Divan of Sadi
Divan of Sadi

Author: Paul Smith

Publisher: Createspace Independent Pub

Published: 2012-05-01

Total Pages: 482

ISBN-13: 9781477486887

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~DIVAN OF SADI~His Mystical Love-Poetry.Translation & Introduction Paul Smith. Published by New Humanity Books/Book HeavenSadi of Shiraz (1210-1291), a contemporary of Rumi who influenced him, was another Perfect Master Poet who expressed himself in the ruba'i form as well as hundreds of ghazals in his beautiful Divan that often also contained images from dervish dancing. Sadi was a great traveller who spent forty years on the road throughout the Middle-East, North Africa and India and many of the incidents he experienced he wrote down in his two most famous works when he finally returned to his beloved birth-place… The Rose Garden (Gulistan) and The Orchard (Bustan). Sadi's mystical love poetry, his ghazals, although almost unknown in the West, are loved by his fellow-countrymen almost as much as those of Hafiz whom he greatly influenced. Here for the first time in English they can be read in all their beauty and power and spirit. The correct rhyme-structure has been kept as well as the beauty and meaning of these beautiful, mystical poems. ALL of the wonderful 603 ghazals from Sadi's Badayi and Tayyibat have been translated in clear, modern, meaningful, correct-rhyming English. Introduction on The Life of Sadi, his Poetry and his influence on the East and the West and on the form and meaning of the ghazal. 421 pages.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all.” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. “Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre and many others, as well as his own poetry, fiction, plays, biographies, children's books and screenplays.www.newhumanitybooksbookheaven.com

Ghazals of Sadi
Ghazals of Sadi

Author: Sadi

Publisher: Createspace Independent Publishing Platform

Published: 2017-12-21

Total Pages: 518

ISBN-13: 9781981715787

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GHAZALS of SADI Translation & Introduction Paul Smith Sadi (Saadi or Sa'di) of Shiraz (1210-1291), a contemporary of Rumi who influenced him, was a Sufi Perfect Master (Qutub) Poet who expressed himself in the ruba'i form as well as hundreds of ghazals in his beautiful Divan that often also contained images from dervish dancing. Sadi was a great traveller who spent forty years on the road throughout the Middle-East, North Africa and India and many of the incidents he experienced he wrote down in his two most famous works when he finally returned to his beloved birth-place... The Rose Garden (Gulistan) and The Orchard (Bustan). Sadi's mystical love poetry, his ghazals, although almost unknown in the West, are loved by his fellow-countrymen almost as much as those of Hafiz whom he greatly influenced. Here for the first time in English they can be read in all their beauty and power and spirit. The correct rhyme-structure has been kept as well as the beauty and meaning of these unique mystical poems. All of the wonderful 603 ghazals from Sadi's Badayi and Tayyibat have been translated in clear, modern, meaningful English. Introduction: Life & Times & Poetry of Sadi of Shiraz and his influence on the East and the West and on the form and meaning of the ghazal. a Sufi Glossary and a large Selected Bibliography. Large Format Paperback "7 x 10" 517 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of all the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). 'Perfect Translation." Amir, Amazon.com Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Baba Farid, Shah Latif, Mu'in, Lalla Ded, 'Iraqi, Ghalib, Nazir, Bulleh Shah, Ibn 'Arabi, Ibn Farid, Rab'ia, Majnun, Mansur Hallaj, Rahman Baba, Iqbal, Ghalib and many others as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com

A Year with Sadi
A Year with Sadi

Author: Sadi

Publisher: Createspace Independent Publishing Platform

Published: 2018-02-06

Total Pages: 394

ISBN-13: 9781982083250

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A YEAR WITH SADI Translation & Introduction by Paul Smith Sadi of Shiraz, along with Hafiz, Nizami & Rumi is considered one of the great mystical and romantic poets of Persia. His masterpieces, The Rose Garden and The Bustan (Orchard) have been a major influence in the East and West for the past 700 years. His Divan of ghazals are still much loved. His ruba'is have also been an influence on the poets that followed him. Here is a selection of 366 poems from his ghazals, ruba'is and masnavis. Introduction includes his Life and Times and Poetry. There is also a Selected Bibliography. The correct rhyme-structure has been kept as well as the beauty and meaning of these wise, inspirational and spiritual poems. 393 pages. Thoreau: "I can find no difference between Sadi and myself... He is not Persian, he is not ancient, he is not strange to me... If Sadi were to come back to claim a personal identity with the historical Sadi, he would find there were too many of us..." Emerson: "Sadi, though he has not the lyric flights of Hafiz, has wit, practical sense, and just moral sentiments. He is the poet of friend¬ship, love, self-devotion, and serenity." COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Mu'in, Amir Khusrau, Lalla Ded, Mahsati and many others, as well as poetry, fiction, plays, children's books, biographies and a dozen screenplays. www.newhumanitybooks.com

Berber Culture on the World Stage
Berber Culture on the World Stage

Author: Jane E. Goodman

Publisher: Indiana University Press

Published: 2005-11-03

Total Pages: 262

ISBN-13: 9780253111456

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"[S]ure to interest a number of different audiences, from language and music scholars to specialists on North Africa.... a superb book, clearly written, analytically incisive, about very important issues that have not been described elsewhere." -- John Bowen, Washington University In this nuanced study of the performance of cultural identity, Jane E. Goodman travels from contemporary Kabyle Berber communities in Algeria and France to the colonial archives, identifying the products, performances, and media through which Berber identity has developed. In the 1990s, with a major Islamist insurgency underway in Algeria, Berber cultural associations created performance forms that challenged Islamist premises while critiquing their own village practices. Goodman describes the phenomenon of new Kabyle song, a form of world music that transformed village songs for global audiences. She follows new songs as they move from their producers to the copyright agency to the Parisian stage, highlighting the networks of circulation and exchange through which Berbers have achieved global visibility.