Theory of Film Practice

Theory of Film Practice

Author: Noel Burch

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 188

ISBN-13: 1400853362

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This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Critical Cinema

Critical Cinema

Author: Clive Myer

Publisher: Columbia University Press

Published: 2012-04-10

Total Pages: 491

ISBN-13: 023150456X

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Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.


Ecocinema Theory and Practice 2

Ecocinema Theory and Practice 2

Author: Stephen Rust

Publisher: Taylor & Francis

Published: 2022-12-15

Total Pages: 263

ISBN-13: 1000827046

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This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis. This book is an invaluable resource for students and scholars of ecocritical film and media studies, production studies, cultural studies, and environmental studies.


Film Sound

Film Sound

Author: Elisabeth Weis

Publisher:

Published: 1985

Total Pages: 462

ISBN-13: 9780231056373

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The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.


Film editing - history, theory and practice

Film editing - history, theory and practice

Author: Don Fairservice

Publisher: Manchester University Press

Published: 2019-01-04

Total Pages: 362

ISBN-13: 1526141388

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The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership.


A Certain Realism

A Certain Realism

Author: Maurizio Viano

Publisher: Univ of California Press

Published: 1993-07-15

Total Pages: 391

ISBN-13: 0520078551

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"Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."—Peter Brunette, author of Roberto Rossellini


The Technique of Film and Video Editing

The Technique of Film and Video Editing

Author: Ken Dancyger

Publisher: Taylor & Francis US

Published: 2002

Total Pages: 504

ISBN-13:

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This edition provides a detailed look at the artistic and aesthetic principles and practices of editing for both picture and sound. It also contains up-to-date information on the influences of MTV and commercials, and new technologies.


Film Production

Film Production

Author: Stephen Hoover

Publisher:

Published: 2013-12

Total Pages: 204

ISBN-13: 9781941084038

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Film producing from idea to distribution. Handy guide for the independent producer on developing material, pre-production, production, and post. Suitable for textbook.


Film Editing: History, Theory and Practice

Film Editing: History, Theory and Practice

Author: Don Fairservice

Publisher: Manchester University Press

Published: 2001

Total Pages: 368

ISBN-13: 9780719057779

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This comprehensive examination of the film-editor's craft traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound. Don Fairservice explores the challenges to convention that began in the 1960s and which continue to the present day. New digital technologies and the dominance of the moving image have produced a radical rewriting of the rules of audio-visual address. This detailed study outlines a fascinating history, and presents the "how's" and "why's" of film editing, and its complexities in our modern age.