Detective Dirk Gently investigates after a passenger at Heathrow airport erupts into a mysterious ball of flames. Mystery, hilarity, and the fantastical are combined in this title from the author of the Hitchhiker's Guide to the Galaxy series. -- HPL Readers Advisor.
On the afternoon of Easter Sunday, 1992, Ben Ewell’s brother, sister-in-law, and niece were all murdered. While trying to make sense of this staggering tragedy, Ben can’t help but think back through his life: the hard work and the many peaceful Sunday afternoons growing up on his family farm in Ohio in a house without a bathroom or running water; his high school antics in the 1950s; his time in Haight-Ashbury while attending law school in 1960s San Francisco; and the highs and lows, both personal and professional, of life after school. Threaded throughout these reminiscences, Ben reveals the details of the investigation of his family members’ murders—and the arrest and trial of the parties involved. In this decades-long saga, there is marriage and divorce, love and loss, family and friendship; there are political campaigns and business ventures, some failed and some fruitful. Ultimately, this is a story of perseverance in the face of tragedy, of creating opportunities out of problems, and of appreciating the gift of life and the world around us—with some humor along the way.
In 1939, just before graduating from high school in the small town of Ridgeway in northeast Iowa, Everett Kuntz spent his entire savings of $12.50 on a 35mm Argus AF camera. He made a camera case from a worn-out boot, scraps from a tin can, and a clasp from his mother's purse. For the next several years, especially during the summers when he worked on his parents' dairy farm, he clicked the shutter of his trusty Argus all around the quiet town. Everett bought movie reel film in bulk from a mail-order house, rolled his own film, and developed it in a closet at home, but he never had the money to print his photographs. More than two thousand negatives stayed in a box while he married, raised a family, and worked as an electrical engineer in the Twin Cities. When he became ill with cancer in the fall of 2002--sixty years after he had developed the last of his bulk film--Everett opened his time capsule and printed the images from his youth. He died in 2003, having brought his childhood town back to life just as he was leaving it. A sense of peace radiates from these images. Whether skinny-dipping in the Turkey River, wheelbarrow-racing, threshing oats, milking cows, visiting with relatives after church, or hanging out at the drugstore or the movies, Ridgeway's hardworking citizens are modest and trusting and luminous in their graceful harmony and their unguarded affection for each other. Visiting the town in 2006 as he was writing the text to accompany these photographs, Jim Heynen crafted vignettes that perfectly complement these rediscovered images by blending fact and fiction to give context and voice to Ridgeway's citizens.
Elias effectively raises to consciousness our deepest fear - the self-destruction of the species - and our terror at military power. Instead of Apocalypse, he proposes ecstasy. Instead of missiles in their silos.... "Make love, not war." The deeply human and sensual depiction of sexuality is a perfect counterpoint, an antidote, to the cold diction of nuclear discourse.
"I had two husbands." The discovery of long-hidden love letters leads New York caterer Cara Serafini on a journey to understanding her formidable grandmother, Giulia Fiorillo. Born in a mountain village in southern Italy, the spirited Giulia arrives at the age of sixteen in a rough New York immigrant neighborhood at the beginning of the twentieth century, forced from the comforts and constrictions of her family by the fierce drive of her mother. In America, Giulia faces not only an inhospitable culture but also violence in the family and in the streets, shattering loss and a love that shapes her whole life. Love, loss, and resilience on the immigrant journey from Italy to New York.