Halley finds herself thrown back in time to 21st century Australia, where her only hope of returning home is to await first contact with the enigmatic aliens who have discovered time travel. Picking up where Time Future—the first book in the series—left off, Halley finds herself thrown back in time to 21st-century Australia, where her only hope of returning home is to await first contact with the enigmatic aliens who have discovered time travel. Meanwhile, back in her “home time,” a universe of warring alien species finds itself at a flashpoint, fighting over control of the time travel technology.
Fintan Buckley is a pleasant, rather conventional and unimaginative man, who works as a legal adviser in an import/export firm in Dublin. He lives in Howth and is married to Colette. They have two sons who are at university, and a small daughter. As he goes about his life, working and spending time with his family, Fintan begins to experience states of altered consciousness and auditory hallucinations, which seem to take him out of a linear experience of time. He becomes interested in how we remember or imagine the past, an interest trigged by becoming aware of early photography, particularly early colour photography. He also finds himself thinking more about his own past, including time spent holidaying in the north of Ireland as a child with his father's family. Over the years he has become distanced from them, and in the course of the novel this link is re-established and helps to bring him understanding and peace, although in a most unexpected way. Time Present and Time Past, Deirdre Madden's eighth novel for adults, is about time: about how not just daily life and one's own, or one's family's past, intersect with each other.
During his terms in the U.S. Senate, Bill Bradley won a national reputation for thoughtfulness, decency, and a willingness to take controversial positions on issues ranging from tax reform to the rights of Native Americans. All these qualities inform this best-selling memoir, in which Bradley assesses his political career and the experiences that shaped his convictions, and looks beyond them to consider the state of the American union on the eve of the 21st century. Time Present, Time Past offers an intimate portrait of the day-to-day working of the Senate: how legislation gets passed and sometimes thwarted; how money is raised and at what cost. But Bradley also writes about deeper questions: What does it means to be an American in an ago of dwindling opportunities and increasing inequality? How much can we expect from our public servants? What do we owe our fellow citizens? The result is a genuinely revelatory book, informed by intelligence, compassion, and unprecedented candor. "Strikingly reflects the realities of modern politics, what it looks like, feels like, from the inside."--New York Times Book Review
Collects essays about historical questions that can now be answered through geographic information systems, as well as the problems and limitations of using GIS technology.
Modernity in the late eighteenth century transformed all domains of European life -intellectual, industrial, and social. Not least affected was the experience of time itself: ever-accelerating change left people with briefer intervals of time in which to gather new experiences and adapt. In this provocative and erudite book Reinhart Koselleck, a distinguished philosopher of history, explores the concept of historical time by posing the question: what kind of experience is opened up by the emergence of modernity? Relying on an extraordinary array of witnesses and texts from politicians, philosophers, theologians, and poets to Renaissance paintings and the dreams of German citizens during the Third Reich, Koselleck shows that, with the advent of modernity, the past and the future became 'relocated' in relation to each other.The promises of modernity -freedom, progress, infinite human improvement -produced a world accelerating toward an unknown and unknowable future within which awaited the possibility of achieving utopian fulfillment. History, Koselleck asserts, emerged in this crucial moment as a new temporality providing distinctly new ways of assimilating experience. In the present context of globalization and its resulting crises, the modern world once again faces a crisis in aligning the experience of past and present. To realize that each present was once an imagined future may help us once again place ourselves within a temporality organized by human thought and humane ends as much as by the contingencies of uncontrolled events.
John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.
The pioneering sociologist and author of The Seven Day Circle continues his analysis of time with this fascinating look at history as social construct. Who were the first people to inhabit North America? Does the West Bank belong to the Arabs or the Jews? Why are racists so obsessed with origins? Is a seventh cousin still a cousin? Why do some societies name their children after dead ancestors? As Eviatar Zerubavel demonstrates in Time Maps, we cannot answer burning questions such as these without a deeper understanding of how we envision the past. In a pioneering attempt to map the structure of collective memory, Zerubavel considers the cognitive patterns we use to organize the past and the social grammar of conflicting interpretations of history. Drawing on fascinating examples that range from Hiroshima to the Holocaust, and from ancient Egypt to the former Yugoslavia, Zerubavel shows how we construct historical origins; how we tie discontinuous events together into stories; how we link families and entire nations through genealogies; and how we separate distinct historical periods from one another through watersheds, such as the invention of fire or the fall of the Berlin Wall. "Time Maps extends beyond all of the old clichés about linear, circular, and spiral patterns of historical process and provides us with models of the actual legends used to map history…brilliant and elegant."-Hayden White, University of California, Santa Cruz
Drawing on current research in psychology, a new philosophical account of remembering as imagining the past. In this book, Kourken Michaelian builds on research in the psychology of memory to develop an innovative philosophical account of the nature of remembering and memory knowledge. Current philosophical approaches to memory rest on assumptions that are incompatible with the rich body of theory and data coming from psychology. Michaelian argues that abandoning those assumptions will result in a radically new philosophical understanding of memory. His novel, integrated account of episodic memory, memory knowledge, and their evolution makes a significant step in that direction. Michaelian situates episodic memory as a form of mental time travel and outlines a naturalistic framework for understanding it. Drawing on research in constructive memory, he develops an innovative simulation theory of memory; finding no intrinsic difference between remembering and imagining, he argues that to remember is to imagine the past. He investigates the reliability of simulational memory, focusing on the adaptivity of the constructive processes involved in remembering and the role of metacognitive monitoring; and he outlines an account of the evolution of episodic memory, distinguishing it from the forms of episodic-like memory demonstrated in animals. Memory research has become increasingly interdisciplinary. Michaelian's account, built systematically on the findings of empirical research, not only draws out the implications of these findings for philosophical theories of remembering but also offers psychologists a framework for making sense of provocative experimental results on mental time travel.
This remarkable collection of papers is divided into three sections: clinical issues; psychoanalysis and the life cycle; and underlying theories of practice. The papers span the years 1951 to 2004, recording five decades of British psychoanalysis, through various angles. The papers in the clinical part include a unique, lengthy case study of the psychoanalysis of a four-year-old boy, and a follow-up of his life over five decades later. After reading the paper at the age of 54, the patient agreed to write his own version of his life, which is included in the book. The second part of the book, on psychoanalysis and the life cycle, includes renowned chapters on ageing. The author looks at the ageing psychoanalyst as well as the characteristics of analysis with older patients. The third part discusses the theories underlying the author's practice and puts forward her views on such concepts as alienation, transference, and the importance of time in psychoanalytic work with patients.
