When Veronica accidentally got pregnant by her husband, the next time she saw her hairdresser, who also happened to be a regular client, she told him that she was going to stop being a prostitute. “Good,” he said. “Thank God. Y’know I always thought that you were too good to be a prostitute. You’re a nice girl, you’re smart, and you’re pretty. You shouldn’t lead a life like that. I’m glad you’re not going to be a prostitute anymore.” Two months later after Veronica miscarried, she was in the hairdresser’s shop and said to him, “I’m thinking about getting back into prostitution.” “Are you available Thursday night?”was his only question.
Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
Born out of the experiences of hundreds of thousands of women who Raechel and Amanda have walked alongside as they walk with the Lord, She Reads Truth is the message that will help you understand the place of God's Word in your life.
Dancing in the Rain offers a lively and accessible guide aimed at helping education leaders thrive under pressure by developing the inner strengths of mindfulness and self-compassion, expressing emotions wisely, and maintaining a clear focus on the values that matter most. Jerome T. Murphy, a scholar and former dean who has written and taught about the inner life of education leaders, argues that the main barrier to thriving as leaders is not the outside pressures we face, but how we respond to them inside our minds and hearts. In this concise volume, Murphy draws on a combination of Eastern contemplative traditions and Western psychology, as well as his own experience and research in the field of education leadership. He presents a series of exercises and activities to help educators take discomfort more in stride, savor the joys and satisfactions of leadership work, and thrive as effective leaders guided by heartfelt values. Every day, education leaders find themselves swamped in a maelstrom of pressures that add to the complex challenges of educating all students to a high level. With humor and compassion, Dancing in the Rain shows educators how to lead lives of consequence and purpose in the face of life’s inescapable downpours.
Knowing how to lead and how to follow is essential in ballroom dancing. The same is true in marriage. Author Richard C. Eyer uses the biblical themes of the image of God and the mystery of the one flesh union of marriage to assert that marriage is not whatever we choose to make of it, but it is what God has made it to be. Readers identify with the sometimes humorous, sometimes difficult, nature of dancing that parallels the humorous and difficult nature of marriage. This is not a book on how to fix a bad marriage, but how to support a good marriage. Learn how marriage thrives when spiritual love, as well as human love, are present between a husband and wife. The author shares personal illustrations from his own marriage and includes a discussion guide for couples' use. The book is an excellent resource for couples and for pastors who counsel couples both before and after the marriage ceremony.
Dancing For Him is a helpful handbook about dancing for the Lord during praise and worship, ministry, and gospel presentations. Written from a dance team leader's perspective, the topics include:Dance During Praise SongsDance During WorshipTeam UnityMinistering LoveMinistering DeliveranceMinistering PropheticallyPerformance Vs. MinistryChoreography TipsSuccessful RehearsalsOld and New Testament words relating to praise through movement (along with the associated scriptures)It contains great testimonies, and is wonderful for someone just starting a dance team, as well as for one more experienced.People have said, "I wish I had this book before starting in dance ministry. It certainly would have helped."Also, many dance leaders order one copy for each member of their team, so they may have weekly studies.
For 350 years the Chickasaws-one of the Five Civilized Tribes-made a sustained effort to preserve their tribal institutions and independence in the face of increasing encroachments by white men. This is the first book-length account of their valiant-but doomed-struggle. Against an ethnohistorical background, the author relates the story of the Chickasaws from their first recorded contacts with Europeans in the lower Mississippi Valley in 1540 to final dissolution of the Chickasaw Nation in 1906. Included are the years of alliance with the British, the dealings with the Americans, and the inevitable removal to Indian Territory (Oklahoma) in 1837 under pressure from settlers in Mississippi and Alabama. Among the significant events in Chickasaw history were the tribe’s surprisingly strong alliance with the South during the Civil War and the federal actions thereafter which eventually resulted in the absorption of the Chickasaw Nation into the emerging state of Oklahoma.
Barbara Gordon's groundbreaking memoir tells the extraordinary story of a woman who has it all, or thinks she does-a career as an Emmy-award-winning documentary producer, a man she loves, a world of friends, and a beautiful apartment in Manhattan.But beneath the façade, Barbara's life is spinning out of control. In spite of the pills prescribed by her doctor, a nameless terror disrupting her daily life intensifies until she is besieged by crippling anxiety attacks. A formerly strong, independent, successful woman, Barbara's life becomes a nightmare of paralysis and fear.When Barbara finds herself unable to leave her apartment or walk the streets of New York alone, she decides to take charge of her life. She doesn't want pills, she wants answers. Instead of ending her fears, quitting the medicine leads to the unraveling of what she thought was her perfect life, and Barbara becomes a casualty of a flawed and inept mental health system. Barbara had often spoken for the voiceless in her films, but she suddenly finds herself powerless, without a voice of her own. Though she feels frightened and misunderstood, the tenderness and love of another young patient, Jim, helps Barbara rediscover her voice and her identity.In the years since her memoir was first published, thousands of readers all over the world have read her book, followed her descent into hell, traveled with her along the bumpy road to recovery, and celebrated as she creates a new life. I'm Dancing As Fast As I Can is a strikingly honest look at a life gone off the rails. Throughout her journey, Gordon's hope and strength make her an incredible heroine worth rooting for.
