When life offers you a choice between heroism and compromise - what happens? Sometimes planes don’t land the way they’re supposed to. The people of a country have had enough of their leaders, but those leaders have to be replaced with something. A person steps out of a crowd and, for a moment, becomes more than human. A man walks into the lobby of a building and brings death with him to prove his point.
I suppose I never questioned why I was only one piece before A woman trapped at home during an air raid. A mother who starts to see double. A whole life in one breath. Three short plays by Alistair McDowall introduce us to three women whose ordinary lives mask extraordinary internal worlds. This trilogy includes the plays Northleigh, 1940, In Stereo and all of it, written for and performed by Kate O'Flynn. This edition was published to coincide with the run at the Royal Court and the Avignon Festival in June 2023.
In this unique volume, twelve pioneers of historical archaeology offer reminiscences of the early part of their respective careers, circa 1920 to 1940. Each scholar had to overcome numerous biases held by historians and archaeologists-thus each chapter documents a step in the field's march from a marginal to a mainstream discipline. The book makes for facinating reading for archaeologists, anthropologists, and historians of science, and reminds us of the words of C.H. Fairbanks: ''what is past is prelude; study the past. ''
This study offers a historicization of the 2010s in British theatre with a focus on the representation of systemic violence, exploring productions that engage with concerns of protest, climate crisis, neoliberalism, racism and gender-based violence. It offers a range of case studies from established and emergent playwrights such as Caryl Churchill, Martin McDonagh, Anders Lustgarten, Lucy Kirkwood, Ella Hickson, Jasmine Lee-Jones, debbie tucker green, Zinnie Harris, and Travis Alabanza. Productions of their work in the 2010s are analysed through a framework of cultural theory, philosophy, and theatre and performance studies that offer insightful conceptions of violence and performativity. Central to this book is the belief that theatre has the ability to depict issues of systemic violence in thoughtful and valuable ways, drawing on the medium's specific relations between creatives, texts, spectatorship and audiences to mindfully engage participants in the most pressing societal and cultural concerns of their time.
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include: Ageing Austerity Gender Migrancy Multiculturalism Aesthetics Companies discussed include: Theatre Uncut Lost Dog Camden People's People Lung Brighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.
This report investigates: the governance of the BBC's commercial arm, BBC Worldwide; the activities of BBC Worldwide, including programme sales, production, magazines and websites; BBC Worldwide's acquisition of Lonely Planet; and the possible partnership between BBC Worldwide and Channel 4. There are major benefits from the BBC undertaking commercial activities: the profits generated by the exploitation of the BBC's intellectual property can be reinvested in the BBC's public services, to the benefit of licence fee payers. But the manner in which some of the BBC's commercial revenue is generated, and the governance arrangements within which the BBC Worldwide operates, causes increasing concern. Worldwide has proved successful in recent years in exploiting new commercial opportunities, made possible by a loosening of the rules that govern the limits to its operations. However, there a balance to be drawn between Worldwide generating a return for the BBC, and limiting Worldwide's operations in order to ensure it upholds the BBC's reputation and does not damage its commercial competitors. Worldwide's minority stakes in overseas production companies, its controversial acquisition of Lonely Planet, and its growing portfolio of magazines, suggest that the balance has been tipped too far in favour of Worldwide's unrestricted expansion, jeopardising the reputation of the BBC and having an adverse impact on its commercial competitors. It is in the interests of the UK's creative economy as a whole that BBC Worldwide's activities are reined back. The BBC Trust should reinstate the rule that all BBC commercial activity must have a clear link with core BBC programming.
Practical Analysis and Reconstruction of Shooting Incidents, Second Edition presents a holistic approach to shooting incident analysis and reconstruction, covering the entire spectrum of related sub-disciplines of forensic science. The book reviews basic firearm design and function, ammunition components, and terminology, explaining what constitute
Marcus, who is the main character in the book The Young Roman Soldier, begins his saga remembering the many times that he and his father spent in his father's sitting room having "man-to-man" talks. One of his father's usual gruesome tales was about the time that he and his band of evil Roman soldiers had gone out into the countryside and had slaughtered hundreds of innocent Jewish male children-all which were under two years old. The purpose of the massacre was to kill the "dreaded" Christ Child, who was prophesied in the Jewish scriptures to be their future King and Messiah. Both Caesar and King Herod had given the cruel soldier all the glory and honor for having done the job well. The young man also elaborates on the many tragedies that he as a child had endured, from his baby sister's having been taken out into the wilderness and left to die, to the unexpected deaths of both of his parents. He then speaks about his life as a Roman soldier and how that he finally discovered the truth about the death of the Christ Child. When he knelt at the bottom of the cross of Jesus, he realized, as he touched His bloodstained feet, that he, Marcus, was touching the feet of the real Christ Man-the Son of God. From that day, his life was changed forever, and he experienced real unconditional love for the first time.
