Combining thought-provoking graphic imagery with truly alarming information culled from some of the most authoritative sources around the world, The Little Book of Shocking Food Facts is literally jam-packed with essential truths you need to know about global food politics, fast food culture and healthy nutrition. This startling yet visually stunning book is guaranteed to alter the way you think about food production, while also changing your personal eating habits for the better. How is it that malnutrition is so widespread in the developing world, while obesity is rife in the developed world? What exactly is the nutritional value of junk food versus the health benefits of fresh fruit and vegetables? Do you know what really goes into the production of the food on your plate? The Little Book of Shocking Food Facts will help answer these and many other questions surrounding food production and consumption today. The crucial information presented in this book through specially commissioned, state-of-the-art graphic design has been meticulously and painstakingly gleaned from some of the world's most authoritative and up-to-date scientific studies and government reports. Extended footnotes at the back provide full citations for all information sources, as well as easy-to-understand texts that explain the facts in concise detail.
Ever since Keith Ridgway published his landmark cult novel Hawthorn & Child, his ardent fans have yearned for more Finally, Ridgway gives us A Shock, his thrilling and unsparing, slippery and shockingly good new novel. Formed as a rondel of interlocking stories with a clutch of more or less loosely connected repeating characters, it’s at once deracinated yet potent with place, druggy yet frighteningly shot through with reality. His people appear, disappear, and reappear. They’re on the fringes of London, clinging to sanity or solvency or a story by their fingernails, consumed by emotions and anxieties in fuzzily understood situations. A deft, high-wire act, full of imprecise yet sharp dialog as well as witchy sleights of hand reminiscent of Muriel Spark, A Shock delivers a knockout punch of an ending. Perhaps Ridgway’s most breathtaking quality is his scintillating stealthiness: you can never quite put your finger on how he casts his spell—he delivers the shock of a master jewel thief (already far-off and scot-free) stealing your watch: when at some point you look down at your wrist, all you see is that in more than one way you don’t know what time it is…
NEW YORK TIMES BESTSELLER • In this “infectious medical thriller” (Kirkus Reviews) from the renowned author of Coma, two young women, curious about their donated eggs, uncover a plot more sinister than either of them could have imagined. . . . “Leave it to doctor-turned-novelist Robin Cook to scare us all to death.”—Los Angeles Times Graduate students Deborah Cochrane and Joanna Meissner respond to a campus newspaper ad that promises to solve their financial problems: An exclusive, highly profitable fertility clinic northwest of Boston is willing to pay top dollar to a few attractive, slim, athletic Ivy League egg donors. But second thoughts and curiosity prompt the two women to find out more about their donated eggs. Obtaining employment at the clinic under aliases, they soon discover the horrifying aims of its research, immediately putting their lives—and their sanity—irrevocably at risk. . . .
Humphrey Bogart said of Confidential: “Everybody reads it but they say the cook brought it into the house” . . . Tom Wolfe called it “the most scandalous scandal magazine in the history of the world” . . . Time defined it as “a cheesecake of innuendo, detraction, and plain smut . . . dig up one sensational ‘fact,’ embroider it for 1,500 to 2,000 words. If the subject thinks of suing, he may quickly realize that the fact is true, even if the embroidery is not.” Here is the never-before-told tale of Confidential magazine, America’s first tabloid, which forever changed our notion of privacy, our image of ourselves, and the practice of journalism in America. The magazine came out every two months, was printed on pulp paper, and cost a quarter. Its pages were filled with racy stories, sex scandals, and political exposés. It offered advice about the dangers of cigarettes and advocated various medical remedies. Its circulation, at the height of its popularity, was three million. It was first published in 1952 and took the country by storm. Readers loved its lurid red-and-yellow covers; its sensational stories filled with innuendo and titillating details; its articles that went far beyond most movie magazines, like Photoplay and Modern Screen, and told the real stories such trade publications as Variety and the Hollywood Reporter couldn’t, since they, and the movie magazines, were financially dependent on—or controlled by—the Hollywood studios. In Confidential’s pages, homespun America was revealed as it really was: our most sacrosanct movie stars and heroes were exposed as wife beaters (Bing Crosby), homosexuals (Rock Hudson and Liberace), neglectful mothers (Rita Hayworth), sex obsessives (June Allyson, the cutie with the page boy and Peter Pan collar), mistresses of the rich and dangerous (Kim Novak, lover of Ramfis Trujillo, playboy son of the Dominican Republic dictator). Confidential’s alliterative headlines told of tawny temptresses (black women passing for white), pinko partisans (liberals), lisping lads (homosexuals) . . . and promised its readers what the newspapers wouldn’t reveal: “The Real Reason for Marilyn Monroe’s Divorce” . . . How “James Dean Knew He Had a Date with Death” . . . The magazine’s style, success, and methods ultimately gave birth to the National Enquirer, Star, People, E!, Access Hollywood, and TMZ . . . We see the two men at the magazine’s center: its founder and owner, Robert Harrison, a Lithuanian Jew from New York’s Lower East Side who wrote for The New York Graphic and published a string of girlie magazines, including Titter, Wink, and Flirt (Bogart called the magazine’s founder and owner the King of Leer) . . . and Confidential ’s most important editor: Howard Rushmore, small-town boy from a Wyoming homestead; passionate ideologue; former member of the Communist Party who wrote for the Daily Worker, renounced his party affiliation, and became a virulent Red-hunter; close pal of FBI director J. Edgar Hoover and expert witness before the House Committee on Un-American Activities, naming the names of actors and writers Rushmore claimed had been Communists and fellow travelers. Henry Scott writes the story of two men, who out of their radically different pasts and conflicting obsessions, combined to make the magazine the perfect confluence of explosive ingredients that reflected the America of its time, as the country struggled to reconcile Hollywood’s blissful fantasy of American life with the daunting nightmare of the nuclear age . . .
Tess, Beany and Lucy live near the same sleepy canal in Seneca Falls but couldn't be more different. Tomboy Tess is the daughter of a drunken handyman, Beany the timid daughter of a runaway slave, and Lucy the ambitious daughter of a wealthy abolitionis. It's no surprise their goals and personalities clash. All three, however, are enamored of Elizabeth Cady Stanton and her First Woman's Rights convention, but it's not until Tess rescues Stanton and Amelia Bloomer from town bullies and is rewarded with a job printing Bloomer's temperance and women's rights newspaper that they become friends. When Tess's father delivers Beany's mother to slave catchers, the girls fight to save her. A bloody battle on the towpath leaves two of them broken in body and spirit, adrift on the Rie Canal. Adventurous Tess finally gets her wish: she's leaving home. But at what price? And how will she survive? -- From back cover.
In these nineteen whip-smart essays, Jon Stewart takes on politics, religion, and celebrity with a seethingly irreverent wit, a brilliantsense of timming, and a palate for the obsurd -- and these one-of-a-kind forays into his hilarious world will expose you to all its wickedly naked truths. He's the MTV generation's master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central's "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.He's the MTV generation's master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central's "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.
Andie. Julie. Raven. Three very different women bound by more than friendship. They were only watching The mysterious lovers that the three girls spied on were engaged in a deadly sexual game no one else was supposed to know about. Especially not Andie and her friends, whose curiosity had deepened into a dangerous obsession Now, fifteen years later, someone is watching Andie. Someone who won't let her forget the unsolved murder of 'Mrs X' or the disappearance of 'Mr X'. Suddenly, Andie doesn't know who her friends are and realises that loyalty can mean murder.
"Beware, if your sensibilities are delicate, if you see yourself as a person of taste, if 'outrageous' is not your adjective of choice. Because this is a story about filmmaker John Waters, whose early career is marked by such startling cult raves as Multiple Maniacs, in which its heroine is raped by a 15-foot broiled lobster; Polyester, which featured scratch-and-sniff cards; and, most notorious, Pink Flamingos, in which its transvestite star Divine eats fresh dog feces." -Tampa Tribune In Shock Value, the autobiography of notorious filmmaker John Waters, "the Sultan of Sleaze" recounts his career & explains the inspiration behind his movies. Through pictures, anecdotes, & interviews, get to know the stars of Waters' films-like Divine, Kitten, & Edith Massey-in ways that should make you queasy, or at least uncomfortable. Along the way, Waters explains what his filmmaking philosophies are & attempts to justify what he's done to American movies. "Shock Value is shocking. Any honest account of human experience must be shocking. For it is the function of art to make the reader or viewer aware of what he knows & in most cases doesn't know that he knows & doesn't want to know." -William S. Burroughs
