Presbyterian minister and jazz pianist Bill Carter traces the meaning and spirituality of jazz, weaving together stories from the history of American music with his own experiences and those of generations of jazz musicians. As we encounter the transcendence of jazz, we meet a God who not only embraces syncopation but blesses the swing.
This text explores the influence of jazz and blues in two key areas of cultural expression, literature and film, where these musics have often been inextricably linked with notions of racial identity and self-representation.
This text explores the influence of jazz and blues in two key areas of cultural expression, literature and film, where these musics have often been inextricably linked with notions of racial identity and self-representation.
Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.
(Guitar Educational). This fascinating new book will let you explore the music of one of the 20th century's most influential musicians. For the first time ever, saxophonist Charlie Parker's legendary "heads" and improvised solos have been meticulously adapted for the guitar in standard notation and tablature. Includes these Parker classics complete with detailed performance notes: Anthropology * Au Privave * Billie's Bounce (Bill's Bounce) * Bloomdido * Blues (Fast) * Blues for Alice * Cheryl * Confirmation * Donna Lee * K.C. Blues * Kim * Ko Ko * Moose the Mooche * Now's the Time * Ornithology * Parker's Mood * Scrapple from the Apple * Yardbird Suite.
This is the story of the National Ballet of Canada – the people, the determination, and how at sixty it is still creating new work while still representing the classics. Passion to Dance is the story of the National Ballet of Canada – the people who dreamt the company into existence, the determination needed to keep it afloat, the bumps on the road to its success, and above all, its passion for dance as a living, evolving art form. From catch-as-catch-can beginnings – borrowed quarters, tiny stages, enormous dreams the National Ballet has emerged as one of North America’s foremost dance troupes. The company at sixty is a company of its time, engaged in creating challenging new work, yet committed to maintaining the classics of the past, favourites like Swan Lake, The Nutcracker,and The Sleeping Beauty. One hundred and fifty photographs from the company’s archives illustrate this definitive history, filled with eyewitness accounts, backstage glimpses, and fascinating detail. This is a record of one of Canada’s boldest cultural experiments, a book to enjoy now and keep forever.
When the renowned trumpeter and bandleader Miles Davis chose the members of his quintet in 1955, he passed over well-known, respected saxophonists such as Sonny Rollins to pick out the young, still untested John Coltrane. What might have seemed like a minor decision at the time would instead set the course not just for each of their careers but for jazz itself. Clawing at the Limits of Cool is the first book to focus on Davis and Coltrane's musical interaction and its historical context, on the ways they influenced each other and the tremendous impact they've had on culture since then. It chronicles the drama of their collaboration, from their initial historic partnership to the interlude of their breakup, during which each man made tremendous progress toward his personal artistic goals. And it continues with the last leg of their journey together, a time when the Miles Davis group, featuring John Coltrane, forever changed the landscape of jazz. Authors Farah Jasmine Griffin and Salim Washington examine the profound implications that the Davis/Coltrane collaboration would have for jazz and African American culture, drawing parallels to the changing standards of African American identity with their public personas and private difficulties. With vastly different personal and musical styles, the two men could not have been more different. One exemplified the tough, closemouthed cool of the fifties while the other made the transition during this time from unfocused junkie to a religious pilgrim who would inspire others to pursue spiritual enlightenment in the coming decade. Their years together mark a watershed moment, and Clawing at the Limits of Cool draws on both cultural history and precise musical detail to illuminate the importance that their collaboration would have for jazz and American history as a whole.
Many of these poems are about natural allies, the young and the old, searching for the eternal inside the ephemeral. They support and redeem each other whether at the beach or building trails on my part of a Blue Ridge mountain. In balletic delight, theyre day moons, unicorns, and boneless snakes, transcendent joy to his pursuit of the spiritual. They are the songs that cannot be memorized, tiny threads of freedom that alter the motion of the universe. In this playhouse of words, they offer an endless array of actors appearing as if by train emerging from a tunnel far across the valley the interplay of young and old, compelling as the smell of pine needles in hot noon heat of summer, clinging to my skin and clothes, claiming me the way the day claims the sky.
Suitable for exam boards: Edexcel, AQA, OCR, WJEC The Writing about Music Workbook will develop students' skills in writing about music for AS, A2 and undergraduate level. Exercises appear at every stage to challenge and provide examination practice for students. These range from naming musical features and spotting grammatical errors to devising essay plans and analysing sample answers. Beginning with fundamental writing requirements, this workbook moves the student on to describing the features of a musical work, as well as how to make comparisons and contrasts between specified pieces. There is advice on how to approach research, what to retain and reject, and how to structure an essay. Detailed, analytical and dissertation-style essays are addressed, as well as writing programme notes. The Writing About Music Workbook promotes the development of skills which will be of use in many areas of academic life: collecting information, selecting relevant material, presenting arguments for and against particular propositions, and expressing ideas effectively and correctly in English. "Wightman has achieved just the right tone, with very clear explanations... I would feel confident giving it to pupils to read in their own time, as it’s very easy for them to work from it, making it a useful resource to reinforce the comments I write on their essays... I think it's probably one of the most genuinely useful books of its type." - Russell Millard, Head of Academic Music, Charterhouse
"A theoretical physicist and jazz musician combines his two loves to present a new theory of the universe: sound as the link between Einstein's relativity with quantum mechanics, "--Amazon.com.