Join Joseph Pearce on a journey into the real Shire—a voyage into the mysterious presence of an England which is more real than the one you are accustomed to seeing, the one which seems to be in terminal decline. The England Pearce wants us to know is an enchanted and unchanging place, full of ghosts who are as alive as the saints. It is an England that is rural, sacramental, liturgical, local, beautiful . . . a place “charged with the grandeur of God”. In this wonder-filled journey, Joseph Pearce shows us the true England through the splendor of the Good, the True, and the Beautiful. He shows us an England that can never die, not because it lingers like a fading coal in the memory of mortal men, but because it exists as a beautiful flower in the Gardens of Eternity.
Highly readable and entertaining, Ronald Hutton's acclaimed work is the first comprehensive account of the religious and secular rituals of late medieval and early modern England.
A description of Shakespearean England, its quaint festivals and fairs, its pastoral villages and country life, and the urban charms of London and city life.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Young Smith was a pickpocket - a very accomplished one. But one day his pick-pocketing was to lead him into a sinister and dangerous web of murder, intrigue and betrayal.
"Merrie England in the Olden Time" in 2 volumes is one of the best-known works by the English author George Daniel that features a long series of gossipy papers on old books and customs. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Excerpt:_x000D_ "Youth is the season of ingenuousness and enjoyment, when we desire to please, and blush not to own ourselves pleased. At that happy period there is no affectation of wisdom; we look only to the bright and beautiful: we inquire not whether it be an illusion; it is sufficient that fairy land, with its flowers of every hue, is the path on which we tread. To youth succeeds manhood, with its worldly prudence: then we are taught to take nothing, not even happiness, upon trust; to investigate until we are lost in the intricacies of detail; and to credit our judgment for what is due only to our coldness and apathy. We lose all sympathy for the past; the future is the subject of our anxious speculation; caution and reserve are our guardian angels; and if the heart still throb with a fond emotion, we stifle it with what speed we may, as detrimental to our interests, and unworthy our new-born intelligence and philosophy. A short acquaintance with the world will convince the most sanguine that this stage is not the happiest; that ambition and mercenary cares make up the tumultuous scene; and though necessity compel a temporary submission, it is good to escape from the toils, and breathe a purer air. This brings us to another period, when reflection has taught us self-knowledge, and we are no longer overwise in our own esteem. Then returns something of the simplicity that characterized our early days. We welcome old friends; have recourse to old amusements, and the fictions that enchained our youthful fancy resume their wonted spell."