A collection of funny, dark, and disturbing monologues by award winning playwright Daniel Guyton. Perfect for actors, students, and actors pretending to be students. Some monologues may not be suitable for children under 17.
Pulitzer Prize–winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of "this is who we are," the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt—as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US–Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian "nowhere." The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen.
Born on a plantation in North Carolina, the young and beautiful Frances Emily Steele left home at age eighteen to seek her fortune across the sea. She pursued her life and loves from Edinburgh to Dublin to London. Adventures carried her from a life of privilege in Edinburgh, to the poverty of rural Ireland during the potato famine, and on to the halls of British power. Fanny dared to break free from the repression of Victorian womanhood to become a politically powerful figure who helped to topple a head of state during the Great Hunger. Her companions ranged from aristocrats to rural vigilantes; her enemies from Tories to common villains. Following in the footsteps of Mary Wollstonecroft, Madam de Staël, and George Sand, Fanny pursued her destiny of self-fulfillment and the furthering of women's rights.