Train-obsessed boys and girls ages 3 to 6 will enjoy this Little Golden Book retelling of the latest Thomas & Friends movie adventure, releasing in summer 2016.
Based on the new Thomas & Friends movie releasing in summer 2016, this paperback storybook features two stories. It will thrill train-loving boys and girls ages 3 to 7!
An accessibly-priced collection of five early reader tales features Thomas the Tank Engine and his friends Gordon, James, Percy and newcomer Hiro. Original.
This Step into Reading Step 1 leveled reader based on the summer 2016 Thomas & Friends movie adventure will thrill train-obsessed little boys and girls ages 3 to 7. Step 1 Readers feature big type and easy words. Rhymes and rhythmic text paired with
Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.
Jane of Lantern HillLucy Maud Montgomery Jane of Lantern Hill is a novel by Canadian author L. M. Montgomery. The book was adapted into a 1990 telefilm, Lantern Hill, by Sullivan Films, the producer of the highly popular Anne of Green Gables television miniseries and the television series Road to Avonlea.Montgomery began formulating an idea on May 11, 1936, began writing on August 21, and wrote the last chapter on February 3, 1937. She finished typing up the manuscript on February 25, as she could not hire a typist to do it for her. This novel was dedicated to "JL", her companion cat.The novel was written at Montgomery's house, "Journey's End"; the environment influenced Montgomery's writing to create a
In 1800, 13-year-old Pierre La Page never imagined he'd be leaving Montreal to paddle 2,400 miles. It was something older men, like his father, did. But when Pierre's father has an accident, Pierre quits school to become a voyageur for the North West Company, so his family can survive the winter. It's hard for Pierre as the youngest in the brigade. From the treacherous waters and cruel teasing to his aching and bloodied hands, Pierre is miserable. Still he has no choice but to endure the trip to Grand Portage and back.
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.