The Open Work

The Open Work

Author: Umberto Eco

Publisher: Harvard University Press

Published: 1989

Total Pages: 324

ISBN-13: 9780674639768

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This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.


The Essence of Christianity

The Essence of Christianity

Author: Ludwig Feuerbach

Publisher: LONDON: KEGAN PAUL, TRENCH, TRÜBNER, & CO

Published: 2014-10-31

Total Pages: 232

ISBN-13:

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Example in this ebook § 1. The Essential Nature of Man. Religion has its basis in the essential difference between man and the brute—the brutes have no religion. It is true that the old uncritical writers on natural history attributed to the elephant, among other laudable qualities, the virtue of religiousness; but the religion of elephants belongs to the realm of fable. Cuvier, one of the greatest authorities on the animal kingdom, assigns, on the strength of his personal observations, no higher grade of intelligence to the elephant than to the dog. But what is this essential difference between man and the brute? The most simple, general, and also the most popular answer to this question is—consciousness:—but consciousness in the strict sense; for the consciousness implied in the feeling of self as an individual, in discrimination by the senses, in the perception and even judgment of outward things according to definite sensible signs, cannot be denied to the brutes. Consciousness in the strictest sense is present only in a being to whom his species, his essential nature, is an object of thought. The brute is indeed conscious of himself as an individual—and he has accordingly the feeling of self as the common centre of successive sensations—but not as a species: hence, he is without that consciousness which in its nature, as in its name, is akin to science. Where there is this higher consciousness there is a capability of science. Science is the cognisance of species. In practical life we have to do with individuals; in science, with species. But only a being to whom his own species, his own nature, is an object of thought, can make the essential nature of other things or beings an object of thought. Hence the brute has only a simple, man a twofold life: in the brute, the inner life is one with the outer; man has both an inner and an outer life. The inner life of man is the life which has relation to his species, to his general, as distinguished from his individual, nature. Man thinks—that is, he converses with himself. The brute can exercise no function which has relation to its species without another individual external to itself; but man can perform the functions of thought and speech, which strictly imply such a relation, apart from another individual. Man is himself at once I and thou; he can put himself in the place of another, for this reason, that to him his species, his essential nature, and not merely his individuality, is an object of thought. Religion being identical with the distinctive characteristic of man, is then identical with self-consciousness—with the consciousness which man has of his nature. But religion, expressed generally, is consciousness of the infinite; thus it is and can be nothing else than the consciousness which man has of his own—not finite and limited, but infinite nature. A really finite being has not even the faintest adumbration, still less consciousness, of an infinite being, for the limit of the nature is also the limit of the consciousness. The consciousness of the caterpillar, whose life is confined to a particular species of plant, does not extend itself beyond this narrow domain. It does, indeed, discriminate between this plant and other plants, but more it knows not. A consciousness so limited, but on account of that very limitation so infallible, we do not call consciousness, but instinct. Consciousness, in the strict or proper sense, is identical with consciousness of the infinite; a limited consciousness is no consciousness; consciousness is essentially infinite in its nature.1 The consciousness of the [3]infinite is nothing else than the consciousness of the infinity of the consciousness; or, in the consciousness of the infinite, the conscious subject has for his object the infinity of his own nature. To be continue in this ebook


The Summa Halensis

The Summa Halensis

Author: Lydia Schumacher

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-06-22

Total Pages: 378

ISBN-13: 3110685000

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Herausgegeben von Michael Schmaus†, Werner Dettloff, Richard Heinzmann, Ulrich Horst Das Grabmann-Institut ist eine im deutschsprachigen Raum einzigartige Einrichtung zur Erforschung und Lehre der Theologiegeschichte. Es wurde 1953 von Michael Schmaus als Institut zur Erforschung der mittelalterlichen Theologie und Philosophie gegründet, das die Forschungen und die Tradition des Vorgängers von Schmaus auf dem Münchener Lehrstuhl für Dogmatik, Martin Grabmann, fortführen soll. In der Reihe „Veröffentlichungen des Grabmann-Instituts“ werden Editionen und Studien publiziert, die entweder am Grabmann-Institut selbst entstanden sind oder einen wertvollen Beitrag zu dessen Forschungsschwerpunkten beinhalten. Das Schwergewicht der Publikationsreihe liegt auf der mittelalterlichen Theologie, wobei sich der zeitliche Bogen aber von der ausgehenden Antike bis in die Neuzeit spannt. Das historische Interesse verbindet sich mit dem systematischen Blickwinkel. In den Bänden werden Themen der Dogmengeschichte (etwa Sakramententheologie, Christologie) behandelt, sowie herausragende und bisher weniger bekannte Theologen mit ihren Werken und ihrem Einfluss vorgestellt. Gebührende Berücksichtigung finden auch die Gebiete Philosophie und Spiritualität (z.B. ordensspezifische Ausprägungen, Texte der Mystik, der christlichen Dichtung und Liturgie), die wesentlich zur mittelalterlichen Theologie gehören. Zum Martin-Grabmann-Forschungsinstitut für Mittelalterliche Theologie und Philosophie: http://www.kaththeol.uni-muenchen.de/einrichtungen/stud_for_einh/grabmann/index.html


Le Tumulte Noir

Le Tumulte Noir

Author: Jody Blake

Publisher: Penn State Press

Published: 1999-01-01

Total Pages: 232

ISBN-13: 9780271017532

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Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.


The Anthropomorphic Lens

The Anthropomorphic Lens

Author: Walter Melion

Publisher: BRILL

Published: 2014-11-06

Total Pages: 549

ISBN-13: 9004275037

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Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.


Prometheus in the Nineteenth Century

Prometheus in the Nineteenth Century

Author: Caroline Corbeau-Parsons

Publisher: Routledge

Published: 2017-12-02

Total Pages: 355

ISBN-13: 1351192132

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"On Zeus' order, Prometheus was chained to Mount Caucasus where, every day, he was to endure his liver being devoured by a bird of prey - his punishment for bringing fire to mankind. Through the impulse of Goethe, his fortune went through radical changes: the Titan, originally perceived as a trickster, was established both as a creator and a rebel freed from guilt, and he became a mask for the Romantic artist. This cross-disciplinary study, encompassing literature, the history of art, and music, examines the constitution of the Prometheus myth and the revolution it underwent in 19th-century Europe. It leads to the Symbolist period - which witnessed the coronation of the Titan as a prism for the total work of art - and aims to re-establish the importance of Prometheus amongst other major Symbolist figures such as Orpheus."