Straight Talk From the Firebrand Libertarian Who Struck a Chord Across America Larry Elder tells truths this nation's public figures are afraid to address. In The Ten Things You Can't Say in America, he turns conventional "wisdom" on its head and backs up his commonsense philosophy with cold, hard facts many ignore. Elder says what no one else will: Blacks are more racist than whites. White condescension is mor damaging than white racism There is no health-care crisis The War on Drugs is the new Vietnam...and we're losing Republicans and Democrats are the same beast in different rhetoric Gun control advocates have blood on their hands. America's greatest problem? Illegitimacy. The welfare state is our national narcotic. There is no glass ceiling. The media bias: it's real, it's widespread, it's destructive
In What if Things Were Made in America Again Jim Stuber poses three haunting questions: Why does it seem like everything is made somewhere else? Isnt that causing a problem? If it is, what can be done about it? The answers are surprising. We learn how the U.S. gave whole industries away pursuing free trade and fighting communism. How trade morphed into globalization, three billion people joined the world economy in the age of oversupply, and China changed everything by becoming the worlds workshop, to the detriment of developed and developing countries alike. How all this resulted in six million lost manufacturing jobs and lower wages for most Americans, outweighing any gains from lower prices of the foreign goods. How these job losses destroyed lives, families, and communities, while our political and intellectual elites told us how good this was for everyone. How the future portends more jobs lost to Mexico, China, and India, including white collar jobs, in a race to the bottom threatening our future. Most importantly, we learn how consumers can solve the problem: what sets this book apart is an action plan that can immediately be implemented by individual Americans.
American art museums of the Gilded Age were established as civic institutions intended to provide civilizing influences to an urban public, but the parochial worldview of their founders limited their democratic potential. Instead, critics have derided nineteenth-century museums as temples of spiritual uplift far removed from the daily experiences and concerns of common people. But in the early twentieth century, a new generation of cultural leaders revolutionized ideas about art institutions by insisting that their collections and galleries serve the general public. Things American: Art Museums and Civic Culture in the Progressive Era tells the story of the civic reformers and arts professionals who brought museums from the realm of exclusivity into the progressive fold of libraries, schools, and settlement houses. Jeffrey Trask's history focuses on New York's Metropolitan Museum of Art, which stood at the center of this movement to preserve artifacts from the American past for social change and Americanization. Metropolitan trustee Robert de Forest and pioneering museum professional Henry Watson Kent influenced a wide network of fellow reformers and cultural institutions. Drawing on the teachings of John Dewey and close study of museum developments in Germany and Great Britain, they expanded audiences, changed access policies, and broadened the scope of what museums collect and display. They believed that tasteful urban and domestic environments contributed to good citizenship and recognized the economic advantages of improving American industrial production through design education. Trask follows the influence of these people and ideas through the 1920s and 1930s as the Met opened its innovative American Wing while simultaneously promoting modern industrial art. Things American is not only the first critical history of the Metropolitan Museum. The book also places museums in the context of the cultural politics of the progressive movement—illustrating the limits of progressive ideas of democratic reform as well as the boldness of vision about cultural capital promoted by museums and other cultural institutions.
Crap. We all have it. Filling drawers. Overflowing bins and baskets. Proudly displayed or stuffed in boxes in basements and garages. Big and small. Metal, fabric, and a whole lot of plastic. So much crap. Abundant cheap stuff is about as American as it gets. And it turns out these seemingly unimportant consumer goods offer unique insights into ourselves—our values and our desires. In Crap: A History of Cheap Stuff in America, Wendy A. Woloson takes seriously the history of objects that are often cynically-made and easy to dismiss: things not made to last; things we don't really need; things we often don't even really want. Woloson does not mock these ordinary, everyday possessions but seeks to understand them as a way to understand aspects of ourselves, socially, culturally, and economically: Why do we—as individuals and as a culture—possess these things? Where do they come from? Why do we want them? And what is the true cost of owning them? Woloson tells the history of crap from the late eighteenth century up through today, exploring its many categories: gadgets, knickknacks, novelty goods, mass-produced collectibles, giftware, variety store merchandise. As Woloson shows, not all crap is crappy in the same way—bric-a-brac is crappy in a different way from, say, advertising giveaways, which are differently crappy from commemorative plates. Taking on the full brilliant and depressing array of crappy material goods, the book explores the overlooked corners of the American market and mindset, revealing the complexity of our relationship with commodity culture over time. By studying crap rather than finely made material objects, Woloson shows us a new way to truly understand ourselves, our national character, and our collective psyche. For all its problems, and despite its disposability, our crap is us.
POE BALLANTINE’S RISKY PERSONAL ESSAYS are populated with odd jobs, eccentric characters, boarding houses, buses, and beer. He takes us along on his Greyhound bus journey through small town America (including a detour to Mexico) exploring what it means to be human. Written with piercing intimacy and self-effacing humor, Ballantine’stories provide entertainment, social commentary, and completely compelling slices of life.
A sobering account of a disenfranchised American working class and important policy solutions to the nation’s economic inequalities One of the country’s leading scholars on economics and social policy, Isabel Sawhill addresses the enormous divisions in American society—economic, cultural, and political—and what might be done to bridge them. Widening inequality and the loss of jobs to trade and technology has left a significant portion of the American workforce disenfranchised and skeptical of governments and corporations alike. And yet both have a role to play in improving the country for all. Sawhill argues for a policy agenda based on mainstream values, such as family, education, and work. While many have lost faith in government programs designed to help them, there are still trusted institutions on both the local and federal level that can deliver better job opportunities and higher wages to those who have been left behind. At the same time, the private sector needs to reexamine how it trains and rewards employees. This book provides a clear-headed and middle-way path to a better-functioning society in which personal responsibility is honored and inclusive capitalism and more broadly shared growth are once more the norm.
America is a nation of firsts, from its pioneering innovation in technology and science to its politics, social affairs, and culture. But despite its intriguing and unique history, many Americans aren't as well-versed as they think they are when it comes to knowledge of the monumental events, people, and ideas that shaped this revolutionary country. Chock-full of surprising snippets of history you should know about, "A Patriot's A to Z of America: Things Every Good American Should Know "is the eye-opening remedy for every aspiring good American, featuring heroic events and creative individuals who surmounted great difficulties to achieve great things--going to the moon, wiring the planet, defeating the Nazis, setting up the first large democratic republic, and largely banishing starvation overseas--achievements of which no other nation can boast. Organized from A to Z, these exceptional tales are America's to tell and for you to discover.
In May 1906, the Atlantic Monthly commented that Americans live not merely in an age of things, but under the tyranny of them, and that in our relentless effort to sell, purchase, and accumulate things, we do not possess them as much as they possess us. For Bill Brown, the tale of that possession is something stranger than the history of a culture of consumption. It is the story of Americans using things to think about themselves. Brown's captivating new study explores the roots of modern America's fascination with things and the problem that objects posed for American literature at the turn of the century. This was an era when the invention, production, distribution, and consumption of things suddenly came to define a national culture. Brown shows how crucial novels of the time made things not a solution to problems, but problems in their own right. Writers such as Mark Twain, Frank Norris, Sarah Orne Jewett, and Henry James ask why and how we use objects to make meaning, to make or remake ourselves, to organize our anxieties and affections, to sublimate our fears, and to shape our wildest dreams. Offering a remarkably new way to think about materialism, A Sense of Things will be essential reading for anyone interested in American literature and culture.
