Bridges the gap between the brief coverage of the events in textbooks of English history and whole books on each, which students often lack both the money and the time to read. Also offers general readers succinct accounts along with analysis and discussion of recent scholarship. Examines the events leading up to the 11th-century establishment of Norman kings, the 1205 signing of the Magna Carta, and the beginning of the Tudor dynasty in 1485. Annotation copyrighted by Book News, Inc., Portland, OR
Turn Susan Wise Bauer's The History of the Renaissance World into a high-school history course. Susan Wise Bauer’s narrative world history series is widely used in advanced high school history classes, as well as by home educating parents. The Study and Teaching Guide, designed for use by both parents and teachers, provides a full high-school-level curriculum in late medieval-early Renaissance history. It includes: Study questions and answers Critical thinking assignments Map exercises Essay topics and instructor grading rubrics Teaching tips and explanations for answers The Study and Teaching Guide, designed by historian and teacher Julia Kaziewicz in cooperation with Susan Wise Bauer, makes The History of the Renaissance World even more accessible to educators and parents alike.
This first update to the Cumulative Bibliography of Medieval Military History and Technology (Brill, 2002) includes additional entries for the period before 2000 and new entries for the period 2000-2002.
A lively and fascinating narrative history about the birth of the modern world. Beginning in the heady days just after the First Crusade, this volume—the third in the series that began with The History of the Ancient World and The History of the Medieval World—chronicles the contradictions of a world in transition. Popes continue to preach crusade, but the hope of a Christian empire comes to a bloody end at the walls of Constantinople. Aristotelian logic and Greek rationality blossom while the Inquisition gathers strength. As kings and emperors continue to insist on their divine rights, ordinary people all over the world seize power: the lingayats of India, the Jacquerie of France, the Red Turbans of China, and the peasants of England. New threats appear, as the Ottomans emerge from a tiny Turkish village and the Mongols ride out of the East to set the world on fire. New currencies are forged, new weapons invented, and world-changing catastrophes alter the landscape: the Little Ice Age and the Great Famine kill millions; the Black Death, millions more. In the chaos of these epoch-making events, our own world begins to take shape. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453—years that marked a sea change in mankind’s perception of the world.
This is the eighth volume of Dr. Justin Glenn’s comprehensive history that traces the “Presidential line” of the Washingtons. Volume one began with the immigrant John Washington, who settled in Westmoreland Co., Va., in 1657, married Anne Pope, and became the great-grandfather of President George Washington. It continued the record of their descendants for a total of seven generations. Volume two highlighted notable members of the next eight generations, including such luminaries as General George S. Patton, the author Shelby Foote, and the actor Lee Marvin. Volume three traced the ancestry of the early Virginia members of this “Presidential Branch” back to the royalty and nobility of England and continental Europe. Volumes four, five, six, and seven treated respectively generations eight, nine, ten, and eleven. Volume Eight presents generations twelve through fifteen, comprising more than 8,500 descendants of the immigrant John Washington. Although structured in a genealogical format for the sake of clarity, this is no bare bones genealogy but a true family history with over 1,200 detailed biographical narratives. These strive to convey the greatness of the family that produced not only The Father of His Country but many others, great and humble, who struggled to build that country.
Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.
This novel is set in Perquimmons City, North Carolina, an imaginary town of roughly 5,500 people (slightly over 40 percent black). Although it doesnt ignore the serious racial problems of the early twentieth century, their depiction isnt the novels main purpose. Its main purpose is to describe the underlying tension between an extremely snobbish and aristocratic familythe Merrittswho live in one of the states few surviving antebellum mansions and whose forebears had dominated the area around Perquimmons City until the early 1880s. Then newcomers, with more education and greater technical skills, arrived in the area and, without making a conscious effort to do so, challenge the Merritts social and political leadership, which theyre determined to preserve. Thats an impossible task for them, however, because the current head of the Merritt family is hated for cheating at cards, showing no concern for the property of others, and his well-known practice of forcing himself on dozens of young black women who live in the old slave cabins behind his mansion and in a small enclave shortly beyond the long bend where West Main Street turns into the Edenton Road. That William Merritt forces himself on so many young black women is extremely galling to his wife Marguerite, whos almost as annoyed by his laziness and failure to keep their pasture fences in a state of good repair. In September 1906, almost two hundred of their dairy cows escape through large breaks in their fences shortly after midnight and wander through the towns best residential streets looking for food and water. The next morning, hundreds of families look out of their windows and see their yards littered with ugly cow pies and choice shrubs almost defoliated. The outrage against the Merritts reaches a fever pitch, and Marguerite is so annoyed at her husband because of his laziness and the occasional beatings she receives from him that she leaves him in the fall of 1906. After two months, she accepts a reconciliation with him out of financial necessity. Eighteen years before the novel opens early in 1901, Thomas Stanton, the youngest son of the founder of a chain of New England textile mills, moved to Perquimmons City and, with his fathers help, established a mill that employed over three hundred people, men and women, triggering a gradual transformation of the local economy. A much more important outsider, Dr. Joseph Hanford, a native of central North Carolina, arrived in 1895 and opened an office before marrying a local beauty, Julia Summerlin, who in short order became one of the towns leading hostesses and the mother of his two children. An unusually tolerant and conscientious man, Dr. Hanford insists on treating his black and white patients in his office, much to the discomfort of most of the whites who believe he should have set up segregated waiting rooms, which he never did out of deep personal conviction. The last important newcomer to arrive in town is William James Van Landingham, a New York financier whose second wife is Dr. Hanfords first cousin, Frances. (Her father, Joes uncle, had left North Carolina shortly after the Civil War in the hope of making a fortune on Wall Street.) For almost a year, the Van Landinghams had planned to build a winter home in Palm Beach, Florida. But shortly after northern and central Florida are devastated by a powerful hurricane in August 1910 and William Merritt is murdered two months laterBill Van Landingham had met the Merritts during a brief visit to Perquimmons City in February 1910 and found them insufferableBill and his wife decide to build their winter home in North Carolina and buy three adjacent tracts of land several miles east of Perquimmons City. With the help of a local contractor in January 1911, they retain a fine young architect from a nearby town to design their new home for them during the coming year. Shortly after the Van Landinghams develop permanent ties with the area, they donate a l
This book seeks to bring coherence to two of the most studied periods in British history, Caroline non-conformity (pre-1640) and the British revolution (post-1642). It does so by focusing on the pivotal years of 1638–44 where debates around non-conformity within the Church of England morphed into a revolution between Parliament and its king. Parliament, saddled with the responsibility of re-defining England’s church, called its Westminster assembly of divines to debate and define the content and boundaries of that new church. Typically this period has been studied as either an ecclesiastical power struggle between Presbyterians and independents, or as the harbinger of modern religious toleration. This book challenges those assumptions and provides an entirely new framework for understanding one of the most important moments in British history.
The Crisis was a London weekly published between January 1775 and October 1776. It was the longest-running weekly pamphlet series printed in the British Atlantic world during those years. The Crisis lays claim to our attention because of its place in the rise of freedom of the press, its self-conscious attempt to create a transatlantic community of protest, and its targeting of the king as the source of political problems--but without attacking the institution of monarchy itself.
