Vietnam War marked a tragic period in U.S. history. High-interest topics, real stories, engaging design and astonishing photos are the building blocks of the XBooks, a new series of books designed to engage and motivate reluctant and enthusiastic readers alike. With topics based in science, history, and social studies, these action-packed books will help students unlock the power and pleasure of reading... and always ask for more!This is the story of one man who lost a friend and a leader in a massacre known as Hamburger Hill.
Each year, the Commandant of the U.S. Marine Corps selects one book that he believes is both relevant and timeless for reading by all Marines. The Commandant's choice for 1993 was We Were Soldiers Once . . . and Young. In November 1965, some 450 men of the 1st Battalion, 7th Cavalry, under the command of Lt. Col. Hal Moore, were dropped by helicopter into a small clearing in the Ia Drang Valley. They were immediately surrounded by 2,000 North Vietnamese soldiers. Three days later, only two and a half miles away, a sister battalion was chopped to pieces. Together, these actions at the landing zones X-Ray and Albany constituted one of the most savage and significant battles of the Vietnam War. How these men persevered--sacrificed themselves for their comrades and never gave up--makes a vivid portrait of war at its most inspiring and devastating. General Moore and Joseph Galloway, the only journalist on the ground throughout the fighting, have interviewed hundreds of men who fought there, including the North Vietnamese commanders. This devastating account rises above the specific ordeal it chronicles to present a picture of men facing the ultimate challenge, dealing with it in ways they would have found unimaginable only a few hours earlier. It reveals to us, as rarely before, man's most heroic and horrendous endeavor.
A critically acclaimed author of adult nonfiction delivers a searing YA debut about American POWs during the Vietnam War--an extraordinary narrative of human resilience and endurance.
One of the Ten Best Books of the Year, Washington Post Book World One of the Los Angeles Times’ Favorite Books of the Year One of the Top Ten National Books of 2008, Portland Oregonian A 2009 Honor Book of the Asian/Pacific American Librarians Association “Few books have combined the historical scope and the literary skill to give the foreign reader a sense of events from a Vietnamese perspective. . . . Now we can add Andrew Pham’s Eaves of Heaven to this list of indispensable books.” —New York Times Book Review “Searing . . . vivid–and harrowing . . . Here is war and life through the eyes of a Vietnamese everyman.” —Seattle Times Once wealthy landowners, Thong Van Pham’s family was shattered by the tumultuous events of the twentieth century: the French occupation of Indochina, the Japanese invasion during World War II, and the Vietnam War. Told in dazzling chapters that alternate between events in the past and those closer to the present, The Eaves of Heaven brilliantly re-creates the trials of everyday life in Vietnam as endured by one man, from the fall of Hanoi and the collapse of French colonialism to the frenzied evacuation of Saigon. Pham offers a rare portal into a lost world as he chronicles Thong Van Pham’s heartbreaks, triumphs, and bizarre reversals of fortune, whether as a South Vietnamese soldier pinned down by enemy fire, a prisoner of the North Vietnamese under brutal interrogation, or a refugee desperately trying to escape Vietnam after the last American helicopter has abandoned Saigon. This is the story of a man caught in the maelstrom of twentieth-century politics, a gripping memoir told with the urgency of a wartime dispatch by a writer of surpassing talent.
A “gripping historical adventure” of ancient Vietnam based on the true story of two warrior sisters who raised an army of women to overthrow the Han Chinese and rule as kings over a united people, for readers of Circe and The Night Tiger (Booklist). Gather around, children of Chu Dien, and be brave. For even to listen to the story of the Trung Sisters is, in these troubled times, a dangerous act. In 40 CE, in the Au Lac region of ancient Vietnam, two daughters of a Vietnamese Lord fill their days training, studying, and trying to stay true to Vietnamese traditions. While Trung Trac is disciplined and wise, always excelling in her duty, Trung Nhi is fierce and free spirited, more concerned with spending time in the gardens and with lovers. But these sister's lives—and the lives of their people—are shadowed by the oppressive rule of the Han Chinese. They are forced to adopt Confucian teachings, secure marriages, and pay ever‑increasing taxes. As the peoples' frustration boils over, the country comes ever closer to the edge of war. When Trung Trac and Trung Nhi's father is executed, their world comes crashing down around them. With no men to save them against the Han's encroaching regime, they must rise and unite the women of Vietnam into an army. Solidifying their status as champions of women and Vietnam, they usher in a period of freedom and independence for their people. Vivid, lyrical, and filled with adventure, The Bronze Drum is a true story of standing up for one's people, culture, and country that has been passed down through generations of Vietnamese families through oral tradition. Phong Nguyen's breathtaking novel takes these real women out of legends and celebrates their loves, losses, and resilience in this inspirational story of women's strength and power even in the face of the greatest obstacles.
This powerful and dignified story of heroic justice is a story for all people and all times. The book tells the legend of King Christian X of Denmark. The ruling of the Nazis that all Danish jews would have to display a yellow star on their clothes frightened the Danes and their King. He sought for guidance in the starry night sky, and came up with a very simple answer. Everyone, himself included, would wear a yellow star. The book's focused and simplified approach allows children to be exposed to an unpleasant subject without feeling threatened. The seamless interaction between the illustrations and the text make this a fascinating and thought-provoking piece of work.
Hot & Bothered, together with Quickies, are hot his-and-her follow-ups to the highly successful Queer View Mirror 1 and 2 books of queer "short short" fiction. Hot & Bothered includes work by 69 women from the US, Canada and elsewhere-stories about danger, romance, humor, and of course, hot sex. From a woman in love with Marge Simpson (asking the question, "Are your nipples blue, too?") to a sex-obsessed dyke trying to do her grocery shopping, to a woman wearing tit clamps trying to go through airport security, the stories in Hot & Bothered will get you there in 1,000 words or less. Contributors include such luminaries as Dorothy Allison (Bastard Out of Carolina and Skin), Lucy Jane Bledsoe, Joan Nestle, Nisa Donnelly, Gerry Gomez Pearlberg, Sarah Schulman (Rat Bohemia), Persimmon Blackbridge (Sunnybrook and Prozac Highway), Judith Katz, Lesléa Newman (The Femme Mystique), Elana Dykewomon, Jess Wells, and Kitty Tsui (Breathless). This book is the first of the four-volume Hot & Bothered series.
This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history—how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, Identities in Motion offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America. Peter X Feng considers a wide range of works—from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai’i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements. Identities in Motion illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans—including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans—from the nineteenth to the twenty-first century.
Winner of the Kiriyama Pacific Rim Book Prize A New York Times Notable Book of the Year Winner of the Whiting Writers' Award A Seattle Post-Intelligencer Best Book of the Year Catfish and Mandala is the story of an American odyssey--a solo bicycle voyage around the Pacific Rim to Vietnam--made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland. Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert, around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.
