While working on a project translating letters from sixteenth-century Prague, high school senior Nora Kane discovers her best friend murdered with her boyfriend the apparent killer and is caught up in a dangerous web of secret societies and shadowy conspirators, all searching for a mysterious ancient device purported to allow direct communication with God.
The eagerly anticipated follow-up to the author’s award-winning Bones and Fat, Odd Bits features over 100 recipes devoted to the “rest of the animal,” those under-appreciated but incredibly flavorful and versatile alternative cuts of meat. We’re all familiar with the prime cuts—the beef tenderloin, rack of lamb, and pork chops. But what about kidneys, tripe, liver, belly, cheek, and shank? Odd Bits will not only restore our taste for these cuts, but will also remove the mystery of cooking with offal, so food lovers can approach them as confidently as they would a steak. From the familiar (pork belly), to the novel (cockscomb), to the downright challenging (lamb testicles), Jennifer McLagan provides expert advice and delicious recipes to make these odd bits part of every enthusiastic cook’s repertoire.
New York Times bestselling author Jessica Day George brings dark secrets to life in a lush historical fantasy perfect for fans of Libba Bray and Cassandra Clare.
Never trust a blackmailer. Vermont's promising young governor, Andrew Kane, is at another public meet-and-greet when a stranger from the crowd slips him a cell phone and whispers, "Keep this with you...keep it secret...you're going to need it after the arrest." Hours later, Andrew's brother, Tyler, is taken into custody--framed for the brutal murder of a young woman--and Andrew discovers there is only one way to free him: answer the mysterious phone and agree to a blackmailer's demands. All the governor has to do to make it all go away is compromise everything he stands for and grant a full pardon to a convicted felon. With no better option, he complies. Which is his first mistake...because the stranger isn't through with him. He has another little condition. Then another. And another. And Andrew has no choice but to play along until he can find a way out of this personal and political nightmare. But he isn't prepared for what he will face, or how far he will have to go to save his brother and keep his family together.
Selected for The Globe 100 Books in 2013. With the 2013 CBC Massey Lectures, bestselling author Lawrence Hill offers a provocative examination of the scientific and social history of blood, and on the ways that it unites and divides us today. Blood runs red through every person’s arteries and fulfills the same functions in every human being. The study of blood has advanced our understanding of biology and improved medical treatments, but its cultural and social representations have divided us perennially. Blood pulses through religion, literature, and the visual arts. Every time it pools or spills, we learn a little more about what brings human beings together and what pulls us apart. For centuries, perceptions of difference in our blood have separated people on the basis of gender, race, class, and nation. Ideas about blood purity have spawned rules about who gets to belong to a family or cultural group, who enjoys the rights of citizenship and nationality, what privileges one can expect to be granted or denied, whether you inherit poverty or the right to rule over the masses, what constitutes fair play in sport, and what defines a person’s identity. Blood: The Stuff of Life is a bold meditation on blood as an historical and contemporary marker of identity, belonging, gender, race, class, citizenship, athletic superiority, and nationhood.
The fatally over-confident hero of Good Murder returns to pit his meagre detective skills against military intelligence, belligerent in-laws, a town full of G.I.s, and a creepy conspiracy to bring on an Australian sectarian nightmare. Failed Shakespearean actor and would-be private detective William Power returns to Melbourne in disgrace after his disastrous brush with theatre and murder in Maryborough. Bloodied, broken, but somehow unbowed, he arrives in a town struggling under war rationing and full of cocky American soldiers, and lands squarely in the bosom of his childhood home in Carlton — a home now dominated by his sister-in-law, the odious Darlene. But even Will’s contempt is tempered when, in the early hours of the morning, Darlene is kidnapped, and Will finds his mother’s kitchen splattered with blood and scattered with broken crockery. Needing to escape the maternal home and the growing police investigation, Power rents a room in the spacious, Parkville home of wealthy, charismatic, and obsessively neat Paul Clutterbuck and is introduced to his strange society of bohemians, black marketeers, and neanderthal henchmen. Will Power is fascinated but, before he can begin to enjoy his new home, a savage murder is discovered. Just when modesty and good sense threaten to intervene, Will realises that only he can solve the murder and the mystery of his kidnapped sister-in-law, and save the nation from impending catastrophe. A Thing of Blood is a brilliant, wry sequel which perfectly recreates the tension and fear of wartime Australia. PRAISE FOR ROBERT GOTT ‘Rather than the outlandish though entertaining plot, it's the play of these perspectives, the wit and the dissonance between Power's descriptive ability and his self-delusion, that give A Thing of Blood the backbone that keeps you turning the pages … There is much about A Thing of Blood to like and little to dislike (except perhaps Power himself).’ The Sydney Morning Herald ‘A well-designed conspiracy and a tension-fuelled ending provides a rewarding finale to the story. This is the kind of easy beach read type of story with which it is just a pleasure to stick the brain in neutral, kick back and enjoy.’ Australian Crime Fiction Database
Steven Wilder had fallen for the bat-wielding temptress in more ways than just hitting the floor… he wanted to keep her. Finding out she was promised to the mob gave him the reason he needed to kidnap her and make her his mate… for her own protection, of course. Everyone says there are two paths in life, but for Jewel Scott it looked like both of them were very dangerous. One led toward Anthony, a murdering psychopathic Werewolf who was also the head of the city mob and her fiancé… against her will. The other road led toward Steven, a Werecougar whom she had knocked out with a baseball bat on their first meeting. He retaliated by kidnapping her and making her his mate. Steven Wilder had fallen for the bat-wielding temptress in more ways than just hitting the floor… he wanted to keep her. Finding out she was promised to the mob gave him the reason he needed to kidnap her and make her his mate… for her own protection, of course. Anthony Valachi had become obsessed with Jewel when she was no more than a child and, under mob rule, he’d gained control of his bride to be. If anyone thought they could steal her away from him they were wrong… dead wrong. Translator: Amy Blankenship PUBLISHER: TEKTIME
Blood, in Gil AnidjarÕs argument, maps the singular history of Christianity. A category for historical analysis, blood can be seen through its literal and metaphorical uses as determining, sometimes even defining, Western culture, politics, and social practices and their wide-ranging incarnations in nationalism, capitalism, and law. Engaging with a variety of sources, Anidjar explores the presence and the absence, the making and unmaking of blood in philosophy and medicine, law and literature, and economic and political thought, from ancient Greece to medieval Spain, from the Bible to Shakespeare and Melville. The prevalence of blood in the social, juridical, and political organization of the modern West signals that we do not live in a secular age into which religion could return. Flowing across multiple boundaries, infusing them with violent precepts that we must address, blood undoes the presumed oppositions between religion and politics, economy and theology, and kinship and race. It demonstrates that what we think of as modern is in fact imbued with Christianity. Christianity, Blood fiercely argues, must be reconsidered beyond the boundaries of religion alone.