This new book, The Witch in the Word Machine, is a collection that underpins Jenni Fagan's entire approach to words. Her spell poems are portraits of people, lovers and cities: Paris, New York, Edinburgh, Detroit, LA, and San Francisco. The excerpts of her Truth poem are a political response to great uncertainty in the world right now.This collection is an exploration of words as spells, incantations, curse and solace.
This new book, The Witch in the Word Machine, is a collection that underpins Jenni Fagan's entire approach to words. Her spell poems are portraits of people, lovers and cities: Paris, New York, Edinburgh, Detroit, LA, and San Francisco. The excerpts of her Truth poem are a political response to great uncertainty in the world right now. This collection is an exploration of words as spells, incantations, curse and solace.
Witch Wood is a 1927 novel by the Scots author John Buchan, set in the Scottish Borders during the Wars of the Three Kingdoms. Critics have called it Buchan's masterpiece.Set amidst the religious struggles of the 17th century, this is the story of a young minister's return to the town of his birth. There he finds a coven of Satan worshippers and falls deeply in love with one of their victims in a struggle for right and wrong.
"Bewitched meets Practical Magic in this bubbly, quirky romantic comedy with an enchanted twist from acclaimed author Elizabeth Bass. When romance problems cause their powers to go berserk, a trio of witches whose family was banned from practicing magic risk getting in serious trouble with the Grand Council of Witches. Can they get their magic--and their love lives--in order before it's too late?"--
What do we mean by 'Scottish literature'? Why does it matter? How do we engage with it? Bringing infectious enthusiasm and a lifetime's experience to bear on this multi-faceted literary nation, Alan Riach, Professor of Scottish Literature at the University of Glasgow, sets out to guide you through the varied and ever-evolving landscape of Scottish literature. A comprehensive and extensive work designed not only for scholars but also for the generally curious, Scottish Literature: an introduction tells the tale of Scotland's many voices across the ages, from Celtic pre-history to modern mass media. Forsaking critical jargon, Riach journeys chronologically through individual works and writers, both the famed and the forgotten, alongside broad overviews of cultural contexts which connect texts to their own times. Expanding the restrictive canon of days gone by, Riach also sets down a new core body of 'Scottish Literature': key writers and works in English, Scots, and Gaelic. Ranging across time and genre, Scottish Literature: an introduction invites you to hear Scotland through her own words.
Roald Dahl meets Eva Ibbotson in this hilarious middle grade debut * "Fifth-grader Rupert Campbell lives in a world that combines Roald Dahl’s Witches and Louis Sachar’s Wayside School. Readers will banish themselves from the ordinary world to finish this book in a flash." --Kirkus Reviews, starred review Rupert Campbell is fascinated by the witches who live nearby. He dreams of broomstick tours and souvenir potions, but the closest he can get to a witchy experience is sitting in class with his awful teacher Mrs. Frabbleknacker, who smells like bellybutton lint and forbids Rupert’s classmates from talking to each other before, during, and after class. So when he sees an ad to become a witch’s apprentice, Rupert simply can’t resist applying. But Witchling Two isn’t exactly what Rupert expected. With a hankering for lollipops and the magical aptitude of a toad, she needs all the help she can get to pass her exams and become a full-fledged witch. She’s determined to help Rupert stand up to dreadful Mrs. Frabbleknacker too, but the witchling's magic will be as useful as a clump of seaweed unless Rupert can figure out a way to help her improve her spellcasting—and fast!
A young boy and his Norwegian grandmother, who is an expert on witches, together foil a witches' plot to destroy the world's children by turning them into mice.
'Diane Purkiss ... insists on taking witches seriously. Her refusal to write witch-believers off as unenlightened has produced some richly intelligent meditations on their -- and our -- world.' - The Observer 'An invigorating and challenging book ... sets many hares running.' - The Times Higher Education Supplement
