China in Revolution is a survey of historical photographs from leading collections around the world. The images stretch from the Second Opium War to the Boxer Rebellion and wars with Russia and Japan, the outbreak of revolution, through the rise and fall of Yuan Shikai and the ensuing warlord era.
In The Chinese Revolution on the Tibetan Frontier, Benno Weiner provides the first in-depth study of an ethnic minority region during the first decade of the People's Republic of China: the Amdo region in the Sino-Tibetan borderland. Employing previously inaccessible local archives as well as other rare primary sources, he demonstrates that the Communist Party's goal in 1950s Amdo was not just state-building but also nation-building. Such an objective required the construction of narratives and policies capable of convincing Tibetans of their membership in a wider political community. As Weiner shows, however, early efforts to gradually and organically transform a vast multiethnic empire into a singular nation-state lost out to a revolutionary impatience, demanding more immediate paths to national integration and socialist transformation. This led in 1958 to communization, then to large-scale rebellion and its brutal pacification. Rather than joining voluntarily, Amdo was integrated through the widespread, often indiscriminate use of violence, a violence that lingers in the living memory of Amdo Tibetans and others.
A comprehensive study of contemporary memories of China's revolutionary epoch, from the time of Japanese imperialism through the Cultural Revolution. This volume examines the memories of a range of social groups, including disenfranchised workers and rural women, who have often been neglected in scholarship.
Takes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
Through a Glass Darkly was William Hinton’s last book. It draws on a lifetime of immersion in Chinese politics and society, beginning with the seven years he spent in China, working mainly in agriculture and land reform, until 1953. On his return to the United States in that year, Hinton first encountered the distortions and misrepresentations of the Chinese Revolution that he examines in this book. Hinton defends the achievements of the Chinese Revolution during the three decades from 1948 to 1979 from its detractors both in the United States and, since 1979, in China itself. His starting point is the work of John K. Fairbank, for many years a professor at Harvard and the “dean of China Studies” in the United States. But it is not limited to critique. Instead, Hinton’s critique of Fairbank leads into a wide-ranging examination of the nature of the transformation attempted in China, its social and political bases, and the causes and consequences of its policies in land reform, agriculture, combating famine, popular culture, industrialization, morality, and much else besides. Moving from large questions to concrete details, often drawn from his own experiences, Hinton brings everyday life in revolutionary China graphically to life. In a time when the distorted views first developed by U.S. critics of the Chinese Revolution are often propagated by the new Chinese elite themselves, Through a Glass Darkly has more than just historical relevance. For anyone wishing to understand present-day rivalries between the United States and China, Hinton shows how these began. This is a fitting completion of the work of a great scholar and revolutionary.
Representing a lifetime of research and writing by noted historian Arif Dirlik, the essays collected here explore developments in Chinese socialism and the issues that have occupied historians of the Chinese revolution for the past three decades. Dirlik engages Chinese socialism critically but with sympathy for the aspirations of revolutionaries who found the hope of social, political, and cultural liberation in Communist alternatives to capitalism and the intellectual inspiration to realize their hopes in Marxist theory. The book's historical approach to Marxist theory emphasizes its global relevance while avoiding dogmatic and Eurocentric limitations. These incisive essays range from the origins of socialism in the early twentieth century, through the victory of the Communists in mid-century, to the virtual abandonment by century's end of any pretense to a socialist revolutionary project by the leadership of the Chinese Communist Party. All that remains of the revolution in historical hindsight are memories of its failures and misdeeds, but Dirlik retains a critical perspective not just toward the past but also toward the ideological hegemonies of the present. Taken together, his writings reaffirm the centrality of the revolution to modern Chinese history. They also illuminate the fundamental importance of Marxism to grasping the flaws of capitalist modernity, despite the fact that in the end the socialist response was unable to transcend the social and ideological horizons of capitalism.
Arif Dirlik's latest offering is a revisionist perspective on Chinese radicalism in the twentieth century. He argues that the history of anarchism is indispensable to understanding crucial themes in Chinese radicalism. And anarchism is particularly significant now as a source of democratic ideals within the history of the socialist movement in China. Dirlik draws on the most recent scholarship and on materials available only in the last decade to compile the first comprehensive history of his subject available in a Western language. He emphasizes the anarchist contribution to revolutionary discourse and elucidates this theme through detailed analysis of both anarchist polemics and social practice. The changing circumstances of the Chinese revolution provide the immediate context, but throughout his writing the author views Chinese anarchism in relation to anarchism worldwide.
This book employs multiple case studies to explore how the Chinese communist revolution began as an ideology-oriented intellectual movement aimed at improving society before China’s transformation into a state that suppresses dissenting voices by outsourcing its power of coercion and incarceration. The author examines the movement’s methods of early self-organization, grass-roots level engagement, creation of new modes of expression and popular art forms, manipulation of collective memory, and invention of innovative ways of mass incarceration. Covering developments from 1920 to 1970, the book considers a wide range of Chinese individuals and groups, from early Marxists to political prisoners in the PRC, to illustrate a dynamic, interactive process in which the state and individuals contend with each other. It argues that revolutionary practices in modern China have created a regime that can be conceptualized as an “ideology-military-propaganda” state that prompts further reflection on the relationships between revolution and the state, the state and collective articulation and memory, and the state and reflective individuals in a global context. Illustrating the continuity of the Chinese revolution and past decades’ socialist practices and mechanisms, this study is an ideal resource for scholars of Chinese history, politics, and twentieth-century revolutions.