In the early to mid-1960s, John Stanley turned his attention to drawing and writing his own series rather than working with the already established licensed characters he is most well known for, such as Little Lulu. D+Qhas embarked on an archival series of Stanley's comics, including Melvin Monster, Around the Block with Dunc and Loo, Kookie, and Thirteen Going on Eighteen. Thirteen Going on Eighteen focuses on the friendship and rivalry of two teenage girls, Val and Judy. Each comic is a darkly hilarious look at the socialmaneuverings and betrayals of the teen set.Stanley's strippeddown approach perfectly captures the fever pitch of the teenage years. He creates a teenage sitcom and turns it into an anguished character study.
“I wonder sometimes if there’s something to the old superstition about the number thirteen. Maybe that superstition was originally created by the mothers in some tribe who noticed that in their children’s thirteenth year, they suddenly became possessed by evil spirits. Because it did seem that whenever Taz was around, things spilled and shattered, calm turned into chaos, and tempers were lost.” So laments the mother of one thirteen-year-old boy, Taz, a teen who, overnight it seemed, went from a small, sweet, loving boy to a hulking, potty-mouthed, Facebook/MySpace–addicted C student who didn’t even bother to hide his scorn for being anywhere in the proximity of his parents. As this startling transformation floors journalist Beth Harpaz and her husband, Elon, Harpaz tries to make sense of a bizarre teenage wilderness of $100 sneakers, clouds of Axe body spray (to hide the scent of pot?!), and cell phone bills so big they require nine-by-twelve envelopes. In the process, she begins chronicling her son’s hilarious, sometimes harrowing, indiscretions, blaming herself (“I am a terrible mother” becomes her steadfast refrain), Googling unfamiliar teenage slang, reading every parenting book she can get her hands on, and querying friends who also have teens. From a derailed family vacation where Taz is more interested in trying to get a cell phone connection than looking at the world’s largest trees (boring!), to a prom where Taz is caught with liquor, to a trip to Australia sans parents in which Taz actually doesn’t get into any trouble and manages to do his own laundry, the events that mark Taz’s newfound and troublesome independence are told with a wry and poignant voice by a woman who’s both wistful for the past and trying her hardest to understand her son’s head-scratching new behavior. In her quest to infiltrate his world by spying on his MySpace page (where he claims he’s twenty-two), Harpaz expands her online monitoring and soon becomes a Facebook addict. She also reflects on her own youth and entry into middle age, and in the process achieves hard-won wisdom. A book for any parent of teens—be they girls or boys—13 Is the New 18 is a delightfully comical foray into today’s increasingly widening generation gap and one mom’s attempt to figure it all out with little guidance and a whole lot of misplaced guilt.
The challenges we face can be difficult even to think about. Climate change, war, political polarization, economic upheaval, and the dying back of nature together create a planetary emergency of overwhelming proportions. This revised, tenth anniversary edition of Active Hope shows us how to strengthen our capacity to face these crises so that we can respond with unexpected resilience and creative power. Drawing on decades of teaching an empowerment approach known as the Work That Reconnects, the authors guide us through a transformational process informed by mythic journeys, modern psychology, spirituality, and holistic science. This process equips us with tools to face the mess we’re in and play our role in the collective transition, or Great Turning, to a life-sustaining society.
Designed by Seth, more children's comic fun from the writer of Little Lulu The second volume of Nancy in D+Q's John Stanley Library, elegantly designed by Seth, stars the beloved Brillo-headed Nancy in her own comic book series written by the greatest children's comics writer of all time, John Stanley. Stanley, the author of Melvin Monster, Little Lulu, and Thirteen Going on Eighteen, puts his own deft sense of humor and superior cartooning on the Ernie Bushmiller creation with spooky Oona Goosepimple, Spike, and Mr.McOnion. Nancy, along with her sidekick, Sluggo, will charm readers young and old with her hilarious, scheming hijinks.
Thirteen is the legal thriller Lee Child, Michael Connelly, and Ruth Ware are raving about and readers can’t put down. “Outstanding - an intriguing premise, a tense, gripping build-up, and a spectacular climax. This guy is the real deal. Trust me.” —Lee Child “A dead bang BEAST of a book that expertly combines Cavanagh’s authority on the law with an absolutely great thrill ride. Books this ingenious don’t come along very often.” —Michael Connelly It’s the murder trial of the century. And Joshua Kane has killed to get the best seat in the house – and to be sure the wrong man goes down for the crime. Because this time, the killer isn’t on trial. He’s on the jury. But there’s someone on his tail. Former-conman-turned-criminal-defense-attorney Eddie Flynn doesn’t believe that his movie-star client killed two people. He suspects that the real killer is closer than they think – but who would guess just how close? “A brilliant, twisty, ingeniously constructed puzzle of a book. Steve Cavanagh pulls off an enviable premise with panache.” —Ruth Ware
When Milton and Marlo Fauster die in a marshmallow-bear explosion, they get sent straight to Heck, an otherworldly reform school. Milton can understand why his kleptomaniac sister is here, but Milton is—or was—a model citizen. Has a mistake been made? Not according to Bea “Elsa” Bubb, the Principal of Darkness. She doesn’t make mistakes. She personally sees to it that Heck—whether it be home ec class with Lizzie Borden, ethics with Richard Nixon, or gym with Blackbeard the pirate—is especially, well, heckish for the Fausters. Will Milton and Marlo find a way to escape? Or are they stuck here for all eternity, or until they turn eighteen, whichever comes first? ★ “The author’ umpteen clever allusions . . . make this book truly sparkle.”—Publishers Weekly, Starred
Bounty hunter Stephanie Plum’s life is set to blow sky high when international murder hits dangerously close to home, in this dynamite novel by Janet Evanovich. Before Stephanie can even step foot off Flight 127 Hawaii to Newark, she’s knee deep in trouble. Her dream vacation turned into a nightmare, and she’s flying back to New Jersey solo. Worse still, her seatmate never returned to the plane after the L.A. layover. Now he’s dead—and a ragtag collection of thugs and psychos, not to mention the FBI, are all looking for a photograph he was supposed to be carrying. Only one person has seen the missing photo: Stephanie Plum. Now she’s the target. An FBI sketch artist helps Stephanie re-create the person in the photo, but Stephanie’s descriptive skills are lacking. Until she can improve them, she’ll need to watch her back. Over at the bail bonds agency things are going from bad to worse. Vinnie’s temporary HQ has gone up in smoke. Stephanie’s wheelman, Lula, falls for their largest skip yet. Lifetime arch nemesis Joyce Barnhardt moves into Stephanie’s apartment. And everyone wants to know what happened in Hawaii? Morelli, Trenton’s hottest cop, isn’t talking about Hawaii. Ranger, the man of mystery, isn’t talking about Hawaii. And all Stephanie is willing to say about her Hawaiian vacation is . . . It’s complicated.
A teenage boy takes a journey to bring truth, beauty, and meaning to his life. “There won’t be many dry eyes at the end of this extremely affecting story.”—Kirkus Reviews Austin Parker is never going to see his eighteenth birthday. At the rate he’s going, he probably won’t even see the end of the year. The doctors say his chances of surviving are slim to none even with treatment, so he’s decided it’s time to let go. But before he goes, Austin wants to mend the broken fences in his life. So with the help of his best friend, Kaylee, Austin visits every person in his life who touched him in a special way. He journeys to places he’s loved and those he’s never seen. And what starts as a way to say goodbye turns into a personal journey that brings love, acceptance, and meaning to Austin’s life. “It is easy to connect with Austin because his journey is honorable . . . Bostic’s narrative is concise, chapters are short, and the story never lags. Her story is sad, but it is real and pulls no punches.”—VOYA “Bostic writes this graceful, affecting tale without pretension . . . Perhaps it’s because of that simplicity that the story concludes with such a powerful emotional punch.”—Kirkus Reviews “It had the vibe and similarities from two of my favorite books and maybe even a third that are all pretty popular: If I Stay, Thirteen Reasons Why, and The Fault in Our Stars.”—Mission Viejo Library Teen Voice
In this beautiful love story of "forbidden longing" (New York Times bestselling author Penelope Douglas), a sweet young woman and a rough and tough biker are connected in a way they can’t contain—and they’ll do anything they can to be together. When I was five years old, I told Toren Grace we were going to get married someday. He’d been my closest friend, my protector, and my rock since the day I was born. But during my senior year, our relationship slowly changed. Silly conversations morphed into serious heart-to-hearts. Innocent friendship turned to stolen glances. Then one day, an unexpected kiss changed everything. While that kiss was all I’d ever dreamed of, it knocked Tor clear off his axis. His strong moral compass makes it impossible for him to accept our feelings for each other. Because, not only am I eighteen and fifteen years younger than him, I’m the one person he should never, ever want. Tor is my father’s best friend—my pseudo uncle. Neither one of us can stand to betray or hurt my dad, but we can’t keep our relationship hidden forever. Will there be a way for us to find our happily-ever-after? Or will we all be torn apart? Torn is book one in the All Torn Up series but can be read as a standalone novel.
An immediate perennial, documenting the critical rise of the graphic novel. Conventional wisdom states that cartooning and graphic novels exist in a golden age of creativity, popularity, and critical acceptance. But why? Today, the signal is stronger than ever, but so is the noise. New York Times, Vanity Fair, and Bookforum critic Ben Schwartz assembles the greatest lineup of comics critics the world has yet seen to testify on behalf of this increasingly vital medium. The Best American Comics Writing is the first attempt to collate the best criticism to date of the graphic novel boom in a way that contextualizes and codifies one of the most important literary movements of the last 60 years. This collection begins in 2000, the game changing year that Pantheon released the graphic novels Jimmy Corrigan and David Boring. Originally serialized as “alternative” comics, they went on to confirm the critical and commercial viability of graphic literature. Via its various authors, this collection functions as a valuable readers’ guide for fans, academics, and librarians, tracing the current comics renaissance from its beginnings and creative growth to the cutting edge of today’s artists. This volume includes Daniel Clowes (Ghost World) in conversation with novelist Jonathan Lethem (Fortress of Solitude), Chris Ware, Jonathan Franzen (The Corrections), John Hodgman (The Daily Show, The Areas of My Expertise, The New York Times Book Review), David Hajdu (The 10-Cent Plague), Douglas Wolk (Publishers Weekly, author of the Eisner award-winning Reading Comics), Frank Miller (Sin City and The Spirit film director) in conversation with Will Eisner (The Spirit’s creator), Gerard Jones’ (Men of Tomorrow), Brian Doherty (author Radicals of Capitalism, This is Burning Man) and critics Ken Parille (Comic Art), Jeet Heer (The National Post), R.C. Harvey (biographer of Milton Caniff), and Donald Phelps (author of the landmark book of comics criticism,Reading the Funnies). Best American Comics Writing also features a cover by nationally known satirist Drew Friedman (The New York Observer, Old Jewish Comedians) in which Friedman asks, “tongue-in-cheek,” if cartoonists are the new literati, what must their critics look like?
