Three String Quartets, Op. 150
Three String Quartets, Op. 150

Author: Ferdinand Ries

Publisher: A-R Editions, Inc.

Published:

Total Pages: 191

ISBN-13: 1987208307

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Though often remembered primarily for his published recollections about his famous teacher Beethoven, Ferdinand Ries (1784–1838) was an accomplished composer in his own right. Among his many works are twenty-seven string quartets composed between the years of 1795 and 1834. His Three String Quartets, Op. 150, first published by Nikolaus Simrock in Bonn in 1828, evince his considerable imagination and skill. While these quartets borrow elements from the then-popular quatuor brillant style, Ries’s careful attention to motivic organization and polyphonic writing elevates these works to a higher level of artistic sophistication. While technically brilliant writing for the first violin remains at the forefront in Quartet no. 3, Quartets nos. 1 and 2 reveal more complex formal processes and better integration of their virtuosic first violin parts. In this volume, Quartets nos. 1 and 3 have been carefully edited based on the composer’s autographs, while Quartet no. 2, the autograph of which is now lost, is based on the original Simrock print.

Three String Quartets, Op. 2
Three String Quartets, Op. 2

Author: Andreas Romberg

Publisher: A-R Editions, Inc.

Published:

Total Pages: 183

ISBN-13: 1987208404

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The German composer and violin virtuoso Andreas Romberg (1767–1821) wrote extensively for the string quartet beginning in the 1790s. His earliest forays into the genre were greeted with enthusiastic approval from Joseph Haydn, to whom Romberg dedicated his Three String Quartets, Op. 2, composed between 1797 and 1799 and first published in 1802. Featuring extensive employment of contrapuntal writing and flexible handling of musical function, these quartets reveal Romberg to be a masterful and imaginative composer deserving of rediscovery. The original notation in these quartets has been carefully edited in this volume to encourage modern performers to exercise freedom in their interpretation of ornamentation, dynamics, and articulation. This edition is based on the composer’s autographs of Quartets nos. 1 and 3 and the original Simrock print of Quartet no. 2, the autograph of which is now lost.

String Quartets in Beethoven’s Europe
String Quartets in Beethoven’s Europe

Author: Nancy November

Publisher: Academic Studies PRess

Published: 2022-04-19

Total Pages: 346

ISBN-13: 1644697890

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String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.

Beethoven's Theatrical Quartets
Beethoven's Theatrical Quartets

Author: Nancy November

Publisher: Cambridge University Press

Published: 2014-01-09

Total Pages: 297

ISBN-13: 1107512425

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Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.

The Beethoven Quartet Companion
The Beethoven Quartet Companion

Author: Robert Winter

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 314

ISBN-13: 0520917502

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While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.

The Critical Reception of Beethoven's Compositions by His German Contemporaries
The Critical Reception of Beethoven's Compositions by His German Contemporaries

Author: Wayne M. Senner

Publisher: U of Nebraska Press

Published: 1999-05-25

Total Pages: 296

ISBN-13: 9780803212503

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Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.