Thirteen Plays of Bhasa

Thirteen Plays of Bhasa

Author: A. C. Woolner

Publisher: Motilal Banarsidass

Published: 2015-01-01

Total Pages: 396

ISBN-13: 8120809084

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This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1. Pratijnayaugandharayana, 2. Svapnavasavadatta, 3. Carudatta, 4. Pancaratra, 5. Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now issued in view of a persistent demand of scholars. Pandit Ganapati Sastri attributed all thirteen plays to Bhasa, a famous dramatist earlier than Kalidasa. Some verses are ascribed to Bhasa by medieval anthologies, but only ten with unanimity. We are told that he composed a Svapnavasavadattam (his best play) and that in another play the device of the wooden elephant was used. Characteristic features of his work are described by Bana, and other poets evidently held him in high estimation. One or two verses from his plays are quoted by writers on poetics. Otherwise, the text of BhasaÍs numerous plays had completely disappeared. The learned editor of the Trivandrum plays found that they contained a Svapnavasavadattam (the best play in the collection), and, in the Pratijna-Yaugandharayanam, a scene dealing with the wooden elephant. He noticed also certain peculiarities in the technique of the plays which he regarded as signs of antiquity. All these points confirmed the opinion that Bhasa was the author.


Bhasa

Bhasa

Author: G.S.Iyer

Publisher: D C Books

Published: 2013-06-29

Total Pages: 310

ISBN-13: 9381699240

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The rediscovery of the 13 plays of Bhasa Mahakavi and their publication in Thiruvananthapuram in 1912 by Mahamahopadhyaya T. Ganapatisastri was as important an event in the recovery of India's cultural and literary history as was the deciphering of the Ashokan edicts in the 19th century in the recovery of India's political history. Bhasa was known from allusions by other poets and fragments stretching from the time of Kalidasa all the way to the 12th century. Inexplicably, he vanished from India's collective memory since then. At the same time, the reverence in which he was held is amply evident from the regularity of references to him and the unanimity of critics and rasikas on the superb quality of his work. The recovered Bhasa has now taken his rightful place in the stage and is presented again and again not only in Sanskrit but in most modern Indian languages too. It is an eloquent demonstration of his enduring power to move an audience, his undiminished relevance and, most important of all, the stunning stage worthiness of his works, the quality that raises him far above every other ancient dramatist of India known to us.


Bhāsa

Bhāsa

Author: V. Venkatachalam

Publisher:

Published: 1986

Total Pages: 216

ISBN-13:

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Study on the plays of Bhāsa, classical Sanskrit dramatist.


Svapna-Vasavadattam (The Dream of Vasavadatta)

Svapna-Vasavadattam (The Dream of Vasavadatta)

Author: Bhāsa

Publisher: Global Vision Pub House

Published: 2004-08

Total Pages: 88

ISBN-13: 9788182200104

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Svapna-Vasavadattam, A Drama Of Six Acts Composed By Bhasa, Is Based On The Brihatakatha Of Gunadhya And Is Referred To In The Mahabharata. Bhasa Stands Preeminent For The Boldness Of His Conception, Insight Into Character And For Hs Homely Sparking Style. He Has Written About Thirteen Plays Of Which The Svapna-Vasavadatta Is Reckoned As A Masterpiece Both In Ancient Indian And Modern Criticism. Based On The Well-Known Love-Tale Of Udayana And Vasavadatta, Bhasa S Play Abounds In Dramatic Excitement, Suspense, Surprise And Humour.