The Cambridge Companion to Orthodox Christian Theology
The Cambridge Companion to Orthodox Christian Theology

Author: Elizabeth Theokritoff

Publisher: Cambridge University Press

Published: 2008-12-18

Total Pages: 348

ISBN-13: 1139827944

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Orthodox Christian theology is often presented as the direct inheritor of the doctrine and tradition of the early Church. But continuity with the past is only part of the truth; it would be false to conclude that the eastern section of the Christian Church is in any way static. Orthodoxy, building on its patristic foundations, has blossomed in the modern period. This volume focuses on the way Orthodox theological tradition is understood and lived today. It explores the Orthodox understanding of what theology is: an expression of the Church's life of prayer, both corporate and personal, from which it can never be separated. Besides discussing aspects of doctrine, the book portrays the main figures, themes and developments that have shaped Orthodox thought. There is particular focus on the Russian and Greek traditions, as well as the dynamic but less well-known Antiochian tradition and the Orthodox presence in the West.

Theology of the Icon
Theology of the Icon

Author: Léonide Ouspensky

Publisher: St Vladimir's Seminary Press

Published: 1992

Total Pages: 208

ISBN-13:

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This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]

Images of the Divine
Images of the Divine

Author: Ambrosios Giakalis

Publisher: BRILL

Published: 2021-11

Total Pages: 170

ISBN-13: 9004474455

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This analysis of the arguments for and against icons presented at the Seventh Ecumenical Council of 787 provides a fresh insight from an Eastern Orthodox point of view into the role of icons as channels communicative of divine life.

Icons in Time, Persons in Eternity
Icons in Time, Persons in Eternity

Author: Dr C A Tsakiridou

Publisher: Ashgate Publishing, Ltd.

Published: 2013-03-28

Total Pages: 630

ISBN-13: 1409472337

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Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.

Theology of the Icon
Theology of the Icon

Author: Léonide Ouspensky

Publisher:

Published: 1992

Total Pages: 204

ISBN-13:

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This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]

The Meaning of Icons
The Meaning of Icons

Author: Léonide Ouspensky

Publisher: St Vladimir's Seminary Press

Published: 1982

Total Pages: 236

ISBN-13: 091383677X

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"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.

Icons in the Western Church
Icons in the Western Church

Author: Jeana Visel

Publisher: Liturgical Press

Published: 2016-09-06

Total Pages: 192

ISBN-13: 0814646840

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Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.

Icon
Icon

Author: Georgia Briggs

Publisher:

Published: 2017-04-20

Total Pages: 208

ISBN-13: 9781944967192

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Forget your old name. Forget your parents. These are the things Euphrosyne's grandparents and counselor tell her. But if Orthodox Christianity is a lie, why did the icon so dramatically save her life? And what can she do to get the icon back? In a post-Christian America, where going to church, praying, or owning holy things means death, a twelve-year-old girl searches for the truth. Finding it may cost her everything.distinctives*One-of-a-kind Orthodox novel in the popular dystopian genre*Strong, relatable heroine faces some of the same issues as contemporary teens*Powerful exploration of religious persecution, seen from the inside*Recommended for ages 13 and up

Icons and the Name of God
Icons and the Name of God

Author: Sergiĭ Bulgakov

Publisher: Wm. B. Eerdmans Publishing

Published: 2012-02-27

Total Pages: 193

ISBN-13: 0802866646

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In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.