Explores the history of the colony, later the independent nation of Liberia, which was established on the west coast of Africa in 1822 as a haven for free African-Americans.
Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
A collection of stories, poems and a novella that explores feminine myths and Earth's magic, by Sylvia V. Linsteadt, author of the novel Tatterdemalion.
“A smart, rich country noir” from the acclaimed author Kentucky Straight and The Good Brother (Stewart O’Nan, bestselling author of Henry, Himself). Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (The New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970. Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years. “[A] fine homage to a pocket of the country that’s as beautiful as it is prone to tragedy.”—The Wall Street Journal “A pleasure all around.”—Daniel Woodrell, author of Winter’s Bone
NATIONAL BOOK AWARD WINNER • “Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature.”—Michael Dirda, The New York Review of Books Killing Mister Watson, Lost Man’s River, and Bone by Bone—Peter Matthiessen’s great American epic about Everglades sugar planter and notorious outlaw E. J. Watson on the wild Florida frontier at the turn of the twentieth century—were originally conceived as one vast, mysterious novel. Now, in this bold new rendering, Matthiessen has marvelously distilled a monumental work while deepening the insights and motivations of his characters with brilliant rewriting throughout. Praise for Shadow Country “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson’s song the last sound, all the elements fuse and resonate.”—Los Angeles Times “Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes.”—Don DeLillo “The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone’s highest expectations for great writing.” —Richard Ford “Shadow Country, Matthiessen’s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy.”—W. S. Merwin “[An] epic masterpiece . . . a great American novel.”—The Miami Herald
Too often people mistake monsters for gods. When a ravaged corpse is discovered in Pretoria, South Africa, Esmé Snyder--an occult-crime expert--is called in to investigate. But she doesn't know the scope of what she's up against. Esmé is the target of a cat-and-mouse game with a serial killer who uses the paranormal to do his bidding, with the intent of becoming a god on Earth. With assistance from her team--a brusque detective, eccentric millionaire, stoic priest, hawkeyed secretary, and handsome British forensic criminologist--Esmé hopes to find the killer before he strikes again. But the clock isn't all that's working against them. The media catches wind of the threat against the citizens of Pretoria, and their reported speculations promise a post-Apartheid Satanic Panic. As the body count grows, Esmé must figure out who is behind the heinous crimes before she ends up the final sacrifice. Dark Country highlights the multicultural mythologies, magic, histories, beauty, and horror of living in pseudo-modern South Africa.
Jones recounts his four-year voyage across the Italian peninsula where, instead of the pastoral bliss he expected, he discovers unfathomable terrorism and deep-seated paranoia.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
David Marr is the rarest of breeds: one of Australia’s most unflinching, forensic reporters of political controversy, and one of its most subtle and eloquent biographers. In Marr’s hands, those things we call reportage and commentary are elevated to artful and illuminating chronicles of our time. My Country collects his powerful reflections on religion, sex, censorship and the law; striking accounts of leaders, moralists and scandalmongers; elegant ruminations on the arts and the lives of artists. And some memorable new pieces. ‘My country is the subject that interests me most and I have spent my career trying to untangle it’s mysteries.’ –David Marr.