A tale of friendship and war, of love and hatred, of survival and loss. Transpiring across time and space, on two separate worlds, spanning over seven hundred years of history and incorporating other planes of existence. Quintin is lost and drifting throughout the ages with no memory of what or who he is. Hunted by sinister Minions of the Dark, Quintin seems painfully unaware that he alone is the last of an order of interstellar knights - guardians of galactic peace.
Gotham City has been remade. Omega reigns supreme. Can Batman finally accomplish what no other hero has and free the world from his dark reflection's shadow? Or is it too late for the recreated Caped Crusader?
Eisner continues his series of adaptations of classic tales with this charming and delightfully humourous rendition of Cervantes Don Quixote. The famous knight was quite a gentleman, man of honour and idealist, his selflessness and gallantry made him a legend. A touching story given a new edge by the beautiful full colour illustration and unique interpretation by the master story teller Will Eisner.
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
"Twenty years in the future Bruce Wayne wakes up in Arkham Asylum. Young. Sane. And...he's never been Batman. So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew it."--
The Last Knight The Story of Don Bernardo Gutierrez de Lara Uribe (1774-1841), a Texas Hero (By Jose Antonio Lopez) Once there was a magical land called Tejas. Here is where our Spanish-Mexican ancestors settled to raise families, build their homes, and ranching communities. They were a rare breed of men and women; a hearty stock, strong of both mind and body. They tamed what historian Jerry Thompson calls the Wild and Vivid Land of South Texas. In so doing, they invented the ranching and cowboy phenomena. However, all was not well. Spain ruled Tejas with oppressive and unjust laws. In response for direction to rid America of European colonial rule, several great American-born leaders answered the call to duty during those turbulent times of the late 1700s and early 1800s. Among these were George Washington, Simon Bolivar, and Bernardo Gutierrez de Lara Uribe. While most people may have heard of the first two, few are familiar with Don Bernardo. The Last Knight is the story of this great Texas hero. To begin with, Don Bernardos life has the drama, action, and intrigue of a Hollywood movie, but it is a true story. He was born in Revilla (now Guerrero), on the southern bank of the Rio Grande back when the Rio was just another South Texas river. (The shape of Texas was very different than it is today.) As a young man, Don Bernardo decided to get involved in bringing social change in his community and throughout Texas and Mexico. It was in this restless period of early Texas history that Don Bernardo volunteered to help Father Miguel Hidalgo in his struggle to gain Mexicos independence from Spain. That is why September 16th is today celebrated in Texas. Don Bernardo was appointed a Lt Colonel in the Republican Army. After a trip to the U.S. to seek help and volunteers, he began his revolution in Nacogdoches. That the struggle began here in the Louisiana border was very significant in a historical sense. Nacogdoches and Los Adaes represented the eastern boundary of New Spain. As a matter of fact, Los Adaes is the first capital of Texas. On April 17, 1813, he wrote Texas first Declaration of Independence and its first constitution. He won a series of battles. He became the first President-Protector (governor) of the Independent State of Texas. However, his hope of victory over the Spanish forces vanished quickly, when he was relieved of command and forced to move to Natchitoches, Louisiana in exile. When Mexico gained its independence from Spain in 1821, Don Bernardo was asked to return to his homeland. He did so in 1824. Upon arriving, he became the governor of the new state of Tamaulipas. He also was appointed to several military posts, including Commandant General of Tamaulipas and Commandant General of the Eastern Interior States (Texas, Coahuila, Tamaulipas, and Nuevo Leon.) He died in 1841 after an illustrious career as a rancher, military leader, Indian fighter, gifted communicator, skilled diplomat, governor of two states (Texas and Tamaulipas), and commandant general of four states. He was a man who possessed rare leadership qualities. We owe our gratitude to this great hero who shared in the first vision of a free and independent Texas.
Twenty years in the future, Bruce Wayne wakes up in Arkham Asylum. Young. Sane. And... he's never been Batman. So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape, featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew it... From the powerhouse creative team of writer Scott Snyder and artist Greg Capullo, the team that reinvented Batman from the emotional depths of Batman: Court of Owls to the epic power of Dark Nights: Metal, DC presents what could be the last Batman story ever told... Collects Batman: Last Knight on Earth #1-3.
Bruce Wayne wakes up in Arkham Asylum. Young. Sane. And...he was never Batman. So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew itÉ From the powerhouse creative team of writer Scott Snyder and artist Greg Capullo, the team that reinvented Batman from the emotional depths of ÒCourt of OwlsÓ to the bombastic power of DARK NIGHTS: METAL, DC Black Label is proud to present the bimonthly, three-issue miniseries BATMAN: LAST KNIGHT ON EARTH, published at DCÕs standard comic trim size. par This could be the last Batman story ever toldÉ
A KNIGHT WITHOUT ARMOR IN A SAVAGE GALAXY Captain Dominic Flandry has been knighted for his many services to the Terran Empire¾an Empire which is old, jaded, and corrupt, as Flandry well knows¾but he also knows that the Empire is better than anything that is likely to take its place. And while that _SirÓ before his name may be an added attraction to comely ladies (not that he has ever lacked for the pleasant company of the same), he expects that it will also bring him less welcome attention from envious _colleaguesÓ within the empire. What it is not likely to do is make him more of an object of interest to the alien Merseians, whose plots against the Empire he has repeatedly foiled. They already are as aware as they can be of how much simpler their plans to rule the galaxy would be if their most dangerous adversary were the late Sir Dominic Flandry. This is the sixth volume in the first complete edition of Poul Andersons Technic Civilization saga. At the publisher's request, this title is sold without DRM (Digital Rights Management). _These are stories of the classic science fiction tradition: hard science and tough characters in logically well integrated action stories.Ó ¾Jerry Pournelle _One of science fictions authentic geniuses.Ó ¾Chicago Sun-Times _The winner of seven Hugos and three Nebulas . . . one of the towering figures of modern SF and fantasy.Ó ¾Publishers Weekly _Anderson fuses elegiac prose and a sweeping vision of mans technological future as only he can. . . .Ó ¾Booklist
In this thriller from the author of Jurassic Park, Sphere, and Congo, a group of young scientists travel back in time to medieval France on a daring rescue mission that becomes a struggle to stay alive. #1 NEW YORK TIMES BESTSELLER “Compulsive reading . . . brilliantly imagined.”—Los Angeles Times In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to the headquarters of a secretive multinational corporation that has developed an astounding technology. Now this group is about to get a chance not to study the past but to enter it. And with history opened up to the present, the dead awakened to the living, these men and women will soon find themselves fighting for their very survival—six hundred years ago. “Exciting . . . classic adventure . . . [a] swashbuckling novel . . . Crichton delivers.”—USA Today “More screams per page . . . than Jurassic Park and The Lost World combined . . . The pace will leave many breathlessly grasping for oxygen masks.”—The San Diego Union-Tribune “One of his best . . . [a] nonstop roller coaster of a novel.”—The Philadelphia Inquirer
