (starred review) From acclaimed, bestselling creators Drew Daywalt, author of The Day the Crayons Quit and The Day the Crayons Came Home, and Adam Rex, author-illustrator of Frankenstein Makes a Sandwich, comes a laugh-out-loud hilarious picture book about the epic tale of the classic game Rock, Paper, Scissors. "I couldn’t stop laughing while reading this aloud to a group of kids," commented the founder of Bookopolis.com, Kari Ness Riedel.
In Listening to the Future, Bill Martin sets the scene for the emergence of progressive rock and examines the most important groups, from the famous to the obscure. He also surveys the pathbreaking albums and provides resources for readers to explore the music further. "Written with the insights of an academic, the authority of a musicologist, and—best of all—the passion of a true fan. Martin charts topographic oceans, courts crimson kings, does some brain salad surgery, and generally rocks out in 7/8 time." —Jim DeRogatis Sun-Times music critic
As in many other areas in south Scandinavia, the region surrounding the city of Simrishamn in south-east Scania has a great many Bronze Age mounds that are still visible in the landscape, and records from the museums demonstrate that the area is rich in bronze metalwork. Nevertheless, it is the figurative rock art that makes this region stand out as distinct from surrounding areas that lack such images. The rock art constitutes a spatially well-defined tradition that covers the Bronze Age and the earliest Iron Age, c. 1700–200 BC and, although the number of sites is comparatively small, a characteristic and unusual feature is the large representation of various kinds of metal axes. Significantly these images are tightly distributed inside the core zone of metal consumption in southernmost Scandinavia. This beautifully illustrated new addition to the Swedish rock Art series presents a detailed reassessment of the Simrishamn rock art and examines the close relationship between iconography displayed on metals and that found in rock art. in so doing it raises some important questions of principle concerning the current understanding of the south Scandinavian rock art tradition.