"Pieces of Thought" is a collection of poems that takes you through the mind of a young dreamer. It contains a nice balance of uplifting and empowering poems as well as dark and depressing pieces that all have their own story. Some spawn from real life events whereas others are purely spontaneous, but each poem delivers its own powerful message that makes you truly feel where the author is coming from. Regardless of race, religion, orientation, or gender, this book contains a piece of thought just for you.
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas' mission, joining him in what became known as the 'Photography and Language' movement, named after a book and group exhibition of the same title produced by Thomas in 1976. Thomas, Phillips and Fischer were all extremely active in the mid to late 1970s. In addition to making their own artwork, they published essays, reviewed shows and organized exhibitions. Under the name NFS Press, Thomas published a number of books designed by Phillips, including 'Structural(ism) and Photography' (1978), which featured Thomas' work; 'Eros and Photography' (1977), which was edited by Phillips, and two books of Fischer's work: 'Gay Semiotics' (1978) and '18th Near Castro Street x 24' (1979). This volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
A hypnotic, brutal, and unstoppable coming-of-age story echoing from within the aftershocks set off by the American Indian boarding schools of generations past, fanned by the flames of nearly fifteen years of service in the Armed Forces, exposing a series of inescapable prisons and the invisible scars of attempted erasure. When he learns his father is dying, David Tromblay ponders what will become of the monster's legacy and picks up a pen to set the story straight. In sharp and unflinching prose, he recounts his childhood bouncing between his father, who wrestles with anger, alcoholism, and a traumatic brain injury; his grandmother, who survived Indian boarding schools but mistook the corporal punishment she endured for proper child-rearing; and his mother, a part-time waitress, dancer, and locksmith, who hides from David's father in church basements and the folded-down back seat of her car until winter forces her to abandon her son on his grandmother's doorstep. For twelve years, he is beaten, burned, humiliated, locked in closets, lied to, molested, seen and not heard, until his talent for brutal violence meets and exceeds his father's, granting him an escape. Years later, David confronts the compounded traumas of his childhood, searching for the domino that fell and forced his family into the cycle of brutality and denial of their own identity.
Willow and Dustin are the perfect couple. Or so he thought, until she disappeared . . . 'Amelia Mandeville is an author to watch' EMMA COOPER Meet the couple you'll fall for head over heels, and discover the novel that will break your heart and put it back together again "I felt ALL the emotions reading this book" ***** "The characters were so relatable" ***** "You never want it to end" ***** "Putting this book down will be your only challenge" ***** "The romance was magical" ***** ________________________ Willow and Dustin. They're the perfect couple, everyone says so. And since the birth of their baby daughter, Dustin is sure his little family is all he will ever need. So his world is shattered when he arrives home to find that Willow has disappeared, leaving only a cryptic note to say goodbye with no explanation of where she has gone or why she has left. Determined to bring her home, Dustin sets out to find Willow. But the more he learns about the girl he loves most in the world, the more he feels like he's trying to solve a puzzle without all the pieces. Was Willow really keeping secrets from him? Or was he just not looking closely enough in the first place? ________________________ ***WHAT READERS ARE SAYING ABOUT AMELIA MANDEVILLE*** 'She has touched my soul and lit up my heart' 'You feel every emotion on the spectrum with these characters' 'Simply stunning' 'Her book is everything I could have hoped for and more' 'It made me laugh, it made me cry, and it left me wanting more' 'Easy to read and yet terribly emotive'
This timely collection, compiled and edited by veteran journalist and political commentator Max du Preez, contains critical reflections on various aspects of contemporary South Africa. Each contributor is a significant voice in their area of commentary and is well positioned to explore the complexities of the topic under analysis. The resulting pieces offer insights that will engage all readers interested in understanding and addressing the challenges of an unevenly changing nation. Topics in the collection include: The state of the nation; Personal and social identities - race, ethnicity and class; Environment - climate change and sustainability; Governance - skills, capacity and service delivery; The judicial system; Crime and violence; Education; Race relations and Health care.
In recent years, many museums have implemented sweeping changes in how they engage audiences. However, changes to the field’s approaches to collections stewardship have come much more slowly. Active Collections critically examines existing approaches to museum collections and explores practical, yet radical, ways that museums can better manage their collections to actively advance their missions. Approaching the question of modern museum collection stewardship from a position of "tough love," the authors argue that the museum field risks being constrained by rigid ways of thinking about objects. Examining the field’s relationship to objects, artifacts, and specimens, the volume explores the question of stewardship through the dissection of a broad range of issues, including questions of "quality over quantity," emotional attachment, dispassionate cataloging, and cognitive biases in curatorship. The essays look to insights from fields as diverse as forest management, library science, and the psychology of compulsive hoarding, to inform and innovate collection practices. Essay contributions come from both experienced museum professionals and scholars from disciplines as diverse as psychology, education, and history. The result is a critical exploration that makes the book essential reading for museum professionals, as well as those in training.
